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Many Philadelphians don’t know it, but our city has a rich legacy of cultural and economic ties with Japan dating back to the mid-1800s.

"There’s this long history of friendship, academic interchange and business interchange," says Kim Andrews, Executive Director of the new Japan America Society of Greater Philadelphia (JASGP), which this summer officially merged with the Friends of the Japanese House and Garden (FJHG).

The first Japanese envoys to visit Philadelphia arrived in 1860 and the plantings at the Shofuso Japanese House and Gardens in Fairmount Park near Parkside (our old On the Ground haunt) were installed in 1876. The depth of this history is interesting for an East Coast region with a relatively small Japanese and Japanese-American population (a 2010 survey of the five-county area reported about 3,000 people of Japanese heritage).

"It’s not very large, but it is a very deep and important cultural history," says Andrews.

When she became executive director at FJHG, the idea of joining forces with JASGP had "been bubbling in the atmosphere for a long time" -- the two nonprofits had a lot of overlap in their missions.

FJHG’s two main programmatic goals were interpreting, maintaining and preserving the Japanese house and garden; and creating arts and cultural programming. JASGP’s two-fold mission was building connections between businesses in Philadelphia and Japan, and hosting Japanese arts and cultural events.

The merged organizations' three-fold mission wasn’t hard to develop: to continue the Shofuso stewardship, to "enrich connections between the business and government sectors of Japan and Philadelphia," and "to offer educational public programs about Japanese art, business and culture."

In terms of staffing and budget, JASGP is now the second-largest Japan America society among 37 across the country (second only to New York).

Andrews notes that the original JASGP brought excellent national and international business and political connections to the table, as well as a strong relationship with the Japanese Consulate in New York. It also produced Philly's annual Cherry Blossom Festival, which drew about 14,000 people this year, and which, according to Andrews, is considered one of the U.S.'s most authentic Japanese-style festivals.

For their part, FJHG board members were "subject area experts" on Japanese culture, art and preservation.

"It’s been a really good mix," she says.

In the immediate future, there won’t be much evolution in programming as the two organizations get settled. (The merger was funded by Philly’s Nonprofit Repositioning Fund). The board will take a strategic planning retreat next month, and in 2017 embark on a new formal strategic plan with funding from the William Penn Foundation. New programming should roll out by 2018.

Besides the goal of furthering appreciation for the deep roots of Japanese heritage in Philly, the two nonprofits' merger is good news for the city in general. As Andrews explains, stakeholders no longer have to split donations, and the organization can streamline its budgets and operations on everything from payroll to newsletters while working towards the new joint mission.

Writer: Alaina Mabaso
Source: Kim Andrews, the Japan America Society of Greater Philadelphia

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

After three years in its new headquarters at the foot of the Ben Franklin Bridge, the Philadelphia Fringe Festival -- presented by FringeArts -- is celebrating its 20th anniversary. The 15-day extravaganza, which will feature 178 shows all over the city (a handful curated by FringeArts and the rest mounted independently), is running September 9 through 24.

On July 19, FringeArts gathered media and presenters for a look at this year’s curated lineup of shows from homegrown and international artists. President and producing director Nick Stuccio, who assembles the slate along with FringeArts programming director Sarah Bishop-Stone, touched on some notable returning artists along with those new to the festival.

Fringe audiences of two years ago might remember the inaugural production of The Sincerity Project, an ambitious theatrical happening from Philly’s Team Sunshine Performance Corporation, with plans to span 24 years. Every two years, the same seven-person ensemble will converge for a performance mixing theater, music, ritual and dance "to reveal stories from the performers’ respective pasts, to display their bodies in the now, and to reveal their evolving desires and aspirations for the future."

Italian director Romeo Castellucci is also returning (after past festival hits The Four Seasons Restaurant and On the Concept of the Face, Regarding the Son of God) with Julius Caesar. Spared Parts. A man with no vocal cords performs Mark Anthony’s funeral oration while another holds forth with an endoscope displaying his vocal cords in real time.

Other notable artists include Stew & Heidi Rodewald, who are partnering with the The Wilma Theater to offer Notes of a Native Song, a "concert novel" homage to James Baldwin. Cesar Alvarez will mount his extraordinary musical The Elementary Spacetime Show (about a girl who has to play her way through a surreal game show to win her right to suicide) in partnership with University of the Arts. (The show premiered at UArts' inaugural Polyphone Festival in 2015.) Three-time FringeArts presenter Reggie Wilson’s Fist & Heel Performance Group will open the fest with Citizen, which Stuccio said is inspired in part by "famous African Americans who left this country to fulfill their identities."

This year’s "masthead show" is coming from director Brett Bailey, a white South African whose controversial work probes post-colonial Africa. Bailey’s Third World Bunfight will present a condensed 100-minute version of Verdi’s Macbeth in partnership with Opera Philadelphia, reimagining Shakespeare’s tragic figure as a dictator in the Democratic Republic of Congo. (It comes with a host of associated discussions and events.)

Find the full lineup of curated shows online.

As for the rest of the fest, audiences can find 11 types of shows in the categories of music, dance, comedy, film, theater, spoken word, interdisciplinary, happenings, visual art and circus. 2016's iteration will branch out into West Philadelphia, and there will also be lots of work in Fishtown/Kensington, the Northwest, Northern Liberties, Old City, South Philly and more, including the second year of the Digital Fringe, with work presented exclusively online.

Audiences can sit in graveyards, forage on a farm, drink, laugh, interact, share stories and more. Shows will take place in venues including a yoga studio, a gay nightclub, Elfreth’s Alley, museums and parks. The full lineup will be available in print and online August 5.

Markman especially appreciates "artists who use our platform to find their own unique audience."

And for local beer lovers, FringeArts announced one more new partnership: "Fringe Benefit," a limited-edition pale ale from Kensington’s Saint Benjamin Brewing Company.

Writer: Alaina Mabaso
Sources: Nick Stuccio and Jarrod Markman, FringeArts

The ACANA Festival started small, but after eight years, it’s exploded into an event that draws thousands to Penn's Landing. Attendees come to explore the modern and traditional music, foods, crafts, and cultures of the African diaspora.

The African Cultural Alliance of North America (ACANA) is our current On the Ground home in Southwest Philadelphia (check out this recent profile of the broad-based African and Afro-Caribbean social services organization). August 7 will mark the ninth year that ACANA has hosted the event as part of the PECO Multicultural Festival Series, which brings eight free festivals to the waterfront between June and September.

ACANA originally made the series roster nine years ago with the help of a recommendation from the Kimmel Center. The nonprofit's founder and executive director Voffee Jabateh served on the community advisory board.

In 2015, the ACANA Festival drew an estimated 10 to 12 thousand people to the Great Plaza at Penn’s Landing in a single day. This year, with headlining singer Pape Diouf -- a Senegalese star -- those numbers will only grow. Other performers at this year’s festival include Sharon Katz and the Peace Train South Africa, Chilton James Reggae Band, Deng, and the Universal African Dance & Drum Ensemble.

Jabateh says the festival is gaining international traction and becoming a destination for African artists who want to connect with the vibrant African diaspora in the United States.

"[Diouf] is top of the charts in Africa," says Jabateh, but "many in the [American] community cannot afford the cost" of traveling to see him. So the ACANA Festival is bringing him here, free of charge to fans.

"Most of the artists in the ACANA Festival for the last five years have come from outside the United States," he adds. They’re "doing very well in their career back in Africa, and the diaspora group wants to see those artists here in America."

ACANA makes it happen.

The fest will also feature a huge range of African food, arts and crafts, and activities for kids.

The ninth annual ACANA Festival is coming to Penn’s Landing on Sunday, August 7 from 2 - 8 p.m. The event is free and open to the public.

Writer: Alaina Mabaso
Source: Voffee Jabateh, ACANA
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

The Strawberry Mansion area (our recent On the Ground home) has plenty of artists, but there’s rarely an opportunity for them to come together on their home turf, says INVISIBLE RIVER spokesperson Sylvana Joseph. The Schuylkill River Arts Day (SRAD) on July 16 is going to change that.
 
Founded in 2009 by Artistic and Executive Director Alie Vidich, INVISIBLE RIVER has been "celebrating our local rivers through live public performances and river advocacy." A mix of art, programming and interactive outdoor offerings serve the mission of engaging the public with both the Schuylkill and the Delaware.
 
For the last few years, Vidich has created one of Philly’s most eye-popping interdisciplinary performance events: an aerial dance suspended from the Strawberry Mansion Bridge, with audience members watching on shore or from boats on the river below. Beck Epoch, this year’s incarnation of the show (an "aerial exploration of swinging, swimming, swiveling and suspension from above the Schuylkill River") is coming up on Friday, July 15 and Saturday, July 16. Audience members will be able to watch for free from the eastern shore near the bridge, or they can buy a ticket to watch by boat on the river itself (everyone should arrive by 6:15 p.m.).
 
SRAD will kick off at 10 a.m. at Mander Recreation Center with an interactive drum and dance procession led by the Strawberry Mansion-based group Positive Movement and the African Diaspora Artist Collective. The group will take Boxers’ Trail from the rec center to Kelly Drive, where the arts fest will take over until 2 p.m. Other performers include Kulu Mele, Anne-Marie Mulgrew & Dancers Co, Almanac Dance Circus Theatre and many more. (Here’s the full line-up of participating artists.) There will be visual arts, crafts, and even fishing and boating lessons. Families are encouraged to bring a picnic and stay for the day.   
 
"We’re really focused on getting the Strawberry Mansion area and the people in that area to come, to use the Schuylkill River [and] learn about the river," says Joseph. "All of us that live in the Philadelphia live right in proximity to all of these great things, but we never use them. There are many musicians and dancers and artists of all stripes that live in that area but leave the area to perform -- it’s great to have this opportunity to have people from the area perform in the area."
 
Writer: Alaina Mabaso
Source: Sylvana Joseph, INVISIBLE RIVER
 
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

Flying Kite has been searching for an #OnTheGround home in Kingsessing, and we’re happy to announce that we've landed at the nonprofit African Cultural Alliance of North America (ACANA) near 55th Street and Chester Avenue.

Founded in 1999 by a group of African immigrants, ACANA worked to support African and Caribbean artists and musicians in their efforts to integrate into the U.S., while preserving their community and cultural values.

Over the last 15 years, that mission has expanded as the organization's target population of immigrants, refugees and asylum-seekers grew, particularly in ACANA’s Southwest Philadelphia neighborhood. The nonprofit began offering a wide range of social services, including ESL (English as a second language) and literacy classes, youth and after-school programs, a food bank, healthcare-related services, and more.

ACANA Wellness Coalition Coordinator Marjorie Anderson says people often don’t realize the breadth of ACANA’s programs or the fact that they’re available to everyone.

"[ACANA] is open to serving the entire Southwest Philadelphia community, and African and Caribbean people no matter where they were born," explains Anderson. "I think that’s something folks don’t know. It’s a resource that’s for the entire community."

For those who want to get to know ACANA better, the organization's youth activities arm is hosting a day-long youth arts showcase on July 9 out of its Chester Avenue space. The event will feature food, art and talks from the kids about what they learned in the programs. And on Sunday, August 7 from 2 - 8 p.m., the ACANA African Festival will take over Penn’s Landing.

Anderson is excited about partnering with On the Ground because of the opportunity to expand ACANA’s relevance to the entire neighborhood.

"I think a lot of organizations are familiar with ACANA [and executive director Voffee Jabateh]," she continues, but she hopes the residency will help "organizations as well as individuals in the community know that there’s a social service resource for the entire community."

Come say hello during our On the Ground hours at ACANA: 10 a.m. - 6 p.m. Tuesdays and Thursdays through August.

Writer: Alaina Mabaso
Source: Marjorie Anderson, African Cultural Alliance of North America

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

"There are many different expressions of cooperation and mutual aid in Philadelphia, among very diverse groups of people," explains Caitlin Quigley of the Philadelphia Area Cooperative Alliance (PACA). Now, thanks to a $146,000 award from the national Knight Cities Challenge (check out our peek at the four Philly winners here), the organization hopes to expand interest in co-ops citywide.

PACA’s Knight-funded 20 Book Clubs, 20 Cooperative Businesses initiative aims to gather learning groups of six to 12 people from a variety of Philly neighborhoods. The organization will help guide the book clubs through a tailored process to master the building blocks of building a cooperatively-run business of any type, based on the community’s interests and needs.

So what exactly is a "co-op"?

A cooperative grocery store (like Philly’s Weavers Way or Mariposa), for example, "is a business you own with your neighbors," explains Quigley. "You make decisions about the products that are on the shelves, how the co-op should treat its workers; how the co-op should decide how to be in the community.”

The latter includes things like representation at events, education and outreach, and making donations.

"You and your fellow co-owners can decide how you want that business to serve you," she adds.

And while grocery stores might be the most prominent local example, PACA is a consortium of all kinds of co-ops across many industries. These range from banks to housing to community gardens, green space, or land trusts, or child-care or artist co-ops.

The 20 Book Clubs, 20 Cooperative Businesses project, operating on a year-long grant cycle from April 2016 to April 2017, will continue outreach this summer, with the goal of organizing project participants by September. Each group will meet twice a month for six months, with guidance from PACA staffers and volunteers, and a comprehensive curriculum of suggested learning materials, from books and comics to field trips and podcasts.

Author Dr. Jessica Gordon Nembhard, whose book Collective Courage is a major inspiration for the project, is collaborating with PACA on the study guide.

In March of next year, participating groups will convene at a large event that will include cooperative business pitches. Beyond that, PACA hopes to support interested groups in more intensive business planning, such as drafting articles of incorporation and writing bylaws.

"Not all of the groups that do the book clubs are going to necessarily decide to move onto this phase," says Quigley, but that’s ok. "Even if it doesn’t happen right now…They have a new set of tools and perspectives that they can bring to anything they do in their communities from then on." Ultimately, it’s about building "a strong movement around a just and inclusive economy, with all of these different sectors of cooperatives and their members."

Writer: Alaina Mabaso
Source: Caitlin Quigley, Philadelphia Area Cooperative Alliance

How do you get local history out of the museum and into the neighborhood? For about three years, Erin Bernard -- founder of the Philadelphia Public History Truck (PPHT) -- has been exploring the answers: "I had this intention to create projects with people in Philadelphia neighborhoods, as opposed to for them at a museum," she says. 

A traveling oral history and research repository, block party instigator, and capsule of local culture, PPHT and its newest off-road installation are coming soon to the Pearl Street storefront at Asian Arts Initiative (our former On the Ground Home). 

The Temple grad first got the idea for PPHT -- which Bernard calls a culmination of her degrees in journalism and history, her work in nonprofit public relations, and a lot of strolling past food trucks -- back in spring 2013. She approached community groups with her plan. The East Kensington Neighbors Association (EKNA) proved an enthusiastic early partner; former EKNA president Jeff Carpineta even donated a truck.

PPHT is now on the cusp of completing its third year-long neighborhood cycle -- Kensington, then North Philadelphia, and most recently Chinatown North/Callowhill. Its next project in the Fairhill neighborhood (in partnership with Taller Puertorriqueño) is now getting started.

Each of the truck’s "exhibit cycles" has nine parts, beginning with a neighborhood association partnership, growing into oral history interviews, a storytelling and "neighborhood object"-themed block party, archival research, community art happenings, a temporary exhibit in a neighborhood building, and then a compression of the exhibit back into the truck, to bring the stories to other neighborhoods.

At Asian Arts June 3 through 25, PPHT’s will present, "A Houseless Museum: Home and Displacement Around the Vine Street Expressway." Bernard volunteered at the nearby Sunday Breakfast Rescue Mission and part of the History Truck’s mission in that neighborhood became researching how to best serve "a transient community."

The exhibit, which features stories from the neighborhood’s homeless community, will have a cabinet with supplies like socks, t-shirts and dry shampoo for those who need them. There will also be a TV installation playing the Philadelphia Chinatown Development Corporation-provided documentary "Save Chinatown," detailing the demolition wrought by construction of the Vine Street Expressway. There will be artwork by Pew fellow and Chinatown North resident Leroy Johnson, and "archival reproductions and text, and space for people to explore actual historical documents," says Bernard.

The show also incorporates work from Bernard’s graduate students in the Museum Exhibition Planning and Design program at University of the Arts, as well as local high school students they mentored.

"I’ve found working in this neighborhood extremely difficult, compared to the work in Kensington and North Philadelphia," explains Bernard of her stint in Callowhill/Chinatown North. "It’s a very transitional community…That’s part of the story."

Not all of the neighborhood’s community groups agree on the way forward when it comes to development, including projects like the Reading Viaduct rail park project.

"There are a lot of serious issues of contention as to who owns the space," she explains. "I think that’s part of the reason it’s been challenging to have a history truck here, but it’s always good to learn something new."

Writer: Alaina Mabaso
Source: Erin Bernard, the Philadelphia Public History Truck

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.
 

Mid-level minority and women-owned businesses can often access financing through debt but not through equity investments. To remedy that problem, The Enterprise Center (TEC) has launched the Performance Fund through its Capital Corporation.

According to TEC, a Federal Reserve Bank of New York study revealed that "low-income populations and communities of color were being forced to engage in high-cost financing options for themselves and their businesses, as a result of limited access to basic financial services." This gap is due to a lack of community banks where they’re most needed and inequality in lending practices.

"Traditional [venture capitalists], they don’t look at deals that require less than $3 million," explains Chris Chaplin, TEC Capital Corporation director of public and private capital. "To a great extent, we recognized that there was a demand -- a need in the marketplace for companies to get at least some access to equity to take it from one level to another."

The funds for TEC’s first two Performance Fund equity investments came thanks to a grant from the U.S. Department of Health and Human Services (HHS). One of them is a $211,000 investment in Jidan Cleaning LLC, owned by Patricia Claybrook, with offices in Medford, N.J., and Philadelphia.

When vetting companies for these inaugural investments, TEC targeted businesses with revenue of at least $250,000 annually.

"A lot of these companies, they can get debt, but they need equity support to take it up to the next level," says Chaplin. For most women-and minority-owned businesses of this size -- already hampered by a lack of financial and social resources more easily accessed by white male entrepreneurs -- "getting equity is next to impossible."

TEC helped to finance Jidan’s growth in the past with a loan, which the business serviced well. The company has a long relationship with the West Philly organization: They clean its building and those of its partner organizations.

"What we’ve found is they’ve been growing rapidly," with larger and larger contracts, says Chaplin. "We recognized Patricia needed some financial support…but we didn’t want her to be caught in a situation where she was just servicing debt."

Over a three-year period, the $211,000 equity investment will help Jidan grow its full-time staff by 14, its part-time staff by 17, and provide benefits to employees. Chaplin predicts that with this investment, the company will surpass TEC’s staffing estimate.

"The focus of our work with HHS with these investments is not only to create wealth," he adds. "The real focus is to create jobs...sustainable jobs with benefits."

TEC is already looking toward the next cohort of Performance Fund recipients. While TEC may approach HHS with its decision by the end of April, the new cohort won’t be announced until September. 

Writer: Alaina Mabaso
Source: Chris Chaplin, The Enterprise Center

In the 1960s, the Chinatown community banded together to oppose a planned expansion of Vine Street that threatened to bulldoze the Holy Redeemer church and school at 10th and Wood Streets. That action led to the birth of the Philadelphia Chinatown Development Corporation (PCDC), which has become an essential neighborhood institution. 

Now PCDC is getting ready to celebrate its 50th anniversary: a major milestone for an organization that has supported a city-wide hub of commerce, culture, community and healthcare. (In 2015, Flying Kite’s On the Ground residence at Asian Arts Initiative wasn’t far from PCDC’s current headquarters at 9th and Vine Streets.)

PCDC got its start via a neighborhood town hall headed by Cecilia Moy Yep, George Moy and Anthony Wong, who all remain on the board of directors today. It was founded in 1966 and officially incorporated in 1969. Since then, its advocacy on behalf of local residents and business owners has spanned fair housing provisions for residents of homes razed in the path of the Convention Center expansion; successful opposition to a new sports stadium in the late 1990s; and a voice in other development projects from the Gallery Mall to Independence Mall. Now, the organization is moving forward on its massive Eastern Tower development.

"This was considered a blighted community at the time," explains PCDC's Sarah Yeung of the group's early days. "The city had cited Chinatown as a place for redevelopment. Chinatown was in and of itself a thriving immigrant community. It was full of families and businesses."

"The core mission was to ensure that this community had a voice in its own future," she continues. About 10 years after its founding -- and successfully scaling back the city’s plans for the Vine Street Expressway -- "they turned toward helping Chinatown to plan for its future as a neighborhood." An initial master plan in the 1970s led to a series of affordable housing developments that are important anchors today.

In 2000, John Chin became PCDC’s executive director, growing and diversifying the organization’s offerings, and leading the 2004 Chinatown and Callowhill Neighborhood Plan process.

Over 8000 people live in Chinatown, says Yeung, and PCDC services directly reach over 1000 clients a year, with a staff of just six people.

"Chinatown has become not just a resident-based community, but also a hub for Asian Americans in the region," she adds. "We serve as this home base for a greater population in the Delaware Valley region. We’re the only Chinatown in the state."

PCDC will celebrate its 50th birthday with an anniversary gala at the National Constitution Center (525 Arch Street) on Friday, May 6 at 6 p.m.

Writer: Alaina Mabaso
Source: Sarah Yeung, Philadelphia Chinatown Development Corporation

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

After nabbing more project grants than any other U.S. city in the Knight Foundation's inaugural 2015 Knight Cities Challenge, Philly has more reasons to be proud. As announced at an April 12 celebration at Reading Terminal Market (RTM), local winners received the largest share of the national grant program’s $5 million pool for 2016: over $873,000 for four local initiatives.
 
This year’s contest, which invites individuals and organizations nationwide to submit their ideas for improving city life, drew over 4,500 applicants. That was narrowed down to 138 finalists and 37 grantees. Philadelphia's winners include the Philadelphia Area Cooperative Alliance (PACA) for its 20 Book Clubs, 20 Cooperative Businesses; Reading Terminal Market Corp. for its Breaking Bread, Breaking Barriers; Little Giant Creative for its Institute of Hip-Hop Entrepreneurship, and Benjamin Bryant for his Little Music Studio.
 
Caitlin Quigley of PACA spoke at the celebration. Her organization will use its $146,000 grant to launch 20 book clubs in 20 Philly neighborhoods. Attendees will focus on studying cooperative business models, and then use what they’ve learned to launch a co-op business serving a need in their community.
 
Quigley hopes the initiative will "activate Philadelphia residents to be lifelong agents of change in their neighborhoods."
 
RTM General Manager Anuj Gupta spoke on behalf of Breaking Bread, Breaking Barriers, recipient of $84,674. According to Knight, the project will build "cultural bridges to Philadelphia’s immigrant communities with cooking classes celebrating ethnic food," led by RTM chefs.
 
RTM is one of the city’s most diverse public spaces, explained Gupta, and it’s known "as a place where one can expect civility," no matter where you come from, over the common enjoyment of food.
 
Tayyib Smith's Little Giant Creative is receiving $308,640 for its project that boosts "economic opportunity by using hip-hop to provide hands-on business training to members of low-income groups." As Smith noted, one third of our city’s population lives in poverty. With a GED and two semesters of college, he’s now the founder of four businesses, and he wants to see Philadelphia's entrepreneurial community talk as much as they can about local poverty.
 
Bryan's The Little Music Studio, which netted $334,050, will be a "traveling playground for musicians," making musical instruments accessible in public places to anyone who wants to sit together and play. The "project is not about performance," says Bryan, but about diverse people connecting through spontaneous jam sessions. (He’s leading the project through his role as director of planning and design at Group Melvin Design.)
 
As Knight Foundation Philadelphia Program Director Patrick Morgan put it, "Each of these ideas represents the best of Philadelphia."
 
Writer: Alaina Mabaso
Sources: Patrick Morgan, Knight Foundation Philadelphia, and Knight grant recipients 
 

The African Family Health Organization (AFaHO), a member of the latest cohort of 40 Barra Foundation Awards winners, got its start in 2005 when founder Tiguida Kaba, a Senegal native, lost a friend -- she bled to death in her own apartment because she was uninsured and undocumented, and afraid to go to a hospital.

It was an extremely traumatic incident for Kaba.

"She felt the need to create something [so] that people would know that no matter your circumstance, you can get care, you can get help," explains AFaHO Executive Director Oni Richards-Waritay.

Richards-Waritay, who came to the U.S. from Liberia, has been on the nonprofit’s staff for about five years after starting as a volunteer. AFaHO’s multi-faceted mission of connecting African and Caribbean immigrants to a range of important healthcare services means a lot to her.

"Being an immigrant myself and knowing the experiences that people went through, I was called to help her in any way possible," she recalls.

Through partnerships with local community health centers that accept any patient who is a resident of Philadelphia, AFaHO case managers and community health advocates facilitate services -- everything from language interpretation at the doctor, to nutrition and wellness counseling, to medical care for children and pregnant women.

AFaHO incorporated in 2005, but didn’t gather the funding or traction to be fully operational until 2009. Originally, the organization operated out of offices at Broad and Spruce, but to better serve their clients, they decided to relocate to West Philadelphia (4415 Chestnut Street).

"I have a soft spot for children," says Richards-Waritay of the work that speaks to her the most. When it comes to persistent health issues, it can be hard for adults to make changes, but with children, "you’re able to mold them to think differently, to act differently, particularly about their health, and I see them as agents of change in their own homes."

AFaHO’s work with children can be particularly important in the emotional health realm.

"[We] help them navigate trying to maintain their African culture but also assimilate into American culture," she explains. "What [does] that mean as they’re trying to straddle these two different worlds and the impact that has on family dynamics?"

She’s thrilled about the opportunities the Barra dollars -- $25,000 per year for two years, with no stipulations about programming -- will offer AFaHO.

"I don’t even know how to explain the importance of this grant, because most of the funding that we get is tied directly to program work," she explains.

The Barra Awards offer general operating support, a rare boon in the nonprofit world. It could help pay for staff’s administrative time, cover a much-needed audit, support additional staff training, or enable an outside evaluation to identify best practices and areas where services could be improved.

"General operating money is really hard to come by," adds Richards-Waritay. Instead of zeroing in on a single program, the grant will let AFaHO grow as an organization. "On so many different levels, in terms of building our capacity, this grant is critical."

Writer: Alaina Mabaso
Source: Oni Richards-Waritay, the African Family Health Organization
 

In April, the Camden CoLab will partner with Hopeworks 'N Camden to launch a new pre-accelerator program that hopes to draw aspiring entrepreneurs of all stripes. Like the renovation of the Ruby Match Factory into a state-of-the-art office space, it’s another initiative in our former On the Ground neighborhood that proves Camden is poised for job growth.

The Camden CoLab Hopeworks Pre-Accelerator (as it’s currently titled) hopes to attract an inaugural class of 10 to 30 students. The six-week course will be hosted at the Waterfront Technology Center of the Rutgers Camden campus. It’s open to new entrepreneurs from any region, but the Hopeworks partnership and other outreach will ensure special focus on locals who need help developing a business idea.

According to CoLab Director Suzanne Zammit, the idea came from a group of Rutgers students she taught last semester -- they developed a project to benchmark university-sponsored business accelerators all over the U.S., incorporating factors like best practices and curriculum.

"Let’s quit waiting and just do this," recalls Zammit of the plan to bring their research to bear in Camden.

Applications for the program -- Monday night classes begin the first week of April -- are coming soon (keep an eye on the CoLab website for links). The exact cost of the pre-accelerator is still TBD, but it will be an accessible price with some scholarships available. Applicants should already have a concept for a business (anything from tech to a consumer product or service), but not know where to start with a business plan or revenue model. Social impact and diversity are especially in line with CoLab's mission.

"There will be a teacher lesson for an hour-and-a-half, and then there will be a guest speaker who will be an entrepreneur," explains Zammit. These speakers will include people who have just concluded their initial fundraising all the way to up to entrepreneurs running successful businesses, as well as others from the local startup community. There will also be plenty of one-on-one mentoring and business development guidance.

The ultimate hope is to repeat the program not just for new aspiring business-owners, but to bring the inaugural class through two more successive accelerator rounds and help them achieve a million dollars in revenue.

"Once they leave this class, they’ll be ready to go," insists Zammit. "We’re truly launching successful companies that are going to create a buzz, as well as attract more companies to the Camden waterfront and create more jobs."

Writer: Alaina Mabaso
Source: Suzanne Zammit, Camden CoLab

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.
 

2001's No Child Left Behind Act (NCLB) -- with its federally mandated education standards -- has been replaced by 2015's Every Student Succeeds Act (ESSA). On February 24, the Friends Center's Exchange PHL hosted Maura McInerney, a senior attorney at the Education Law Center – PA, for the latest installment of its Breakfast Series to discuss the shifts ESSA will bring to U.S. schools (with most changes taking effect by December of this year).

While McInerney was frank about many portions of the law that maintain nebulous standards in terms of education access, goals, and enforcement, the new rules mean a goodbye to mandates for the controversial Common Core teaching style.

Teachers "had no idea how to implement the Common Core," she explained. Now states are required to adopt "challenging" academic standards -- which could mean a continuance of Common Core or a new standard (Pennsylvania opted to maintain Common Core).

So how does ESSA impact Pennsylvania and Philadelphia schools? Some of its provisions build on the original intent of NCLB with policies to maintain and increase access to quality education for at-risk children. This is important for our state because Pennsylvania has the largest disparity in the country between its wealthy school districts and its under-funded school districts, and children are hurting.

One notable change from NCLB -- particularly relevant to a state with wide funding gaps -- is a new requirement disaggregating data about students' performance. Evaluations will no longer group all children together, but allow special consideration for students who face extra challenges, such as kids who are homeless or living in poverty, kids in foster care, kids with disabilities, or kids learning English as a second language.

ESSA also works to eliminate punitive measures for teachers whose students fail to meet federal standards. According to McInerney, this was resulting in counselors and teachers advising kids to miss tests when they were at risk of failing them.

ESSA also hopes to better support kids who now wind up in Alternative Education for Disruptive Youth programs (AEDY). A disproportionate number of students in AEDY programs have disabilities (McInerney helped open a legal investigation into the problem). And ironically, one issue that often lands kids in AEDY programs is truancy (how can children be labeled "disruptive" if they’re not even present, she wondered). ESSA aims to implement conditions to reduce bullying and harassment and "reduce the overuse of discipline practices that remove students from the classroom." Currently kids in AEDY programs must change schools to enter their new classrooms, and, as a punitive measure, lose access to art and music classes, maintaining only "core subjects." This does little to reduce disruptive behavior or truancy.

Another provision of ESSA that could impact Philadelphia schools in particular relates to grant programs for school districts. Districts that receive over $30,000 must spend "20 percent on at least one activity that helps students be safe and healthy."

What could that mean for Philly? The restoration of school nurses. Due to budget cuts, local schools have lost 100 nurses since 2011. In some cases, a single nurse now covers as many as five schools. ESSA could help change that.

Writer: Alaina Mabaso
Source: Maura McInerney, Education Law Center – PA 
 

On February 4, Mayor Jim Kenney joined Mt. Airy USA Executive Director Brad Copeland and others for the official launch of the Philadelphia Immigrant Innovation Hub at 6700 Germantown Avenue.

In his remarks to the diverse crowd of immigrant entrepreneurs, funders and other supporters, Kenney called the room "a beautiful sight."

"This is what Philadelphia looks like," he said. "And this is what the country should look like."

Copeland added that a support and co-working hub for Philly's immigrant entrepreneurs was "very Mt. Airy" -- the neighborhood is already extremely diverse and civically engaged. He praised Hub members’ commitment, drive, energy, vision and "willingness to take risks."

The Hub was made possible by a 2015 Knight Foundation Cities Challenge grant. Speakers credited former Mt. Airy USA leader Anuj Gupta for the inspiration to pursue these dollars for the project. Out of 5,000 applications last year, there were 32 winners -- seven of those from Philadelphia, the most winners from any city in the country.

"[Knight] allows organizations like ours to dream crazy dreams and then challenges us to make them a reality," enthused Copeland.

Sarajane Blair and Jamie Shanker of Mt. Airy USA outlined the new space's offerings, which are made possible with additional financial support and guidance from the nonprofit community lender FINANTA. Services will include "core workshops" (offered through a partnership with the Welcoming Center for New Pennyslvanians), individual business and financial plan development, credit building tools, and community support and engagement helmed by Mt. Airy USA. Hub members will also have access to a co-working space on Germantown Avenue, five financial lending cycles a year, and dedicated networking programs.

"We will do everything we can to help you succeed," said Blair to program participants.

Those eligible for the program must be immigrants to the U.S. who want to be self-employed and have a business idea or plan, but need assistance in starting or growing their business. Applicants can head to piihub.org to get started.

Writer: Alaina Mabaso
Sources: Philadelphia Immigrant Innovation Hub launch speakers
 

In January, the Philadelphia Convention and Visitors Bureau (PHLCVB) welcomed its new president and CEO Julie Coker Graham with an announcement ceremony featuring Mayor Jim Kenney and leaders of the National Medical Association (NMA). America’s oldest and largest organization representing African American healthcare professionals, NMA will hold its annual conference in Philadelphia in July 2017. (Flying Kite heard from Graham a few weeks ago when she spoke at Philly’s Women at the Wheel forum.)

According to Graham, the conference will bring 3500 attendees to the city, with an estimated $5 million economic impact. And it’s extra special because current NMA national president is Philly’s own Dr. Edith P. Mitchell, a medical oncologist and associate director of Jefferson University Health System’s Sidney Kimmel Cancer Center.

Dr. Mitchell is pleased to represent a partnership between Jefferson, the NMA and the City of Philadelphia. When the NMA was formed in 1895, "doctors like me were denied membership in other organizations," she explained at the ceremony. Mitchell appreciates the opportunities at Philly’s many medical and educational institutions and asked, "How we can all work together to fight disparities and head toward healthcare equity for all?"

NMA Executive Director Martin Hamlette introduced Dr. Mitchell with the same themes. He pointed to the NMA's many corporate and political partnerships that tackle the issues both African-American physicians and their patients face, with a special focus on chronic conditions, aging and wellness, and fair access to healthcare.

"We get lobbied by a lot of cities," said Hamlette of deciding to bring the 2017 conference to the Pennsylvania Convention Center. (The last NMA conference held here was in 2003.) Philly was chosen not only because it’s a vibrant, "progressive" city where it’s good to conduct business, but also because it’s "a city that embraces diversity."

"Philadelphia is going to lead toward healthcare equity for all of us," added Dr. Mitchell.

According to PHLCVB, the organization’s convention bookings over the next several years will bring close to two million visitors to the city and generate an estimated $4 billion in regional economic impact.

Writer: Alaina Mabaso
Sources: PHLCVB and NMA speakers