Arts and Culture : Development News

What would Jeweler’s Row look like with a brand-new 16-story mixed-use residential tower plopped onto the 700 block of Sansom Street? Philly citizens are grappling with the prospect ever since The Inquirer broke the news about the proposed Toll Brothers development. The Preservation Alliance for Greater Philadelphia acted quickly.

To unify the voices who believe that demolishing five properties from 702-710 Sansom Street would be a loss to Philly’s historic urban fabric, the Preservation Alliance launched a Save Jewelers Row! petition, addressed to City of Philadelphia Director of Planning and Development Anne Fadullon.

Less than a week after its launch on August 11, the petition had garnered almost 3,500 signatures and many comments from concerned locals.

"It was a tool available to give the many people out there who find this proposal shocking and upsetting a voice -- to say to City officials and the developer that we, Philadelphians, don’t want this to happen on Jewelers Row," explains Paul Steinke, executive director at the Preservation Alliance.

He says that the targeted buildings on the brick-paved street are typical of the original Jewelers Row built environment: "small-scale buildings of different sizes, shapes and styles," many dating from the mid-19th century.

"Jewelers Row is the oldest diamond district or jewelry district in the U.S., and the second-largest after New York," adds Steinke, calling it "one of the most iconic retail districts in the city."

The petition’s immediate goal is saving the buildings in question, and maybe with a strong enough response from preservationists and area residents, the developer could be persuaded to build on vacant land or a parking lot.

"Gouging out these six buildings will forever alter Jewelers Row and ruin one of our city’s most iconic destinations," the petition reads.

But Steinke also hopes the petition will help bring attention to larger issues, including the neighborhood’s CMX-5 zoning code, which enabled the project in the first place. That zoning -- which is the same zoning as for buildings like the Comcast Center or Liberty Place -- is "too dense for a street like Jewelers Row," he insists.

Another issue is that Jewelers Row is not a designated local historic district. It’s recognized as "contributing to a national historic district," but is not itself protected. The trouble lies with Philly’s Historical Commission, which, according to Steinke, has not designated any new historic districts since 2010.

"I think the interest in [the petition] is really prodigious," he adds. "It sends a strong signal that Philadelphians care about their city’s historic fabric and are concerned about its potential loss at the hands of developers."

Writer: Alaina Mabaso
Source: Paul Steinke, Preservation Alliance for Greater Philadelphia

For the ninth straight year, an international event celebrating the transformation of public space is coming to Philadelphia. PARK(ing) Day, held worldwide on the third Friday of September, invites individuals and groups to temporarily repurpose a city parking space for relaxation, play and education. The 2016 incarnation is happening citywide on Friday, September 16 from 10 a.m. - 4 p.m.

Founded by the San Francisco-based Rebar Group in 2005, PARK(ing) Day came to Philly in 2008. The next year, the local Center for Architecture and Design (CAD) took the event under its umbrella.

"It’s certainly grown," says CAD Associate Director David Bender. In 2015, there were approximately 60 participating teams, up from about 25 in 2008. A wide variety of groups create spaces with themes from local history to stormwater management to neighborhood revitalization. Some simply repurpose what is usually a parking space into a miniature day-long oasis for anyone passing by.

CAD has even instituted a special prize: the Golden Cone Award. The five categories vary by year based on what participants dream up. Last year one of the winners was a parklet created by the North 5th Street Revitalization Project -- it won for being the site furthest from Center City: about 57 blocks north.

"We’ll see if anyone gets even further than that [this] year," says Bender. "What’s great about Philadelphia in particular is that the Parking Authority has really come on board full force, and they encourage us to do this. Philadelphia sees the value in public spaces and we’ve got leadership that can see beyond their narrow mandate."

According to Bender, the major goals for the day are for the public to have fun, ro see the value of public space, and to "begin to question the way that our environment is designed, and if it’s designed in a way that best serves our community today."

PARK(ing) Day Philadelphia is presented by the CAD in partnership with the Philadelphia Parking Authority, AIA Philadelphia, the Community Design Collaborative and the Charter High School for Architecture and Design. To celebrate, there will be food and music at a PARK(ing) Day after-party and awards ceremony from 5:30-7:30 p.m. at the Center for Architecture and Design (1218 Arch Street).

The deadline to register is Wednesday, August 31. More info and the required forms are available online.

Writer: Alaina Mabaso
Source: David Bender, The Center for Architecture and Design  

When a major community hub loses its lease, what happens next?

About a year ago, we spoke with Mt. Airy Art Garage (MAAG) leaders about moving forward after unexpectedly losing their space. It was quite a blow given the nonprofit’s investment of about $250,000 to rehab and customize the formerly vacant and unfinished property near the corner of Germantown and West Mt. Airy Avenues.

Now things are looking up thanks to a partnership with Mt. Airy USA, a local community development organization.

"I think we’ve always recognized how important the artist community is for the neighborhood," says Mt. Airy USA Executive Director Brad Copeland. He’s been working with MAAG co-founders Linda Slodki and Arleen Olshan to give their organization a home in an upcoming mixed-use redevelopment on the 6600 block of Germantown Avenue.

The targeted site is actually two different parcels: Mt. Airy USA had already acquired the property at 6651-53 and begun a rehab; the more recently purchased lot is next door at 6657-59.

The building at 6657-59 was "the most blighted building on that stretch of Germantown Avenue," explains Copeland, calling it "a high-priority property for us…we started thinking about the site as a whole -- what we could do with the combined parcels."

That was when Mt. Airy USA reached out to Slodki and Olshan about whether the new space’s potential commercial footprint of 2,500 square feet could be a good fit for MAAG. The conversation continued from there. Copeland estimates that the new building will be ready for occupancy sometime in 2018 (Mt. Airy USA will partner with a to-be-announced developer).

The organization hopes to have a plan in place for the design and construction of the property -- anchored by MAAG with residential space and perhaps some artist studios -- by this fall. A public meeting in October or November will be held so community members can offer input to the developer.

"There’s a lot of activity in the neighborhood," says Copeland. "It did make sense for us to try to find out how to be good partners."

MAAG has to vacate its current location on August 31. Until it moves into the new space, the organization will be in pop-up mode. Some events will land at 6622 Germantown Avenue; classes and artist group meetings will take place at the Philadelphia Immigrant Innovation Hub at 6700 Germantown Avenue. Patrons and members can visit MAAG at the Lutheran Theological Seminary for Philadelphia Open Studio Tour and the organization's annual Holiday Art Market later this year.

"It’s a pretty exciting project," adds Copeland. "I think the opportunities that come out of it for further kinds of collaboration are even more exciting."

Writer: Alaina Mabaso
Source: Brad Copeland, Mt. Airy USA

Currently, the most profitable trend for developers is to convert Philadelphia's former industrial behemoths into residential properties. But Shift Capital leaders Brian Murray and Matthew Grande say they're resisting the advice of most brokers with their massive MaKen Studios project on I Street in Kensington. 

"The first thing this area needs is jobs," not more housing, insisted Grande, Shift’s Chief Operating Officer, during an early August presentation to local organizations including Generocity, Campus Philly, Urban Affairs Coalition, PIDC and Flying Kite.

Shift Capital, "a real estate impact group" focused on urban revitalization through "shifts in environmental, social, and economic viability," is finally ready to "start talking to the greater Philadelphia community about what we’re doing," added Founder and Principal Brian Murray.

With a poverty rate nearing 60 percent and a lack of anchor institutions -- such as universities and hospitals -- Kensington relies on the innovation and collaboration of smaller groups like Impact Services CDC and New Kensington CDC.

In Shift’s upcoming MaKen Studios, former industrial space will be available for rent to interdisciplinary artists, small businesses and manufacturers. The project includes two massive buildings in Kensington’s Harrowgate neighborhood at 3525 and 3401 I Street.

Shift purchased the building at 3525 -- dubbed "MaKen North" (home of Jomar Textiles, Inc. until 2010) -- in December 2013 and "MaKen South," the building at 3401 (which includes 8000 square feet of space for the operations and distributions of Snap Kitchen) in February of 2013. The latter building includes 25,000 square feet of south-facing open space, perfect for events overlooking the city.

The former Jomar building will house Shift Capital’s new offices (currently the company operates out of a space on Castor Avenue just south of the Erie-Torresdale stop on the Market-Frankford Line). Prospective tenants already on the docket include a woodworker, a metalworker, a photographer and a small-batch manufacturer. Grande estimates that renovations will be completed in November

Lease terms for the spaces will be flexible, he says -- they could span anywhere from one to ten years. Some makers and companies tour the half-finished spaces and want to sign on right away; others feel that they’d be ready within a few years.

Grande and Murray hope that MaKen Studios will be the perfect spot for a wide range of makers and small businesses, creating much-needed local jobs and taking advantage of the neighborhood’s accessibility to Center City: under twenty minutes on the Market-Frankford Line, and even closer to Fishtown and Northern Liberties.

Writer: Alaina Mabaso
Sources: Brian Murray and Matthew Grande, Shift Capital

Before this year, locals and tourists who were interested in the stories of the Philadelphia's built environment had limited options. But thanks to a brainstorm from Center for Architecture and Design Associate Director David Bender, there’s a new resource in town for those who want to go beyond Independence Hall and Elfreth's Alley.

A team of partners -- including the Center for Architecture, the Preservation Alliance for Greater Philadelphia and Hidden City Philadelphia--  have joined forces for a new collaborative resource that pools listings of various tours: TourPHL.org.

"There’s an appetite out there to explore other parts of Philadelphia, but it is less economically viable," explains Hidden City Project Director Peter Woodall, comparing the offerings of an organization like Hidden City against major for-profit tourist draws like Ride the Ducks. "[This is] why you see most of the tours that are outside that Colonial center being run by nonprofits."

TourPHL partners and their offerings represent what Woodall calls areas "that the market doesn’t really service, but are really important and are valuable.”

The project was sparked by Bender in spring 2015. The partners began to bat around ideas about how they could better cooperate -- a website where all the organizations could list their tours was the top idea that emerged.

A few months ago, TourPHL launched. It’s still in its early stages and Woodall has been working to build and maintain it.

He hopes that as the site attracts more traffic, it will gain visibility for locals and tourists who want to "find all of these in-depth tours that go way beyond the Colonial Philadelphia," he says.

Hidden City (coming up on its fifth anniversary this September) is already good at reaching local fans through published stories and social media, "but if you’re just rolling into Philly for a visit, that’s a completely different marketing situation that requires a lot of work," explains Woodall. Now all the information is in one place.

Woodall points to popular Hidden City tours like one of Mt. Moriah Cemetery (which actually spans the Philadelphia city line into Yeadon); one focused on Philly’s industrial history; a bike tour with SPOKE Magazine; and a tour from Center City up into Northern Liberties and Kensington, inviting participants to "understand how you might read certain cues in the urban landscape, and extrapolate from there certain things about how the city developed."

While TourPHL.org grows, folks can follow along on Facebook for information on events like Hidden City’s August 13 Forgotten North Broad Street Tour.

Writer: Alaina Mabaso
Source: Peter Woodall, Hidden City Philadelphia 

The new South Philadelphia Library is open on Broad Street, but it's only the first of five major renovations planned at libraries across the city. And while work is officially underway on the Tacony Library at Torresdale Avenue and Knorr Street -- it's scheduled to last 18 months -- Tacony isn’t missing a beat in the meantime.
 
"These renovations don’t mean this community should go without a library," explained Sixth District Councilman Bobby Henon at the opening of the Tacony Library and Arts Building (LAB) on June 29. While construction on the new building continues (as part of the Free Library’s Pew-funded Building Inspiration: 21st Century Libraries Initiative), a partnership between the Mural Arts Program (MAP), the Free Library and the Tacony Community Development Corporation has led to this temporary space.
 
Now open at 6918 Torresdale Avenue, LAB occupies a street-level storefront that has been vacant for almost three years. Speakers at the opening included Free Library President and Director Siobhan Reardon and Tacony CDC Director Alex Balloon. They connected the temporary space to the mission of the future library: offering support and resources for small business owners, and spurring the evolution and revitalization of Tacony's commercial corridor.
 
LAB, a "hub for learning, creativity and community engagement," according to the Free Library, will host two MAP artists-in-residence: Nick Cassway (who hopes to develop a solar-powered parklet) and Mariel Capanna (a fresco artist whose residency will focus on the neighborhood’s industrial history). LAB will also play host to public art events, storytime for kids, a computer lab and free WIFI, and a selection of books to borrow.
 
"How we bring art and literature together will be a great experiment at Tacony LAB," said Reardon.

MAP Founder and Executive Director Jane Golden described the space as active and participatory, and hopes that more like it will result from similar partnerships in the future.
 
"It’s an awesome place and something that’s going to be modeled throughout the city of Philadelphia," added Henon.
 
Tacony LAB will open from noon to 8 p.m. on Mondays and Wednesdays; 10 a.m. - 6 p.m. on Tuesdays and Thursdays; and Fridays from 10 a.m. - 5 p.m.
 
Writer: Alaina Mabaso
Sources: Councilman Bobby Henon and other LAB speakers 

In March, we looked in on the reopening of Bartram House after a $2.7 million renovation project that included vital exterior rehabbing and the construction of 12 geothermal wells. Then on July 14, Mayor Jim Kenney, Senator Anthony Williams, Bartram’s Garden Executive Director Maitreyi Roy and other leaders formally celebrated the restoration of the Ann Bartram Carr Garden, an important 19th century horticultural landmark. (Bartram’s Garden is in our current On the Ground neighborhood.)
 
Developed and maintained on the west side of the house by John Bartram’s granddaughter Ann Bartram Carr (1779-1858), the garden featured ten greenhouses, 1,400 native plant species and about 1,000 exotic plants. Building on the Bartram family legacy of horticultural art, collections and writings -- as well as a world-wide trade in seeds and plants -- the enterprise started in 1810 and continued until the property’s sale in 1850.
 
Buyer Andrew Eastwick preserved the property until the City of Philadelphia took over the historic site. Stewardship of the house and grounds continues to this day in partnership with the John Bartram Association, formed in 1893.
 
Now Carr’s restored 19th-century flower garden is open to the public. Bartram's hosts about 50,000 visitors per year, and the upcoming Bartram’s Mile trail will boost those numbers.
 
"This is what it feels like to steward a legacy," said Bartram's President Elizabeth Stressi-Stoppe of combing through the site’s photographic, archival and architectural history and bringing the garden back to life. "We wanted to get it right."
 
"Ann remains as important today as she did in her time," added Roy.
 
The renovation of recreation centers and gardens is "essential for investment in our neighborhoods and communities," said Mayor Kenney, calling the new Bartram’s Philly’s "living room." He pointed to the fact that all state and city funding for the project came thanks to taxpayers putting their dollars into community green space.
 
"I’m proud to be a Philadelphian today," he enthused.
 
Councilwoman Jannie Blackwell praised the site as a burgeoning destination not only for Philadelphians, but for travelers from across the country. Bressi-Stoppe called it a "nexus" for the cultural, physical and programmatic improvements happening all along the Schuylkill River.
 
Senator Williams touted the "vision, commitment and tenacity" of the Bartram’s board, staff and partners, and called his support for its funding "a simple responsibility," especially since his own father grew up nearby. He also pointed to the Bartram family’s Quaker legacy of peace, understanding and humanity.
 
"It’s much bigger than a garden to me," he continued. "Today is a statement. For all the violence, this is a place of peace."
 
Writer: Alaina Mabaso
Sources: Ann Bartram Carr Garden speakers
 
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

According to a study by Pew Charitable Trusts, 34 percent of Philly’s library visitors are looking up health information. The new South Philadelphia Library -- now open in the South Philadelphia Community Health and Literacy Center at Broad and Morris Streets -- features a Community Health Resource Center. It is perfectly placed to help patients coming from neighboring Health Center 2 or Children’s Hospital of Philadelphia (CHOP) Pediatric Primary Care Center who need further information from a reliable source.

The Health Resource Center will have a staff trained by the University of Pennsylvania’s Center for Public Health Initiatives; they will direct patrons to accessible, accurate information about their health. If patrons come downstairs after a doctor visit for themselves or their children, help is right at their fingertips.

Sandy Horrocks, Vice President of External Affairs for the Free Library of Philadelphia, touts the value of customized assistance: When people try to research a diagnosis online, they’re likely to end up on corporate websites, which can have value, "but we want to make sure people aren’t getting only information from a pharmaceutical company," she says.

The new facility -- part of a revamp of five Free Library locations across the city (aka the Building Inspiration: 21st Century Libraries Initiative) -- is the city’s first new library in over 10 years. It happened thanks to a partnership with CHOP, Health Center 2, and the DiSilvestro Recreation Center. Horrocks is pleased that it’s open just in time to host summer reading programs for local school kids.

CHOP leaders sparked the collaboration when they were looking to relocate a pediatric center -- the Broad Street location was appealing. The rec center in the back needed renovations and so did the existing library.

Through a conversation with CHOP’s then-CEO Steven Altschuler, Free Library President Siobhan Reardon and City officials, stakeholders came to the decision to "bulldoze the entire block, put up this brand-new wonderful facility -- including a beautiful park -- and all work together," recalls Horrocks. "It’s been a terrific experience."

The 12,000-square-foot library space, which expects to welcome 150,000 visitors a year, includes the Community Health Resource Center, a "living room" area to encourage gatherings and host library programming, a space for teens, a "Pre-K Zone," a computer lab, and study rooms. Local community nonprofits who need meeting space are welcome. The only surviving mural by author and illustrator Maurice Sendak is on display in the Children’s Library after a five-year stint at the Rosenbach Museum.

The project was made possible thanks to dollars from the Sheller Family Foundation, the Patchwork Foundation, the Cannuscio Rader Family Foundation, Nina and Larry Chertoff, and the William Penn Foundation. 

"It’s meant to have the feeling of a living room," says Horrocks of the library. "We want people to interact with each other and not be so isolated."

Writer: Alaina Mabaso
Source: Sandy Horrocks, the Free Library of Philadelphia 

The nonprofit Chester Charter School for the Arts (CCSA) has been renting space in Aston, PA, since its inception in 2012. But in June, the school broke ground on a brand-new $25 million, 11-acre campus; it should be open by fall 2017.

"There isn’t much in the way of this kind of development happening in Chester," says Keren White, executive director of the Chester Fund for Education and the Arts, CCSA’s precursor and now its development and marketing arm. "A new school hasn’t been built in Chester for several decades."

When CCSA opened, it offered kindergarten through sixth grade, and the school has expanded by one grade each year. Currently, this non-selective public school serving the Chester Upland School District has almost 500 K-9 students. For the 2017-18 school year, they will welcome 11th graders, and then 12th graders in fall 2018. At that point, the school will maintain an enrollment of about 650 students, with a maximum of 25 students per class.

"Arts Integration" is key at the school, combining rigorous core academics with dance, music, theater and visual arts classes. The model works, according to CCSA: In 2014, the school achieved the third-highest year to year improvement among 800 Philly-area public schools; it currently boasts a 96 percent attendance rate.

CCSA isn’t Chester's only charter school: there’s also the K-8 Chester Community Charter School, which currently serves around half the kids in the district (about 3,500 students). CCSA will ultimately have the capacity to serve about 10 percent of the district’s kids.

"If we can really educate 10 percent of the kids to a high standard, then potentially we’ll have a huge impact on this population," says White.

The new CCSA campus at 1200 Highland Avenue -- a three-story, 90,000-square-foot building -- will feature a gymnasium, a multi-purpose cafeteria/auditorium, music space, art studios and a kiln, science and media labs, and dance studios. Outside, there will be athletic fields, a new playground, and ample parking alongside new landscaping and trees. In a later phase of construction, which could be as early as 2018, the campus will add a 350-seat performing arts center with its own costume and set design workshops.

White says the Fund is raising $7 million of the total $25 construction budget ($3.825 million is already in place) and will finance the rest.

"We just really believe in Chester," says White. "The people in Chester are great people…and they haven’t had the opportunities that other people have had. We’ve really invested for the long term."

Writer: Alaina Mabaso
Source: Keren White, The Chester Fund for Education and the Arts 

As part of a $36 million renovation at the Central Branch of the Free Library of Philadelphia, Philly’s Office of Arts, Culture, and the Creative Economy’s (OACCE) Percent for Art Program has announced a $50,000 competition for a site-specific artwork.

Because the Free Library’s main branch is "such a flagship building" with a central Parkway location, "we’re hopeful we’ll get a lot of interest," says Margot Berg, OACCE’s public art director. She expects up to 100 applications from artists nationwide who want to put their mark on this historic space.

The Parkway library first opened in 1927 and now serves more than one million visitors each year. The planned renovations -- part of the Library’s Building Inspiration: 21st Century Libraries Initiative -- will be designed by Safdie Architects. The remodel will focus on the north-facing rear section of the library in what is now the stacks.

According to OACCE, 35 percent of the Library is currently open to the public, with the rest reserved for staffing and storage. The plan is to open up tens of thousands of square feet across two floors, reversing the ratio of public to administrative areas.

The renovations will create four new public amenities: The Common, The Business Resource and Innovation Center (BRIC), The Marie H. and Joseph M. Field Teen Center, and a new Grand Central Staircase.

For the art installation, the Library, Percent for Art and the architects settled on a location spanning the first and second floors of the renovated space: a two-story open shelving system.

"This was the best opportunity, and something that had high visibility in the library," explains Berg. Space on the floor and the walls is at a premium, and suspended artworks can be expensive and difficult to maintain. This made an art piece targeting the shelving itself the best option.

At this point, it’s impossible to know what prospective artists might propose, but Berg says they could incorporate a series of small objects or sculptures that nest visibly within the shelves and invite viewers to discover them, or it could be some type of visual treatment to the surface of the shelving itself.

Currently, the call is in stage one: the Request for Qualifications officially closes on June 29 at 5 p.m. The competition will be tough: According to the RFQ, only about five applicants will be selected to submit full proposals, with the help of a $750 honorarium. These finalists will be notified in mid-July, with full proposals due later that month. By early October, the artist will be chosen and notified. Fabrication and installation of the artwork is slated for completion in 2017.

"This project has been a long time coming," says Berg of the renovations. "It’s all about rebuilding, continuing to have libraries be a hub for meeting and learning, and for doing business going into the next century. We’re happy to be a part of that."

Writer: Alaina Mabaso
Source: Margot Berg, the Office of Arts, Culture, and the Creative Economy

This year, a Pennsylvania Horticultural Society pop-up is offering a preview of the upcoming Viaduct Rail Park. Last December, we reported on PHS' plans for an installation somewhere along the planned promenade in the Callowhill neighborhood (our recent On the Ground home) and now a new summer beer garden is open at 10th and Hamilton Streets on the north side of Viaduct.

"What’s exciting about this is it gives you a snapshot of what this will be ultimately," said Mayor Jim Kenney at an opening night party on June 10.

Walter Hood of Hood Design is behind the new space. A former gravel parking lot in the shadow of the Viaduct, the site "merges the post-industrial overhead structure with the green urban space," explains PHS Associate Director of Landscape Design Leigh Ann Campbell.

The beer garden features large, colorful boxes reminiscent of shipping containers and a performance area with metal framework repurposed from Hood's recent exhibit at the PHS Flower Show. The plants in the garden itself are those that "naturally emerged on the Viaduct after it was decommissioned," explains Campbell; these include Paulownia trees, sumacs, ferns and milkweed.

On Saturday, June 18 at 5 p.m., the pop-up will host a special opening event for a site-specific sound installation from artist Abby Sohn, which will "make use of the iron structure to create a sonic experience that explores the cultural heritage and the rail site’s creative potential," according to PHS.

The food comes from chefs Jason Chichonski (of ELA and Gaslight) and Sylva Senat (of Dos Tacos and Maison). Six taps, canned beer, wine, cocktails, sangria and more will round out the beverage offerings.

There will also be a variety of programming throughout the summer, including special themed dinners, acoustic music performances, garden workshops for containers and window-boxes, and even lessons on mixing drinks made with home-grown herbs. The Philadelphia Public History Truck will also make appearances thanks to support from the Mural Arts Program. (Here’s the full line-up of happenings.)

A variety of funders, partners and supporters made the site possible, including property owner Arts & Crafts Holdings, the Pew Center for Arts & Heritage, the Friends of the Rail Park, the Historical Society of Pennsylvania, Viaduct owner Reading International, Victory Brewing Company, the Callowhill Neighborhood Association and the Land Health Institute. All proceeds from the garden will support PHS’s City Harvest.

Campbell said the pop-up isn’t just a good place to get dinner and drinks and enjoy a new slice of green in the city. The service berry bushes planted all around the park’s perimeter draw all kinds of birds to feast right along with the human city-dwellers.

"If you’ve never heard a catbird sing," she adds, come over and listen.

The Viaduct Rail Park will be open through September 30.

Writer: Alaina Mabaso
Source: Leigh Ann Campbell, the Pennsylvania Horticultural Society 

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

More than two years after its completion, a mural that community members spent fifteen years planning will finally be officially dedicated. The event is coming up on April 30, presented in partnership with Flying Kite’s On the Ground program, the East Parkside Residents Association and the City of Philadelphia Mural Arts Program, which landed in Parkside last year.
 
Callalily Cousar, a longtime Parkside resident and founding board member of the East Parkside Residents Association, is proud of the mural. "North Star: The Journey to Freedom," by Delia King, was completed at 1100 N. 41st Street in fall 2014.

"It means unity and community," she says. "We’re hoping for it to be a legacy for our children." 
 
According to the Mural Arts, which helped create the piece, it "references African-American quilts, which would often hold directions for those escaping slavery on how to reach the free states and Canada." It’s not surprising that the North Star was a common visual theme in these quilts.
 
"It was part of our history," says Cousar of the design. "Every star was supposed to be the guiding star for freedom…It’s supposed to be a light."
 
"We’re proud of it on that wall," she continues, emphasizing that the mural’s installation was a collaborative neighborhood effort. "I personally worked on some of the stars…It was a community thing that brought a lot of joy."
 
A playground at the 41st and Poplar site was an early goal of the Residents Association and it took a dozen years to achieve after the group coalesced in 1993. Local kids didn’t have anywhere to play and used to run in the streets. Original board members Harvin Thurman, Ronald Coleman, Bertha Cranshall, Ben and Kathleen Gambrell, Naomi Smith, Dorothy Crawford, Dorothy Wilkins and Dorothy Ferguson -- many of whom had lived in the neighborhood for forty years or more -- were champions of the project. Councilwoman Jannie Blackwell also supported the project, both physically and financially.
 
"We’re proud of it. It’s a small thing to some people," says Cousar, "but it’s an important accomplishment to the Parkside neighbors."
 
The history the mural honors is crucial, too.
 
"It’s something that we wanted our children to know," she says, adding that the dedication will feature speakers, food, family activities and African drumming.

The event will take place by the mural on Saturday, April 30, from noon - 2 p.m.
 
Writer: Alaina Mabaso
Source: Callalily Cousar, East Parkside Residents Association
 
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.
 

From an abandoned street to a giant stretch of grass with nothing on it, three city sites now have the tools for major makeovers. Last week, we looked in on the end of the Community Design Collaborative’s Play Space Competition, which ultimately focused nine teams on three spaces in need of a revamp for young users.

The winning design for the Waterloo Recreation Center (Philadelphia Parks & Recreation) is titled "Rebosante" and it’s from Roofmeadow, Studio Ludo and Space for Childhood.
 
"Waterloo is a fascinating site that was a series of backyards: actually, a street, that had been abandoned and cobbled together as a playground," says Play Space Program Manager Alexa Bosse. "It has this very odd configuration, where it’s mostly inner blocks surrounded by houses," with low visibility from the street, leading to long-term problems with illegal activities there.

About a year-and-a-half ago, local organization Men in Motion in the Community (MIMIC) negotiated with Parks & Rec to base their all-volunteer group out of an onsite building, cleaned and painted the playground, and worked to deter the crime there.
 
MIMIC will take an important role in maintaining a redesigned site, an important detail for the Collaborative in choosing the spot.
 
The existing basketball courts and pool will stay, but an adjacent splashpark will augment the summer space. Four "wild nature areas" are in the works for the corners, incorporating hills, mounds and branches for play-time, as well as stormwater management.
 
The Free Library’s Blanche A. Nixon/Cobbs Creek Branch, another competition site, has a unique challenge: It’s a de facto childcare center, with many families using it at a safe after-school space.

"A library is not a typical space to go to for a play space, but they have a lot of interest in creating opportunities for kids to get their crazies out," explains Bosse -- as anyone who has just come from eight hours in school remembers.
 
The design, titled "Play Structure | Story Structure," came from Ground Reconsidered Landscape Architecture, Designed for Fun, Friends Select School, J R Keller LLC Creative Partnerships, Meliora Environmental Design LLC, and the Parent-Infant Center. It evolved out of on-site brainstorms from Friends Select second-graders.
 
The plan is inspired by the narrative structure of a book or story. The tri-cornered site will feature new play space in one corner, a fronting "grand plaza" in another, and a "quieter, more meditative area" for the community with plants, shade trees and stormwater management.
 
The design for the School District’s Haverford Bright Futures in Mill Creek -- dubbed "Bright Futures Chutes and Ladders" -- came from Atkin Olshin Schade Architects, Meliora Environmental Design, LLC, Viridian Landscape Studio, International Consultants, Inc. and the Parent-Infant Center.
 
"It’s an interesting site because it’s very large, and there’s a very large lawn," says Bosse. The Collaborative found a need for better community connection to the site since the school for three- and four-year-olds has a12:30 p.m. dismissal time. "The school is very open to being a place where other community members can come."
 
The winning design divides the lawn up in a Chutes and Ladders-style grid, with different play opportunities in each section, along with preserved lawn space, shade, room for adults to sit, and an amphitheater space for community gatherings in the back.
 
Each site, now with completed designs and budget plans in hand, is equipped to seek the funding to make them a reality.
 
Writer: Alaina Mabaso
Source: Alexa Bosse, Community Design Collaborative

While Bartram’s Garden has been gearing up for new visibility and an influx of visitors thanks to construction of the Bartram’s Mile segment of Schuylkill Banks, its historic house has been closed for renovations.

On April 1, it will be reopen with a compelling mix of old, new and new-to-us environments and programming. (This spring, our On the Ground program will land nearby in Kingsessing.)

"We’ve been fundraising since 2010," explains Bartram’s Garden Assistant Director Stephanie Phillips. With help from a $1 million state Redevelopment Assistance Capital Program grant -- which Bartram was required to match -- the budget for the revamp grew to $2.7 million. The design phase commenced in 2014, and construction took place throughout 2015. The improvements range from a new roof and interior renovations to a cutting-edge geothermal heating and cooling system – the latter quite a feature for a house dating back to 1731.

"It was a great opportunity for us," says Phillips of bringing in the geothermal system. It’s not the first area historic site to install one, but probably the largest, with four main buildings and all the site’s historic outbuildings now on green climate control.

It was a special challenge, geologically speaking, because if you go back several hundred thousand years, the area wasn’t dry land at all: It was under an ocean.

"What we didn’t know was that Bartram’s Garden was on the site of a large sand dune," explains Phillips. If you need to dig 12 wells to a depth of 500 feet each, you have quite a job on your hands once you hit that ancient sand. Ultimately, they had to line the wells with steel casing and import a specialized Canadian drill.

New programming includes a Women of Bartram’s Garden tour -- as Phillips says, "broadening how we tell our story" -- which up until now has focused mostly on farm founder John Bartram, a famous botanist and co-founder of the American Philosophical Society with Benjamin Franklin. When Bartram was traveling in search of his prized plants, his second wife Ann Mendenhall, with whom he had nine children, managed their 200-acre farm. Their son William Bartram took over the site, and after 1810, his niece and John Bartram’s granddaughter Ann Bartram Carr continued the family legacy. She added ten greenhouses to the site.

A recreation of Ann Bartram Carr’s original portico and garden, which graced the western entrance of the house in the 1800s, is still under development at the site. Carr was an extraordinary figure in the art and horticulture world. New outdoor spaces and programming will introduce the public to her story.

"[The improvements] really coincide with the arrival of the Bartram’s Mile trail," adds Phillips. They will create "a much more welcoming experience" for visitors who arrive via the new amenity. For a long time, the west side of the house has been "treated more like a public park, and now it’s going to be treated more like a botanical garden."

Watch Flying Kite for more news at Bartram’s and developments on the Bartram’s Mile trail.

Writer: Alaina Mabaso
Source: Stephanie Phillips, Bartram’s Garden

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

In 2013, the Hidden City Festival built a lot of buzz by re-opening the old Germantown Town Hall to the public for the first time in over fifteen years; the building was abandoned in 1997.
 
After five weeks of programming at the neo-classical national historic landmark at Germantown Avenue and Haines Street, an avid neighborhood consortium formed. Helmed by local artist and architect Charlie McGloughlin, The Town Hall Collaborative -- along with participating groups like the Germantown Artists Roundtable and others -- sought to keep a public spotlight on the building, in hopes of finding a use for it.
 
So, has there been any progress on a new life for the iconic building constructed in the 1920s? (The site's original Town Hall was built in 1854 and demolished in 1920.)
 
Due to growing responsibilities at his day job, McGloughlin is no longer leading efforts to re-animate the building. As he told Flying Kite in a February email, "No one else really stepped forward to lead the Collaborative."
 
Meanwhile, efforts to find a buyer for the 20,000-square-foot City-owned building (dubbed surplus public property) continue, with PIDC handling the marketing and sale. The Fairmount Park Conservancy has also stepped in on the marketing side.
 
"We continue to show the property," says Senior Director of Preservation and Project Management Lucy Strackhouse. Potential buyers have mulled everything from senior or veterans' housing to artist studios, and there has been an uptick in interest since the recent recession eased.

"The dilemma is that almost everyone who sees the building says we can’t do this without some kind of public subsidy," explains Stackhouse, noting the extensive renovations needed. The challenge lies in coming up with "a use for the property that makes sense for the neighborhood, for Germantown itself, and have some funding."
 
The closure and sale of Germantown High School makes the vacancy and declining condition of the Town Hall a double punch for the corridor.
 
"The Conservancy’s been interested in the building because we’ve worked with historic properties throughout the city," says Strackhouse. "It’s such a large, iconic building just up the street from Vernon Park -- where we’ve been working with the Black Writers Museum -- so we’re very concerned that it’s just sitting there deteriorating."
 
According to Strackhouse, zoning specialist Patrick Jones from 8th District Councilwoman Cindy Bass’s staff has also been working to facilitate a sale, but Bass’s office did not return a request for comment.
 
"It’s disappointing," says Strackhouse of the current lack of progress. "We’re hoping we’re going to find that knight in shining armor that’s going to come in and rescue the building, but so far that hasn’t happened."
 
Writer: Alaina Mabaso
Source: Lucy Strackhouse, the Fairmount Park Conservancy
 
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.