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Rittenhouse Square : Innovation + Job News

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Designer Amy Devan is making fashion waves from Philly

Most fashion designers dream of living and working in New York, London, Paris or Milan, where the big fashion weeks happen. But Amy Devan made a different choice.

The creative director of Naveda, a two-year-old luxury womenswear brand, spent most of her childhood in Philadelphia and earned her MBA at Drexel University. She founded her brand in 2013 while living in New York City. Six months ago, she made the move back to Philadelphia because she recognized it was a great place to be. Now she has a studio near Rittenhouse Square where she meets with clients for custom couture and works on her ready-to-wear line, which is sold online and in boutiques across the country.

"I thought it was really good timing to move to Philadelphia," she explains. "There's so much creativity here. I really wanted to be part of that."

Devan designs for the woman she is and wants to be: a free spirit who loves the best in materials and details. Her brand has two divisions: ready-to-wear and custom couture/bridal. Her customer tends to be a Free People customer, later in her life, and with more money to spend.

"Even though there are two segments, it's the same aesthetic, the same customer," says the designer.

Her clothes look like one-of-a-kind vintage pieces -- flowing silhouettes, beaded accents and intriguing colors. Devan has captured the attention of American and international media, and has shown her collections at New York and London Fashion Weeks in the last two seasons. Her brand is growing and she currently has a team of ten, some of whom work remotely.

Up next for Naveda is launching a ready-made couture collection, and merchandising the Fall 2015/Winter 2016 ready-to-wear collection. 

Writer: Rosella LaFevre
Source: Amy Devan, Naveda

 

Composer Michael Kiley channels public art through your mobile device in Rittenhouse Square

Michael Kiley, a local composer and sound installation artist, has seen far too many people moving through the city glued to their mobile devices. In response, Kiley (through his public music project The Mural and The Mint) has teamed up with South Philly web design firm P’unk Ave to develop an app that integrates a sense of place.
 
"I actually think [social media] separates us more," says Kiley. "I was interested in using technology in a way where you don't actually interface with your phone."

The Empty Air: A Rittenhouse Square Sound Walk
 --
 debuting April 5 with an opening party at the Philadelphia Art Alliance -- is a GPS-enabled musical composition that shifts depending on your position within the park. Kiley developed the project using binaural microphones; they're tiny recording devices that fit inside your ear. He used the park's native sounds -- traffic, birds and chatter – as a backbone for the piece. The work was done in collaboration with Miner Street Studios in Fishtown.
 
The Empty Air received grants from The Independence Foundation, Philadelphia Cultural Aliance, and the Philadelphia Chapter of the American Composers Forum.

This is only the beginning for the project. The Mural and The Mint -- named as a homage to Philly and its signature public art tradtition -- will develop a series of sound walks to attract attention to the city's underserved spaces. Philly’s long-neglected waterfront is next.
 
"It’s kind of a tour," he says. "But unlike other tours in Philly, it's not didactic. My hope is that it changes the way you see a place you know really well."

Source: Michael Kiley, The Mural and The Mint
Writer: Dana Henry

Wind power provider Clean Currents opens Philly office, hiring sales reps

When Clean Currents, a wind power company based in Silver Spring, Md., opened a third office at 15th and Walnut Streets, they wanted Philadelphia to know. Last week, they showcased a 20-foot model wind turbine in Rittenhouse Square, Love Park, Manyunk and at the Wachovia Center in South Philly.
 
The "See The Power" campaign incorporated social media contests to build buzz around the availability of locally sourced wind power. According to Gary Skulnik, the company's president and chairman of the board, selling this energy is only the first step.

The company -- which has a second office in Baltimore -- also publishes a bi-weekly newsletter on environmental issues and policy, holds sustainability webinars, campaigns for energy efficiency legislation, gives presentations on environmental issues at local grade schools and holds "green neighborhood challenges" with prizes such as rain barrels and compost bins.
 
"We really view ourselves as a front door to sustainability," says Skulnik. "Once people and businesses sign up with us, we like to help them take additional steps. I think they appreciate an approach that pushes the envelope a little."
 
In two years, Clean Currents has racked up thousands of customers including businesses, schools and embassies. They have over 12,000 e-newsletter subscribers. From 2011 to 2012, their revenues grew 400 percent. They are currently hiring sales reps to round out their five-person Philly office.
 
According to Skulnik, Clean Currents chose their new locale because of an environmentally conscious consumer-base -- he credits the Sustainable Business Network and the Delaware Valley Green Building Council for helping drive the movement. In an era of mass information, sustainability requires more than individual action.
 
"The only way we are going to solve [climate change] is by creating a ground swell of support for solutions," he says. "It’s really vital that we create this sense of community."

Source: Gary Skulnik, Clean Currents
Writer: Dana Henry

Drexel engineers music, 3D technology innovations with separate Philly institutions

Drexel University looks at the entire region as an extension of its campus. Ideas flow like steam beneath Philadelphia's streets. Two professors in different departments are heading multidisciplinary teams that merge new technology with Philadelphia traditions. 
 
In collaboration with the Academy of Natural Sciences, the plan to print 3D dinosaurs has already gained national attention. In the area of music technology, Professor Youngmoo Kim is developing the first app to do real time annotation of Philadelphia Orchestra performances. The Drexel-generated iOS orchestra app will be the first of its kind in the world.
 
Paleontologist Ken Lacovara is in the process of reanimating dinosaurs. Before you jump to the obvious Jurassic Park conclusion, there are a lot of steps in between. Lacovara, a paleontologist, has teamed up with Dr. James Tangorra in Drexel's College of Engineering to scan and print out 3D dinosaur bones. 
 
Also on board is Drexel Mechanical Engineering prof Sorin Siegler, whose focus is biomechanics. "We don’t really know exactly how dinosaurs moved," says Lacovara, who wonders how a creature weighing 60 to 80 tons could move and trot. Not to mention lay an egg. 
 
With a birth canal opening at two and a half stories in the air, and an egg the size of a volleyball, Lacovara wonders how the massive dino would withstand the stress of squatting and getting up. With the help of his colleagues, creating 3D models and working out the biomechanics will answer literally tons of questions.
 
Over in Drexel's METLab, whch stands for Music, Entertainment and Technology, Youngmoo Kim takes a break from a robotics demonstration to talk about his collaboration with The Philadelphia Orchestra. It started a few years ago, when Kim made his students sit through a classical concert. "Those without classical training said, yeah, that was nice, but I didn't get it," recalls Kim. It was around the same time the iPhone came out, so he and students undertook a project to create an app that would tell listeners about the performance in real time. 
 
It was such a hit that Kim and students applied for and won the Knight Arts Challenge. While Kim cannot be specific about the date of the public rollout, he says it will be within the year. Perhaps the launch will coincide with the orchestra's 2012-2013 season opener this fall, but Kim remains mum.
 
Kim also says that not every concert will have an accompanying app, so concertgoers who find smartphone use distasteful can choose performances without the tech overlay.
 
"There used to be a brouhaha over supertitles at the opera," says Kim, who has dual training in music and engineering. "Ten to twenty years later no one cares. If you go to an opera now and there are no subtitles, something seems wrong. Likewise, 10 to 20 years from now, no one will care if someone uses a phone at the symphony."

Source: Ken Lacovara, Youngmoo Kim, Drexel University
Writer: Sue Spolan

Innovation in 2011 stretched beyond tech to retail, media and civic engagement

Innovation in Philadelphia: it's not just all about tech. Government, retail, media and the way we work and live made major strides forward in 2011.

The University of the Arts' Corzo Center for the Creative Economy funded arts entrepreneurs this year, and businesses like Little Baby's Ice Cream, Kembrel, Gritty City Beauty, LevelUp and ReAnimator Coffee are just a few examples of the retail revolution underway in Philadelphia. Storably and Inhabi launched to re-imagine rentals. Milkboy Coffee expanded from Ardmore to Center City, and made plans to move its recording studio downtown as well.


Crowdsourced civic change is a major trend in Philadelphia's innovation efforts. We were named a Code for America city the second year in a row; programs like Open Access Philly and Change By Us live at the intersection of technology and civic engagement, with government stewardship by Jeff Friedman. Adel Ebeid arrived to lead the city's newly formed Office of Innovation and Technology in increasing broadband penetration.

TEDxPhilly, Young Involved Philadelphia, Philly Tech Week, PhillyStake, the Philadelphia Geek Awards and IgnitePhilly mixed business with pleasure, merging crowds and companies in festive settings.

Gaming and gamification continues to trend; local efforts include Cipher Prime, Port 127, Play Eternal and networking group PANMA.

Incubators and coworking spaces surged, with Indy Hall making expansion plans for K'House, Philadev's Musemaka, OpenDesksStartup Therapy, and Novotorium in Langhorne.

In media, Wharton Publishing went all digital; Ryan Seacrest opened The Voice studio at CHOP; G Philly, Hidden City's Daily and Generocity launched; WHYY's Newsworks grew; and if it was relevant to technology, Technically Philly covered it all this year, never missing a beat.

Writer: Sue Spolan

State of Young Philly has never looked better

If you want to know how young Philly's doing, let me sum it up for you: smart and good looking. From the highest reaches of government right down to our youngest up and comers, there's never been a more attractive bunch of people in charge.

The second annual State of Young Philly, convened by the all-volunteer Young Involved Philadelphia for a two-week run, was a series of six events designed to engage, connect and represent citizens. Targeting community engagement, education, sustainability and the creative economy, State of Young Philly drew close to 1,000 young professionals and representatives from over 50 organizations in the city, according to organizers. From the first packed event at World Cafe Live on Oct. 4 to the standing-room only crowd at the finale at The Gershman Y, the crowd was diverse in age and background and alike in its forward-thinking approach.

Claire Robertson-Kraft, Young Involved Philadelphia Board Chair, says, "When I first moved to Philadelphia just over a decade ago, I was initially struck by the negativity of the city. But the spirit in the discussions over the course of the past few weeks has been very different than that initial perception I got when I first moved here. Rather than focusing solely on what was in need of improvement, each of the discussions was as much about how to build on already existing innovation and assets the city has to offer."

Alain Joinville, Public Affairs Coordinator for the city's Department of Parks and Recreation and a Young Involved Philly board member, adds, "It was easier to get partnering organizations involved. The State of Young Philly series is the biggest and most audacious project our organization has undertaken in its 11-year history, and we did it pretty well last year, so we are seen as a credible organization in the eyes of the City's leaders and leading organizations."

Robertson-Kraft points to several initiatives that launched in the lead-up to this year's State of Young Philly: a local version of the online web portal Change By Us,a partnership with United Way to improve Philadelphia public education, entry into the Open Data Philly challenge, and social media hashtags #WhyILovePhilly and #PhillyArts.

But ultimately, the draw of State of Young Philly is the promise of doing good combined with a commitment to fun. Reports Robertson-Kraft, "Let’s just say that the after-party went into the late hours of the night. At all of our events, we strive to achieve that perfect balance of meaningful conversation and a good time."

It's a whole new take on a thousand points of light.

Source: Claire Robertson-Kraft, Young Involved Philly
Writer: Sue Spolan

Storably launches, offering space to people with stuff

There's two sides to every storage equation: too much stuff and too much space. A new startup, Storably, aims to reach a zero sum, matching people with stuff to people with space. "If you think of Craigslist," says Brendan Lowry (and who among us does not think of Craigslist), community manager for Storably, "our website is the same thing, with added verification of people renting and posting." The downside of Craigslist is a lack of verification and trust, which Storably aims to fix via peer review and communication, says Lowry.

"Especially in the city, there are no storage spots within walking distance. This solution can be very convenient. It opens up even more creative ideas because no one has thought of storage this way," adds Lowry. 

Storably's founders are Wharton grads Apu Gupta and Josh Kowitt, respectively CEO and CFO. Says Gupta, "I was getting frustrated with finding an inexpensive place to park my wife's car while Josh was finding that he had numerous people asking if they could store stuff in his empty basement. Josh and I were both really into what AirBnB was enabling people to do. We figured by applying the AirBnB model to parking and self-storage we could help people find the right space in the right place, and enable people to generate a meaningful income from their unused or underused space."

Each listing includes a description, map, and details on price, size, access and special features. Lowry himself has an empty bookshelf available for $5 a month at the Storably offices, located at 2038 Locust Street.

Not only can you find a place for your things. Storably also offers parking spots. Lowry explains, "If you were to list your parking spot for $100, we would list it on the website and add a percentage, so it would cost $115. You're not losing any money."

At this writing, Storably lists 467 parking spaces for rent, as low as $50 for a moped spot in Rittenhouse to a "large outdoor storage area" in Eddystone, described as "4,000 sq/ft of outdoor space to store your trailers, trucks, and other equipment. This space works well for landscapers and others who need to park vehicles nightly."

Storably, which launched at the end of last month, funding partly by bootstrapping and partly by undisclosed outside capital, plans to go national. Cities will be unlocked when 200 people sign up.

Source: Apu Gupta, Brendan Lowry, Storably
Writer: Sue Spolan
 

Open Data Race lets you vote for data sets that are most fit for public consumption

Data collection and dissemination: how much fun is that? If you are participating in Philadelphia's Open Data Race, you might actually squeeze a good time out of otherwise flat statistics. Voting in the Open Data Race is open to the public until Oct. 27, and currently, you can make your opinion known on which of 24 data sets you would like to see made public.

"We hope to generate excitement around open data," says Deborah Boyer, project manager at Philadelphia-based Azavea. Nominations contributed by non-profit organizations were reviewed by OpenDataPhilly partners, namely Azavea, NPower Pennsylvania, The William Penn Foundation, and Technically Philly.

It's probably too early to judge, but right now the Bicycle Coalition of Greater Philadelphia's request for stats on reported bike thefts is atop the rankings with 55 votes, followed by Demographic Info for Individuals Accessing Shelter Services submitted by Back on My Feet with 50 votes. Other organizations represented in the voting ranks include the Committee of 70, The Urban Tree Connection and The Sustainable Business Network.

Boyer says, "Public participation has been a key feature of OpenDataPhilly and is also crucial to the Open Data Race. We encourage people to submit data sets for inclusion in OpenDataPhilly or nominate data they would like to see made available."

Boyer points to difficulties municipalities might have in identifying which data is most needed. "Through Open Data Race, non-profit organizations have the opportunity to let the city and OpenDataPhilly partners know what information they need to fulfill their missions."

Winners, to be announced on Friday, Oct. 28, will receive cash prizes. First place gets $2,000, second place gets $1,000, and third receives $500. At that point, the fun really begins, when OpenDataPhilly works with the city to unlock the requested sets and then hosts hack-a-thons to create applications that use the data.

Source: Deborah Boyer, Azavea/OpenDataPhilly
Writer: Sue Spolan

What's all this about LevelUp? Help your mom figure it out

My mom called. "What's this LevelUp? I got an email on my BlackBerry that I have two dollars off at Miel." When a brand new tech company already has the attention of the 70-somethings, it's got to be good.

LevelUp, which has a rapidly growing presence in the Philadelphia area, is a new kind of customer loyalty program for local business. Rather than carry around a walletful of punch cards, says launcher John Valentine, who has just been promoted to VP of LevelUp for the east coast. The company is hiring here in Philly, with two positions open in implementation and sales. Each city is slated to have a total of six employees.

Currently, says Valentine, there are 129 businesses in the LevelUp community, with 10 new merchants signing up each week. Here's how it works: Customers sign up online with a credit card. Participating businesses have a device, which is really a smartphone on a lucite platform, which reads a QR code on your phone screen (Valentine says the next generation of readers will be smaller and more streamlined). LevelUp then charges your card, bypassing the shop's cash register, and every 24 to 48 hours, says Valentine, LevelUp sends payment to merchants. As the customer, you receive several dollars off each purchase, and LevelUp tracks your activity, rewarding you for repeat business.

LevelUp evolved out of SCVNGR, a DreamIt Ventures funded startup. The location based scavenger hunt game led to a desire to solve the loyalty piece of the puzzle. "How do we get someone to frequent a place?" asks Valentine.

LevelUp is growing concurrently in Philadelphia and Boston, with plans to take over the world. New York is next, then Atlanta, Washington DC and Miami. "There's been enough validation for what we're doing in Boston and Philadelphia that we need to scale up fast." Valentine, who calls it sticky, says those who start using the program come back for more. "Within the next two weeks, 49% use LevelUp again."

Aside from the novelty factor, says Valentine, LevelUp gives businesses several advantages: the loyalty program brings people back more, brings in new customers, and has the added effect of incentivizing people to spend more money. Because shoppers are getting 5 to 15% back, they're actually spending more, according to Valentine. If you'd like to try LevelUp, Valentine is offering $10 in global credit to Flying Kite readers. Just use the code TECH when you sign up.

Source: John Valentine, LevelUp
Writer: Sue Spolan

Crowdsourced education comes to Philly with Skillshare

What do you know? There's a new way to make money based on your particular set of skills and talents. It's called Skillshare. Launched in Philadelphia last month with national headquarters in New York City, Skillshare allows anyone to teach anything and get paid for it. Brendan Lowry has been in charge of launching the program in Philadelphia. "Every city is a university, all the restaurants and cafes are classrooms, and our neighbors are our greatest teachers," says Lowry, whose title is Special Operations.

Here's how it works: Say you are really good at knitting. Sure, you could sell your stuff on Etsy. But with Skillshare, you can also hold knitting class at a location of your choice. Set your own price per student, and get paid through PayPal. Skillshare deducts 15 percent of every ticket sold.

Skillshare, on a mission to democratize and redefine education, launched in New York in May of this year, and is now operating in Philadelphia and San Francisco, with hopes for setting up in cities across the US. Each city needs to be unlocked by popular vote. When the vote count surpasses 500, a team is created to get the word out. "We've targeted the tech community. It's one of the first industries we tapped into, but we don't want to fall exclusively in that category," says Lowry, who says right now there are over a hundred classes on offer in the Philadelphia area, ranging from The Art of the Cold Call to Beer 101. Teachers post credentials and a feedback process is designed to ensure a quality learning experience (full disclosure: I am teaching Communications for Startups on Sept. 20).

"Our marketing budget is literally zero dollars," says Lowry, who has done outreach through social media and word of mouth. There is also a newly created, limited time $1,000 scholarship fund which encourages more people to take classes in Philly and SF. Skillshare is set to launch next in Boston, Washington DC and New Orleans.

Source: Brendan Lowry, Skillshare
Writer: Sue Spolan

All geeked up: Inaugural Philadelphia Geek Awards gets nuts

The thing that surprised Eric Smith the most about the first annual Philadelphia Geek Awards wasn't the guy who accepted his honor in a fox head costume. It wasn't the sold out crowd of over 400 who packed the Academy of Natural Sciences auditorium last Friday night. It was the negative feedback from folks who were upset by who was left out. "It shows that people were invested and care about what we're doing," Smith reflected after a good night's sleep. "It was supposed to be something mostly for fun, but it got a lot more serious." In the two weeks leading up to the Awards, Smith says press coverage blew up, and tickets disappeared.

The Geek Awards, the brainchild of Smith, Tim Quirino and Michelangelo Ilagan, who make up the staff of Geekadelphia ("A Guide to Everything Geek in the City of Brotherly Love"), were by all measures a total success. Sponsored by a host of local organizations including The Academy of Natural Sciences, who provided the venue free of charge, along with Drink Philly and National Mechanics who donated food and beverages, the event celebrated dozens of the city's technological finest, with just under twenty categories, from Best New Blog (a tie between DrinkPhilly and Naked Philly; the latter wore the fox head) to Outstanding Achievement in Fashion & Lifestyle, which is not the first attribute that comes to mind in the geek world, but Philly happens to have some very hip and good looking techies. Cadence Wrist Watch Company, home of the 4-bit, 4:20 and Wrist Rocket models, won that title.

"It was always something Tim and I wanted to do," says Smith of the awards. "We have all these great awards in Philly, but nothing for geeks." Let's just say that PriceWaterhouseCoopers did not oversee the process. Smith and cohorts at Geekadelphia designed the ceremony and chose categories, nominees and winners (with a little help from friends like Alex Hillman of Indy Hall). Next year the Geek Awards will be even more inclusive and probably a lot more serious, with spots for scientists, web developers and programmers.

Following his moment in the spotlight and cheering crowds, Smith returns to his day job at the Philadelphia based Quirk Books, which turns out bestsellers including Pride and Prejudice and Zombies and Miss Peregrine's Home for Peculiar Children, as well as the aptly titled Geeky Dreamboats.

Source: Eric Smith, Philadelphia Geek Awards
Writer: Sue Spolan

NJ farm-to-table distributor Zone 7 doubles sales, hiring

There's a whole lot of hiring going on in Zone 7. Lest you think you've slipped into a science fiction world, Fresh From Zone 7 is the name of a fast growing company that's, well, all about growing. Founded in 2008 by Mikey Azzara, the Cranbury, N.J.-based farm-to-table distributor serving Pennsylvania and New Jersey has doubled in sales every year.

Right now, there are five job openings for energetic people who are committed to providing local food to local eaters: sales, warehouse crew, warehouse crew leader, drivers (multiple) and a sales team intern. While the positions are primarily part time, the right candidate could combine several to create a full time gig. Currently there are 9 people on staff, and the new hires would represent about a fifty percent increase. The company began with just two employees in 2008.

Azzara reports that each week of the 2011 season, Zone 7 has been adding deliveries at an almost explosive rate and at this point is maxed out in terms of staffing.

"On Tuesday, Wednesday and Thursday, all three of our trucks are out," says Azzara of the fleet that picks up from all over New Jersey and Pennsylvania, delivering to over 80 establishments, including The Farm and Fisherman, Southwark, Garces Trading Company, Weaver's Way, Greensgrow and the Fair Food Farmstand in Philadelphia. The New Jersey territory stretches from Atlantic City to West New York, NJ.

The 40 farms that supply Zone 7 include Blooming Glen, Jah's Creation Organic, Griggstown Farm Market, and Branch Creek, where the original seed for Zone 7 was planted.

Azzara had been working for the Northeast Organic Farming Association of New Jersey for five years when he sat down at the table of Mark and Judy Dornstreich, pioneers of the local food movement and founders of Branch Creek Farm, which has been growing and delivering organic produce to Philadelphia restaurants since the 1970s. "They supplied me with the truck, the name and the idea," says Azzara.

Zone 7, named for the USDA Hardiness Zone in which we live, is a 52-week-a-year operation, says Azzara, and its busiest months, surprisingly, are November and December. "Our time to catch our breath is January, February and March." Starting in April, asparagus and swiss chard are the first crops to harvest.

Source: Mikey Azzara, Zone 7
Writer: Sue Spolan

South Philly resident grows composting collection business

Your scraps are Tim Bennett's gold mine. Bennett Compost offers urban dwellers the opportunity to recycle food waste without expensive equipment or outdoor space. Bennett began the business out of a personal need. "At the time, where I was living in South Philly, I wanted to compost, but I had no backyard." After dissatisfaction with home composting systems costing around $300, Bennett created a composting service that would benefit city homes and businesses at a fraction of the cost.

For a $15 monthly fee, residential customers receive a covered bucket, and Bennett's truck swings around once a week to empty and return the container. Commercial customers, including coffee shops, a florist and some restaurants, pay on a sliding scale depending on volume and frequency of pickup, but Bennett adds that the cost offsets commercial trash hauling fees, and in some cases commercial customers are able to save money on refuse.

Used food and some types of paper are sent to a composting facility in Delaware and then picked up for distribution to area community gardens. Customers can opt to receive up to 10 gallons of the finished product free of charge; beyond that, compost is available at a discounted price. You don't have to be a customer to buy compost. Five gallon buckets are available to the general public for $10, and will soon be sold at area retail locations including Essene Market and Green Aisle Grocery.

Current offices are based in South Philly at Bennett's home, with a North Philadelphia warehouse. Bennett was able to quit his day job at Temple University last summer to devote his career full time to compost. "We bootstrapped our way up. Now we are profitable enough that I am able to pay my own salary, and we have three part time employees." The business continues to grow, with 300 residential customers and 20 businesses distributed across the entire city.

Source: Tim Bennett, Bennett Compost
Writer: Sue Spolan

FLYING BYTES: SEPTA's TransitView, MAC founder raises $75M, and Phila. Printworks strikes chord

Flying Bytes is a recurring roundup of innovation and quick updates on the people and companies we're covering:

SEPTA launches TransitView

Back in January, we reported that SEPTA was weeks away from launching a real-time, system wide tracking program. The future is finally here. Like SEPTA's TrainView for regional rail, the new TransitView provides live updates on the whereabouts of buses and trolleys throughout the city. Also launched: SMS Transit Schedule Information, allowing customers to receive a text with the next four scheduled trips, and Schedules to Go, a mobile website function that provides information on the next ten scheduled trips.

Shah closes $72 million IPO with Universal Business Payment Solutions

Following a hot tip, we learned that Bipin Shah, creator of the MAC, was seeking $72 million for payments startup Universal Business Payment Solutions. On May 13, UPBS (NASDAQ: UBPSU) got its money. According to Shah's partner Peter Davidson, "we closed on 12 million shares at $6.00 per share. The underwriters have a 45 day option to cover any over-allotments, which they have not exercised to date." Investors include hedge fund magnate J. Kyle Bass, who purchased about 800,000 shares.

Philadelphia Printworks up, running, finding its market

The lovely ladies at the helm of Philadelphia Printworks are going full speed with their new T-shirt business. Co-founder April Pugh reports that most of PPW's customer base has come from custom work, particularly from local indie rock artists. PPW loves its rockers right back and offers a band discount. Pugh says she and partner Ruth Paloma Rivera-Perez are now seeking partnerships with retail outlets and will be selling at upcoming summer festivals.

Specticast expands with EuroArts partnership
Digital entertainment distribution company Specticast continues to widen its reach. The company, which we originally profiled back in April, announced an exclusive partnership with EuroArts, bringing live and pre-recorded events from Berlin's Philharmonie, The Sheldonian Theater at Oxford University, and Madrid's Teatro Real, according to Mark Rupp, SpectiCast president.

Source: Andrew Busch, SEPTA; Peter Davidson, UBPS; April Pugh, PPW; Mark Rupp, Specticast
Writer: Sue Spolan

Philadelphia International Festival of the Arts kicks off this week with giant squid

Dan Schimmel's head might be in augmented reality, but the picture is pretty clear to him.

"Right now there's a giant, 100 foot squid hovering over the falls at Boat House Row," says the director of Breadboard, the art and technology program at Science Center that oversees the Esther Klein Gallery. Breadboard is participating in the Philadelphia International Festival of the Arts (PIFA) with the free citywide VPAP@PIFA, the Virtual Public Art Project. Granted, explains Schimmel, you need a smartphone or other mobile device to see the Augmented Reality squid. "That's somewhat foreign to people, but this is where society's headed."

PIFA is about to overtake the city like a giant encornet (that's French for squid) with over 135 events, running from April 7 to May 1. If bright lights in the big city get you going, check out the 81 foot Eiffel Tower replica at the Kimmel Center, which serves as festival headquarters, with a light show daily at 7 and 10 p.m. The theme of PIFA is Paris 1911, tying in with the recent French-flavored Philadelphia International Flower Show. All over the city, you can catch performances, lectures, dance parties, installations, readings, a fashion show and eleven French chefs in residence at area restaurants.

The $10 million extravaganza showcases local and international talent. Visit a day-long free Parisian street fair April 30 on Broad Street where you can ride a giant Ferris Wheel and enjoy a multitude of acts including Sharon Jones and the Dap Kings. PIFA is also sponsoring daily wine tastings, crepe samples, free concerts, and French lessons.

Philly-Paris Lockdown, on April 17 at 8 PM at the Kimmel, features Philly's own ?uestlove of The Roots along with singer-songwriter Keren Ann, followed by an underground afterparty. Fourth Wall Arts hosts a special Salon on April 23 at the newly opened National Museum of American Jewish History on Independence Mall, featuring Ursula Rucker, Mimi Stillman and muralist David Guinn.

JJ Tiziou's How Philly Moves, which just raised $26,000 in a Kickstarter Campaign, will be projecting massive images of Philadelphia's dancers on the side of the Kimmel throughout the festival. Hope: An Oratorio, is a work PIFA commissioned by composer Jonathan Leshnoff, to be performed April 24, performed by The Chamber Orchestra of Philadelphia, along with four soloists, the Pennsylvania Girlchoir and the Mendelssohn Club of Philadelphia.

The Painted Bride, The Philadelphia Orchestra, The Slought Foundation, the African-American Museum in Philadelphia, The Philadelphia Museum of Art, WXPN, Philadelphia's Magic Garden, and the Independence Seaport Museum are just a few of the many PIFA sponsors and event hosts. Get detailed program information, tickets, and download a festival brochure at the PIFA website. PIFA, along with the GPTMC, is also offering hotel and ticket packages for the festival.

Source: Dan Schimmel, Breadboard; PIFA; GPTMC
Writer: Sue Spolan

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