Neighborhood Innovation : Innovation + Job News

Meei Ling Ng, a Singapore-born, Philly-based artist, designer and urban farmer, has taken on a multifaceted project in Chinatown North. The initiative features a vertical urban farm, a job-skills program for people in recovery from addiction or homelessness, and a new fount of fresh food for the partnering Sunday Breakfast Rescue Mission.

The impetus for Ng's new project grew out of Grow Where You Live, her year-long Social Practice Lab residency at the Asian Arts Initiative. It was supposed to wrap up in June, but the current urban garden project has proven so successful that Ng's Asian Arts residency has been extended at least until the end of this year.

"Ideally I was looking for a vacant lot around the neighborhood," says Ng of a long search for an appropriate urban farm space and partner organization. Such a space -- open to the work of an artist and farmer -- was hard to find, partly because of recent gentrification in the area.

A tour of the Sunday Breakfast Rescue Mission late last year proved extremely propitious: Ng learned that the organization, which provides a range of vital services to the city’s homeless, was in the process of a parking lot space swap with their neighbors to the west, Roman Catholic High School.

The switch would leave a large space along Sunday Breakfast’s kitchen wall -- about 20 feet wide and 100 feet long -- empty of cars by law.

"This is amazing. This is exactly what we want," Ng recalls thinking on seeing the space; she envisioned a specially designed and built vertical urban farm. "We can use a whole big empty wall with asphalt under…this could be an awesome, awesome project."

The artist spent a month on a meticulous rendering of her idea, then pitched it to Sunday Breakfast. The project became reality through support and donations from Asian Arts, the Pennsylvania Horticultural Society, the Philadelphia Orchard Project, City Harvest and South Philly’s Urban Jungle, a landscape design firm.

Since then, the little farm has provided pounds of produce that go directly into meals served at Sunday Breakfast.

The partnership also has a human component: The farm runs with help from workers at Overcomers, an intensive 16-month program for men in recovery from addiction and homelessness. They reap a wealth of skills -- not only the ability to grow their own healthy food in an urban setting, but practical job training in a rapidly growing industry. The formal part of the Overcomers project is finished, but a few participants have stayed on as official apprentices and volunteers.

"This is very exciting that we have a team now to work on the farm," says Ng, adding that she has high hopes the project will continue in future summers.

Writer: Alaina Mabaso
Source: Meei Ling Ng, Asian Arts Initiative

With a major new grant in excess of $100,000 from the Pew Center for Arts & Heritage, Historic Germantown (HG) is tackling the "Elephants on the Avenue" – i.e., long-standing issues of race and class.

"The impetus for the project really was continuing Historic Germantown’s vision to contribute to the cultural and economic development of this community,” explains HG executive director Trapeta Mayson of the newly-funded "Elephants on the Avenue: Race, Class, and Community in Historic Germantown."

That means respectfully interpreting Germantown’s deep and diverse history on a few main themes, including slavery and abolition, inclusion and exclusion, and tolerance.

"I don’t think people can always easily find themselves in some of these stories, so we feel that some of the responsibility of our historic site is to make this information accessible and relevant to today’s public," says Mayson.

The project, which will launch in October and last two years, will pair local artists and historians to "collaboratively curate text and image-based public art and educational workshops about race and class" with the help of member sites and community partners.

The project boasts four historians: Dr. Abigail Perkiss, Dr. Matthew Countryman, Dr. Molefi Assante and Dr. Thomas Sugrue. Participating creative types include visual artists, educators and poets: Barbara J. Bullock, Ife Nii Owoo, Diane Pieri, Sonia Sanchez, Yolanda Wisher and Benjamin Volta.

Pew dollars will let HG compensate the artists and historians, Mayson explains, and cover materials for workshops, festivals and other community events. "Elephants" will also have a dedicated part-time project manager.

And it’s not just about reckoning with the past -- exploring the full potential of Germantown’s historic fabric has economic importance, too.

"Economics is something that people tend to forget when we think about historic sites and how important they are to a community," insists Mayson. "People come to a neighborhood, they spend money, they become interested."

That means Germantown has a lot of growing to do, from upping the number of available restaurants to improving walkability and transit -- that’s why HG already partners with several non-historic community organizations, meeting monthly with Germantown United CDC, Germantown Community Connection and others.

"We’d be missing a great opportunity if we didn’t realize we were just as essential to economic development and community planning," adds Mayson.

"Elephants on the Avenue" will culminate in a final performance/exhibition curated by iMPeRFeCT Gallery co-founder and Germantown resident Renny Molenaar.

Source: Trapeta Mayson, Historic Germantown
Writer: Alaina Mabaso

Last year, Flying Kite profiled the soft launch of Philadelphia’s Kiva Zip program, part of an international "social underwriting" platform for independent businesses. As of last October, Kiva City Philadelphia had made 13 loans totaling $52,000.

According to Kiva Zip Philadelphia manager Alyssa Thomas (of the City’s Department of Commerce), that number has jumped to 50, sending $208,000 to local small-scale entrepreneurs. The program's number of trustees has increased as well, from about 30 to 44, including the Enterprise Center, The Food Trust, New Kensington CDC and the Corzo Center.

Kiva loans -- which typically top out at $5,000, but can be as small as $500 -- help all kinds of nascent entrepreneurs make crucial upgrades to their businesses. The crowd-funding platform operates with the help of those trustees -- individuals, or, more often, organizations -- who direct entrepreneurs to the program and vouch for them, before the crowd-funded campaign for that entrepreneur goes live on the Kiva site.

"There’s a lot of due diligence on their part," says Thomas of the vetting and interviewing these volunteer trustees do before sending a loan applicant through. "We’ve had a pretty steady flow of businesses coming on to our site."

While many Kiva applicants don't fit the profile for a typical business loan, no applicant is ever turned away from Kiva Zip. Sometimes there are barriers to lending, such as the business owner’s high debt to income ratio or a lack of fluency in the digital platforms that make the campaigns a success, but these are overcome by starting applicants off with small loans, gauging their ability to repay on time, and then approving them for larger loans if all goes well.

The repayment rate in Philly is close to 100 percent. One recent loan recipient, shepherded via The Food Trust, is a small fruit and produce business operating in the Northeast. With the help of a Kiva loan, the owners leased a four-acre farm; they bring the produce directly to their store (which accepts SNAP payments) in an area lacking fresh food options.

Locals who want to learn more about Kiva in person can head to Dilworth Park on June 4 from 11 a.m. - 7 p.m. A pop-up shop with feature several loan recipients and a lunchtime address from Alan Greenberger, the City’s Deputy Mayor for Economic Development and Director of Commerce.

Thomas hopes passersby will stop to learn more about how supporting Kiva loans contributes to the city's economic revival.

"The idea of this event is really to capture people while they’re walking by and let them know you can support a local business," she explains. "You can help shape the way your neighborhood looks."

In the meantime, the program is growing so much that the department has a new opportunity: Thomas is looking for a Kiva Zip fellow to join her office. Applications are due by June 5.

Writer: Alaina Mabaso
Source: Alyssa Thomas, Kiva Zip Philadelphia

Winnipeg native and Montreal resident Kandis Friesen loved the two months she spent in Philly this year as part of Lancaster Avenue's Neighborhood Time Exchange (NTE) residency, which offers studio space and a stipend for hours of service the artists contribute to community-based projects.

The intitative, continuing with multiple artist cycles until the fall, is a partnership of the Mural Arts Program, the Ontario-based Broken City Lab and the People's Emergency Center.

An interdisciplinary artist who works with media including sound and video, Friesen, in her mid-30s, has been working as an artist only for the last five years or so.

"Before that, I was doing social justice-based and community-based work," she explains. "I’ve always seen it as part of my life, whether I’m making art or working a different job."

During her NTE stint (which ran from February 1 through April 1), she offered some of those project-manager skills to her peers: negotiating time, projects and space. In a program connecting residency artists to community service requests, that meant "working with really diverse groups of people who might have really different ideas, or similar ideas but…really different personalities," she explains.

Her own contribution to the neighborhood had many facets. She worked with the New Africa Center on a walking tour of Black History in West Philly, focusing on the saga of the self-identified Black Bottom Tribe, a thriving 19th-century African-American community living where University City stands today. The Tribe suffered forcible evictions under city development plans and university expansions in the early 1900s, alongside redlining laws that made it nearly impossible for African Americans to obtain mortgages.

This especially touched on Friesen’s interest in archives and memorials -- and how they’re made and maintained.

She also did a lot of work for the Artistic and Cultural Enrichment (ACE) Program at Martha Washington Elementary School.
ACE instructor Hope McDowell had written a script called More Than Martin, and enlisted Friesen to help her shoot and edit it. In the film, now available online, Martin Luther King, Jr. comes back to say, as Friesen explains, "I’ve been carrying Black History for myself for too long…I would like to introduce you to all these other people in African-American history, and you also might make history."

"It’s a great film, in line with my own practice as well," enthuses the artist. "People being able to tell their own histories."

She also led a variety of arts workshops for Martha Washington students, and collaborated with her fellow NTE artists on other projects, including time with the Earthship Philadelphia project and the New Bethlehem Baptist Church.

"We all helped each other in different ways, and that was also really nice to have a collaborative environment for our community work," she adds. "I think the strength of this residency was that it really was an infrastructure created." The artist residents didn’t operate on any assumptions about what they were bringing to the neighborhood: instead, they listened to hear what needed to be done, to "reinforce or connect what is already happening."

Writer: Alaina Mabaso
Source: Kandis Friesen, Neighborhood Time Exchange
 

Earlier this year, Keep Philadelphia Beautiful (KPB) announced a new micro-grant program to help local community organizations boost safety, walkability and commerce through resident-led clean-up programs. The first round of grantees included the North 5th Street Revitalization Project, which received $1000. The dollars are already going a long way on a range of initiatives.

The North 5th Street Revitalization Project has been operating since 2008 with funding from the Commerce Department. While their umbrella organization is the Korean Community Development Services Center, they have their own branding and offices.

The initiative's service area covers about a mile and a half of the Olney neighborhood: It runs from Roosevelt Boulevard to Spencer Street, and then a block on each side of N. 5th Street. The organization runs a sidewalk cleaning program (including two staffers who work five days a week to keep litter off the streets), removes "bandit signs," logs and repairs dozens of 311 issues each month and leads neighborhood cleanups, like April 11's city-wide Philly Spring Cleanup Day, which drew about sixty neighbors to volunteer.

The Project also focuses on public safety, holding twice-yearly meetings with police representatives and local merchants to discuss issues of crime and security, and helping participating businesses install security cameras through a dedicated city program. And it provides a wide range of business assistance, from helping locals get business permits or apply for eligible grant programs, to facilitating a business association and offering financing help.

"We have 340 active businesses on North 5th Street," says Program Director Philip Green. Most of them are small "mom and pop" stores, and many are "immigrant-owned and operated, so it’s really hard for them to obtain traditional bank loans."

Finally, the Project promotes the corridor in general through events such as open mic nights, community clean-ups and seasonal programming.

The KPB dollars funded a fun DIY photo-shoot for Philly Spring Cleanup Day volunteers, which the organization will share throughout the coming year, keeping the spirit of the clean-up alive and reminding people that maintaining the neighborhood is a year-round activity.

Leftover dollars will go to projects such as revamping the Project’s existing brochure on responsible homeownership and neighborhood maintenance, and translating it into multiple languages for Olney’s diverse community. Green also hopes the money will help buy more "Keep 5th Clean" tee-shirts -- like the ones teen clean-up crew captains wore on April 11 -- as well as decals for neighborhood recycling bins.

"Community clean-ups aren’t really about the trash ending up in a trash bag and going away to the dump," explains Green. "It’s really about the message that community residents cleaning up sends to other people."

Teenagers working in festive matching shirts are particularly motivating, he hopes.

"People will see that and realize that they have absolutely no excuse to litter, and no excuse not to take pride in their neighborhood."

Writer: Alaina Mabaso
Source: Philip Green, North 5th Street Revitalization Project
 

A $5 million GSK IMPACT Grant to a Philadelphia collective led by The Food Trust will allow the local food and health access leader to significantly expand its existing HYPE (Healthy You, Positive Energy) program to reach 50,000 kids over the next three years.

The dollars, administered through the Philadelphia Foundation, are going to boost programs at nine partner organizations citywide, with a special focus on North Philadelphia. The new collective’s work will be known as Get HYPE Philly!
HYPE has already been working with local kids in about 100 different schools over the last several years, explains Food Trust executive director Yael Lehmann.

"It’s going to build on this existing program," she says. "And at the same time we’re going to be working with all these other groups," who will also be expanding their own work. 

The Get HYPE collective includes Guild House West’s Greener Partners, East Park Revitalization Alliance’s Common Market, The Village of Arts and Humanities, and the Garden Education Program of Norris Square Neighborhood Project. Also partnering under the Food Trust umbrella are the Free Library’s Culinary Literacy Center (and branch-based teen mentoring program), The Philadelphia Freedom Valley YMCA, The Philadelphia Youth Network, The Enterprise Center Community Development Corporation and Equal Measure, which will help evaluate the Get HYPE programming’s impact throughout the grant’s three-year span.

Some of these organizations will focus on urban farming, nutrition, literacy through food-based activities, and exercise; others will build on different aspects of overall health such as workforce development and entrepreneurship.

"This is really going to strengthen the networking between all of our agencies," insists Lehmann. "It’s going to have this awesome ripple effect throughout the city."

Lehmann is particularly excited about the new youth advisory board the grant will create, which will consist of about fifteen to twenty teens from around the city. They will be able to direct mini-grants of up to $2,000 (or a total of $70,000 per year for the life of the program) to student-led initiatives focused on things such as exercise, urban agriculture and healthy food donations.

"It’s not just window-dressing. They’re going to have some work to do," Lehmann says of the students who will be involved (their selection process is still TBD).

The grant’s allowance for evaluating the programs is also important, she insists, "to be able to tell the story, and look at how this is impacting kids in Philly, and help us adjust as needed."

And she hopes Get HYPE Philly! will continue far beyond the initial three-year roll-out.

“From day one, all the collective partners and the Food Trust will be thinking about how to sustain this beyond the grant," she says. "We see this as a long-term project."

Writer: Alaina Mabaso
Source: Yael Lehmann, The Food Trust
 

Writer and world traveler Larissa Milne conjures a troubling statistic, based on the years she and her husband Michael have spent in cities across the globe, writing for the Inquirer and their own award-winning "Changes in Longitude" blog.

Outside of Philadelphia, Larissa estimates, "85 percent of people don’t know what a cheesesteak really is."

So their new book, Philadelphia Liberty Trail, published by Globe Pequot Press last month, includes a sidebar on "cheesesteak etiquette," while recommending some favorite local spots for tourists ready to venture beyond the neon lights of Pat’s and Geno’s.

"It’s a little bit different than the average guidebook that’s out there," explains Larissa. "The publisher wanted us to produce a creative book that was similar to…a book they’ve had out for many years on the Boston Freedom Trail."

Despite having more Revolutionary historic sites than Boston, Philadelphia lacks the equivalent of Boston’s famous Freedom Trail route. The couple set out to write the book that might create one.

While Liberty Trail includes advice on visiting slightly more far-flung sites such as Valley Forge, Fort Mifflin, Bartram’s Garden, and historic houses in Germantown, it focuses on the Revolutionary War history of Old City and Society Hill, and invites tourists beyond the usual stops at Independence National Historic Park. Some of the highlights in their book are the Physick House, Christ Church and Washington Square. There's also advice on where to stay and where to park, how to go on foot or take SEPTA, and info on restaurants that might not otherwise be on the radar for visitors.
 
Michael, a New York native, and Larissa, who grew up in the Philly suburbs, lived at 11th and Pine Streets before making an unusual decision in 2011. They sold their house, quit their jobs, gave away their stuff, and began traveling the world and writing along the way. They still don’t have a permanent address, but talked with Flying Kite about their new book from their current perch in Arizona.
  
Larissa, who’s also a consultant with Ben Franklin Technology Partners, loves to fill visitors in on the real story of Pennsylvania Hospital, America’s oldest hospital, which many pass on bus tours, but few actually visit.
 
"Benjamin Franklin was very instrumental in getting funding for that hospital in the early 1750s," she says, after the local governing bodies declined to support it. Franklin spearheaded an effort to draw contributions for the project from local citizens: "It was like a Kickstarter campaign in 1750."
 
The Milnes hope their book can help make Philadelphia a worldwide tourist destination, not just for tri-state day-trips, but for visitors who will stay, eat and shop in the city for days.
 
"I grew up in New York, and the image of Philadelphia back in the old days was, well, it’s kind of a drive-by tourist destination," recalls Michael. "You didn’t stay overnight, you drive down, you see the Liberty Bell, you see Independence Hall, you get back in the car, you leave."
  
But with major publications like Fast Company magazine and The New York Times recognizing Philadelphia as a top global destination, the Milnes believe it’s a perfect time for a new kind of Philly guidebook. And after seeing the world for the last several years, they still insist there’s nowhere they’d rather settle.
 
Writer: Alaina Mabaso
Sources: Larissa and Michael Milne, Philadelphia Liberty Trail 
 

A few weeks ago, Philadelphia startup Wash Cycle Laundry (WCL) closed on a major new loan from the Distinguished Social Ventures Foundation (DSVF) which may help the company create hundreds of new jobs and nab new contracts on the way to major expansion.

According to founder and CEO Gabriel Mandujano, the $450,000 loan isn’t just important for what it will help WCL achieve, but also in the new model it will help forge for foundations who want to invest in mission-based businesses.

WCL, now operating in Austin and Washington, D.C., as well as Philly, was founded here in 2010. The company provides laundry and linen rental services for institutions, businesses and residents, with environmentally-friendly high-efficiency machines and powerful bike trailers for hauling. The company also focuses on hiring its employees from vulnerable populations such as formerly incarcerated people and longtime welfare recipients. The company currently employs almost 50 people, with a retention rate topping 80 percent in workers' first six months.

"What [this] capital allows us to do is come to the table as a ready partner," explains Mandujano. When WCL negotiates with potential clients like a hospital system or university, whether or not the company has the capacity to handle the contract in terms of staffing and inventory has always been a big question. "What this investment has allowed us to do is…go out and close more of these institutional contracts."

The terms of the loan are unique, and give WCL a powerful incentive to expand its socially conscious mission. The current interest rate on the loan is 5 percent, but WCL has five years to reduce that interest rate drastically.

"We’re talking about the net number of jobs that we create," says Mandujano of the loan’s "five-year time clock" from its January 21 closing date. If WCL can create 200 jobs with the help of the new capital, interest on the loan will drop to three percent, and if it can create 500 new jobs within five years, the interest rate will go down to just one percent.

"I’m really excited that this financing aligns our financial interests with our mission interests," he enthuses. "If we’re better at achieving our mission, we’re also financially rewarded for that."

And for both WCL and DSVF, a bigger goal is creating a model that will work for other "purpose-driven businesses" and the foundations who might be interested in similar "impact investing," but do not know how to select the right company, set the right goals, and hammer out the paperwork.

According to Mandujano, "we wanted to create an instrument that that we thought could be copied both by other foundations that want to invest in Wash Cycle, but also just by foundations interested in this type of investing in general."

Writer: Alaina Mabaso
Source: Gabriel Mandujano, Wash Cycle Laundry
 

With a $100,000 infusion in the form of a special grant from two national foundations, the Philly-based community development financial institution (CDFI) Entrepreneur Works Fund is planning to offer a four-pronged, two-year pilot program to local creative entrepreneurs.
 
"We’re in great company there," says Entrepreneur Works Fund (EWF) Executive Director Leslie Benoliel. "It’s great to be recognized by national funders and also to be among such a small group."

Nationwide, about 40 CDFIs answered a special joint call from the Kresge and Surdna foundations for their Catalyzing Culture and Community through CDFIs initiative. The foundations selected just seven winners. (Three are in Philadelphia; The Reinvestment Fund and the Enterprise Center also received grants.)
 
EWF is a nonprofit, mission-based CDFI working for "disinvested neighborhoods," as Benoliel puts it, helping aspiring entrepreneurs launch or expand a small business by offering loans, workshops and other training. They work primarily with low-income, minority or immigrant clients, Benoliel explains: people who "typically do not have access to the same resources as mainstream or larger businesses," or can’t afford or qualify for more traditional sources of support.
 
The Kresge and Surdna grant goes specifically to EWF’s "Championing Revival, Empowering Artists, Transforming Economies" program (CREATE), and the organization will partner with two others for this pilot program: Chester Arts Alive! and the People’s Emergency Center in West Philadelphia.
 
The money will allow EWF to deepen its services for a small group of chosen creative entrepreneurs. The CREATE program has four elements: small loans for artists or other aspiring businesspeople with a creative bent, grants of up to $1000 that will be disbursed alongside the loans, public workshops, and one-on-one business guidance for participants.
 
Artists have a great ability to activate underutilized spaces or sectors, but because of the often unpredictable nature of their earning power from project to project, they’re not always in a good position to acquire a capital loan.
 
"We don’t want to put them more at risk, but we also want to help them learn how to use and manage capital," says Benoliel of how pairing disbursement of a grant (recipients can opt to put the grant toward repayment of the loan or use it for another purpose) gives the artists more flexibility and leaves them less financially exposed, while still helping them to build a credit history.
 
"CDFIs can play an important role in helping artists, arts and culture organizations, and non-arts organizations create jobs, attract investments, generate tax revenues, and stimulate local economies,” said Surdna Foundation President Phillip Henderson in a statement. He lauds the CREATE program for making communities "healthier, more equitable and sustainable."
 
Benoliel says the dollars will help their clients "participate in the mainstream economy, access more resources, grow, employ people, [and] contribute to the economic base and vitality of our city’s neighborhoods."
 
Writer: Alaina Mabaso
Source: Leslie Benoliel, Entrepreneur Works Fund
 

Last week, Keep Philadelphia Beautiful (KPB) released a new RFP for community nonprofits looking to nab seed funds for their anti-litter initiatives.

"You can have all the ideas in the world but not secure the funds to do it," explains Michelle Feldman, the organization's director. "At Keep Philadelphia Beautiful, we're not the only ones with good ideas."

The new program consists of three microgrants: two of $1,000 and one of $500. A former CDC employee herself, Feldman knows how far even a small amount of money can go for a community group trying to get a new idea off the ground.

Keep Philadelphia Beautiful "believes that communities know their challenges and opportunities best," says the RFP of working through grantees on litter abatement. "We want to provide community-based organizations with the resources to help solve neighborhood beautification concerns, and the space to experiment and test new ideas."

Successful applicants will need to demonstrate measurable, collaborative, sustainable and scalable impact, says Feldman (she expects at least ten to 15 applicants for the inaugural round). The organization will consider brand-new proposals or expansions of existing programs that meet the criteria.

Empirical data proves that tackling litter can have a direct impact on factors like the growth of small businesses, property values, crime, and perception of the neighborhood both inside and outside the community. According to Feldman, a good example of community innovation on the issue is the Philadelphia Chinatown Development Corporation's $1-A-Day program -- participating businesses each contribute $365 a year toward daily litter clean-up.

It turned into "a great way to help fund the daily cleaning and involve the community, and give them ownership over the cleaning effort," she explains.

The hope is that this year’s participants will be help model best practices, inspiring and informing other groups in the future.

Proposals are due on March 1; the winners will be selected by March 15. The project cycle will run through December 15, 2015.

Writer: Alaina Mabaso
Source: Michelle Feldman, Keep Philadelphia Beautiful

Teacher and educational entrepreneur Melissa Page thinks Philly is "a little bit behind the curve," linguistically speaking. Until now, our city did not have any Spanish-language immersion preschools. Page is changing that with the launch of Mi Casita this month, a new 4,600-square foot preschool at 1415 Fairmount Avenue.

When it comes to language acquisition, "the earlier you can get it the better," she insists. "Early childhood education in a second language doesn’t exist in Philadelphia, and it’s so much harder to learn a second language the older you get." 

Page learned Spanish at age five and went on earn her Bachelor’s degree in Spanish as well as Master’s degrees in education and business; she has traveled widely in Mexico, Spain and Latin America. Page then worked for Telemundo before spending five years as a Spanish and French teacher at South Philadelphia’s Girard Academic Music Program High School.

Mi Casita's staff -- part of a 1:6 teacher/student ratio -- are mostly native Spanish speakers and will offer an intensive all-Spanish curriculum (serving ages 18 months to five years) including play-led literacy, arts and math skills. The teachers will have ongoing career development through a partnership with the Waldorf School of Philadelphia.

"It’s more than just speaking Spanish every day," explains Page. It’s about "developing students academically, emotionally [and] socially through a really rigorous curriculum."

Promoting the social, cognitive and career benefits of early bilingual education are a big part of Page’s life mission, and she says the school’s inaugural winter 2015 session is already booked with about 30 families from all over Greater Philadelphia.

Cultural appreciation is part of what the school will offer, but it’s bigger than simply teaching Spanish. It’s about the value of having a second language from an early age, especially the one that is the most commonly spoken in the U.S. after English. And the school welcomes kids of all backgrounds.

"We are an amazing melting pot," expains the founder, with everyone from Main Line families to students whose parents hail from countries in Asia and South America.  

The school is opening with two classrooms this month; five classrooms are planned for a fall 2015 session.

Writer: Alaina Mabaso
Source: Melissa Page, Mi Casita
 

According to a report from the Mayor’s Office of Sustainability, Philadelphia spends over $6 million per year transporting and dumping our wasted or uneaten food into landfills. Why can't we be more like Austin or New York City, which already have food waste recycling programs? Councilwoman Cindy Bass, of Philadelphia’s 8th District, wants to get the ball rolling.

"It’s probably easier to refer to it as composting. The ‘food waste’ thing hasn’t really caught on," says Elliot Griffin, a spokesperson for the Councilwoman, referring to a recent City Council hearing on the feasibility of a city-wide food waste recycling program.

Participants in the November 12 hearing included representatives from the City’s Committee on Streets and Services and Committee on the Environment, alongside composting experts from groups including the U.S. Composting Council's Institute for Local Self Reliance and RecycleNow Philadelphia.

The administration testified that the estimated cost of launching a city-wide composting program, including street pick-up of compostable materials -- and a composting center to handle a city-sized mound of nature’s recycling -- could cost $37 million.

"We’re not exactly in a position to start that today," explains Griffin, but the point of the hearing, which she says was well-attended especially by supporters from Philly’s Northwest neighborhoods, was to help people realize that such a program could be feasible.

According to Griffin, Councilwoman Bass first got inspired on Philly’s composting potential when she read a spring 2014 article in the New York Times about comparable American cities that have already started these initiatives. At the hearing, the biggest surprise was how many locals, from restaurant owners to ordinary citizens to organizations like Weavers Way Co-Op, are already composting on their own.

“We recognize that we have to start the conversation now,” says Griffin, so the next generation can keep the momentum going and make wide-spread composting a reality, benefiting the environment, saving energy and creating jobs.

The construction of an organic recycling center and the jobs created for those who would manage it is "something that could benefit the whole Delaware Valley," adds Griffin.

Writer: Alaina Mabaso
Source: Elliot Griffin, office of Councilwoman Cindy Bass
 

While teaching yoga and aerobics at Interim House, a recovery center for women overcoming addiction and other mental health issues -- many of whom had been incarcerated -- Kristin Gavin noticed that her classes weren’t reaching everyone.

"I surveyed them and asked, would you ride a bike?" recalls Gavin. Many of the women, including those who wouldn’t come to yoga or aerobics, said yes.

What was the difference?

"Women said, 'it’s fun,' 'it’s exercise,' and ‘I want to get out of the house,'" she explains.

So Gavin, who came to Philadelphia in 2007 to earn her Masters degree from Temple University in Exercise and Sport Psychology, launched the Center City-based Gearing Up with five bicycles in 2009. In December, the program nabbed a $40,000 grant from the GlaxoSmithKline IMPACT Awards.

Part of what spurred Gavin to create a community cycling program for formerly incarcerated women was realizing what a challenge even a relatively short jail term could be for a woman’s health. Many of her students talked about the problem of weight gain. One said she had gained 80 pounds while incarcerated for six months.

In 2011, Gearing Up's program expanded to serve not just women outside the walls, but those still residing in Philadelphia County's Riverside Correctional Facility, offering three indoor spin classes per week for inmates. Those who complete 18 sessions in eight weeks are invited to join the outside Gearing Up program upon their release.

By tracking the health of Riverside participants, Gavin learned that women who had an 80 percent class attendance rate maintained their weight throughout their incarceration.

But cycling isn’t just about the number on the scale. Since founding Gearing Up, Gavin has been surprised by all the ways this activity has helped women re-integrate into physically and socially healthy lives.

For women emerging from correctional facilities, Gearing Up has four partner programs in Philly: Interim House, CHANCES, University City's Kirkbride Center and Gaudenzia Washington House. The organization leads two to three group bike rides per week for their clients, who track their miles until they reach 100. At that point, members graduate from the program, receiving a refurbished bike of their own (along with a lock, flat-changing kit, helmet and other gear).

"It has this whole other social component to it that wasn’t as palpable with an aerobics class or a yoga class," insists Gavin. And especially for the many women coming from repressive or abusive environments, the exercise was a great mood elevator and change of scenery.

"Women say, 'The fresh air feels so good in my face,'" she explains. They enjoy getting out in the community, seeing new places and "developing relationships with people in a very different way, a very kinesthetic way, and those are very normalizing experiences."

"Our focus has been going deeper," Gavin says of how the GSK dollars will help Gearing Up (a first-time applicant for the grant). That means extending services to the 40 women the program serves at any given time. The money will help provide increased support through volunteers and staff, even after participants’ graduation from the program, ensuring riders can make their skills on the road a permanent part of an independent life.

Writer: Alaina Mabaso
Source: Kristin Gavin, Gearing Up

We're all used to picking up everything -- from steak to veggies to detergent to wrapping paper -- in one stop at the grocery store, and it’s hard to remember that we used to shop very differently.
 
Philly restaurateurs Michael and Jeniphur Pasquarello, who together own Bufad, Prohibition Taproom and Café Lift, want to revive the specialized shop tradition with their new restaurant/butcher shop Kensington Quarters (KQ).
 
Opening KQ, housed in a former welding facility on Frankford Avenue, was a journey that took two years. According to Michael, the 25-foot ceilings and sheer size of the spot -- 35 feet wide and 100 feet long -- was initially "very daunting."
 
But that surfeit of space is part of what inspired them to create something unique for Philadelphia: a restaurant that butchers humanely-raised, locally-sourced animals in its own kitchen (instead of ordering cuts of meat) and a butcher shop within the space where folks can purchase their own high-quality cuts.
 
In service of that goal, Michael teamed up with expert butcher Bryan Mayer, who he first connected with over a beer in 2012.
 
"Originally, the concept was a restaurant centered on whole-animal butchery," recalls Michael. "We’re buying animals from farms and not bringing them in in boxes…We believe this is the most efficient way to run a restaurant."
 
While the space was still in its design phase, the two men were touring it and stopped to look at an area that had originally been designated as a lounge and coat closet.
 
"Why don’t you put a butcher shop over here?" Michael remembers asking Mayer, who had been looking to launch his own small-scale, locally-sourced butcher shop.
 
"Come here, get your meat, make it an adventure, talk to the butcher," he explains, insisting on the appeal of getting people out of the grocery-store habit.
 
Michael now says it’s a good thing that the space took so long to develop.

"The more time it took to get that place built, the more the concept evolved and became better understood and well-rooted," he insists.
 
Today, along with the butcher shop, that means wood-fired meals (with herbs from the garden out back) from pastured animals that spent their entire lives on local farms dedicated to humane husbandry, no antibiotics or GMOs (even on the drinks menu), and a simple cooking philosophy.
 
And, starting n 2015, the KQ team hopes to offer classes for those who want to learn more about cooking, butchering, using the whole animal and where food comes from.
 
The kitchen at Kensington Quarters (1310 Frankford Avenue) is open Sunday through Thursday, 5 - 10 p.m., and Friday and Saturday, 5 - 11 p.m. The butcher shop is open Tuesday through Saturday, 11 a.m. - 8 p.m., and Sunday from 11 a.m. - 6 p.m.

Writer: Alaina Mabaso
Source: Michael Pasquarello, Kensington Quarters 
 

Public Workshop founder and director Alex Gilliam calls the blue Schwinn adult tricycle known as the Mobile Maker Cart a "cabinet of curiosities," but then admits that that’s not quite right.

"Cabinet of possibilities. That’s better," he says of the one-of-a-kind mobile workshop conceived and assembled with the help of $180 and a team of 16-20 year-old Public Workshop members at the University City Science Center’s Department of Making + Doing.

The cart’s young designers fashioned several surprising elements out of wood, including pedals, handlebars, a chain-guard and even a smartphone speaker. The Mobile Maker Cart has tools, storage space, an expandable workbench, a small battery-powered generator and a folding canopy, and it’s open to anyone in the neighborhoods it visits.

So far, these visits have included block parties in Powelton Village and Spruce Hill, and stops are coming up in November at various vacant lots on Lancaster Avenue in West Philadelphia. (Mobile Maker Cart activities are funded by ArtPlace America.)

"Humans are wired to copy one another," says Gilliam of the Public Workshop mission, and why the Cart, offering an opportunity to observe and participate in the creative process in public spaces, is a perfect example of it.

“We originally learn by touching and interacting with the world,” he adds, and we experience a remnant of this every time we absentmindedly put a pen in our mouth while thinking.

Youngsters might drive adults crazy with time-honored toddler activities such as banging pots and pans together, but "that is their way -- and originally your way -- of understanding what a pan is, and what acoustics are," he insists. Once we grow up, not everyone feels like an artist, writer, director, architect or designer. But given the opportunity, "everyone likes to build," and hands-on activities spark "a chemically different process" than sitting in a meeting or completing paperwork.

Whether it’s a shovel, saw or a sledgehammer, the chance to connect with others over a physical task releases endorphins, which foster a sense of teamwork and inclusion, a sharpened memory, and the tenacity needed to get things done, Gilliam continues.

Public space is "the original Internet," he adds, where we connect, learn and collaborate in the way we really evolved to. "People are tired of talking about stuff, they just want to do…We’re pushing all those buttons."

When Mobile Maker Cart visitors are impressed by the gear onboard, and learn that, for example, an item was made by a sixteen-year-old girl, "it changes the conversation very quickly. People think, if a teenager can do it, maybe so can I."

Writer: Alaina Mabaso
Source: Alex Gilliam, The Public Workshop