arts and culture : Innovation + Job News

If you've ever spent any time inside an art or natural history museum, there's a chance you've encountered the ubiquitous hand-held audio wand. Attached to a museum wall alongside an exhibit and stored in a charging station, audio wands share pre-recorded information about adjacent objects and displays.    
 
Now, with a bit of business development assistance from Neville Vakharia of Drexel's Westphal College of Media Arts & Design, local tech entrepreneur Cliff Stevens has created a game-changing audio-tour tool that is both less expensive and more convenient than the traditional museum wand solution.
 
Known as CultureSpots, the product exists as a free web-based mobile tool -- not an app -- that users can easily access on smartphones or tablets.
 
Vakharia, who studies the roles technology can play in building stronger and more sustainable arts organizations, helped Stevens develop a business plan for the audio platform, positioning it specifically as a solution for small and mid-size galleries and museums. Institutions, in other words, that can't necessarily afford expensive audio-tour infrastructure.   
 
"I immediately gravitated towards [his] idea," says Vakharia, who first learned about CultureSpots during a chance encounter with Stevens at a Drexel T3 tech event. "I realized that Drexel could bring the resources and expertise to really make this successful, and to really make a change in the museum field."   
 
After piloting a beta version of CultureSpots at 15 local museums and galleries, "we were really pleased to see that people wanted it, and people used it," explains Vakharia. "Overwhelmingly, the feedback was very positive."
 
CultureSpots will be officially launched at Drexel's Leonard Pearlstein Gallery on October 22 from 9 to 11 a.m., during which visitors will have an opportunity to test the platform.   
 
Writer: Dan Eldridge
Sources: Neville Vakharia, Drexel University and Cliff Stevens, CultureSpots
 

As Drexel research director and assistant professor Neville Vakharia points out, university-level faculty members always have their own research agendas, regardless of their fields of study. But in 2013, three faculty from Drexel's Westphal College of Media Arts & Design -- Vakharia included -- discovered a subject they could all agree on, and one they felt warranted immediate attention.
 
That was the arts-and-culture ecosystem of Mantua, Powelton Village and West Powelton -- three neighborhoods adjacent to the Drexel campus. Vakharia and his colleagues were intrigued by the reality that while their neighbor communities are home to large concentrations of artists, they've somehow failed to transform culturally.
 
In an effort to discover what might be holding back the growth of cultural opportunities in Mantua and Powelton, Drexel dispatched a nine-member research team to conduct six months of community focus groups, interviews with neighbors on the street, and brainstorming sessions with various arts-based organizations and cultural stakeholders in the area.  
 
The group has since compiled its findings into a 12-page public report, "A Fragile Ecosystem," which can be accessed here (PDF). And while much of the report explores the breadth of cultural opportunities that already exist in the neighborhoods, it also offers possible solutions that might better tie the local arts community together.
 
In late August, "A Fragile Ecosystem" was distributed throughout West Philadelphia, where it's now in the hands of many of the area's artists, arts organizations, and cultural and civic groups.
 
"There are a lot of strong [arts] players in the neighborhood," explains Vakharia. "What we're hoping is that this report will allow them to understand what the needs are when it comes to arts and culture, and to [help them] move forward on developing some solutions that can benefit the community."    
 
Writer: Dan Eldridge
Source: Neville Vakharia, Drexel University

The annual Philadelphia Honey Festival, a celebration of the importance of bees and the honey they produce, has been in existence for just five years now. But to hear Suzanne Matlock of the Philadelphia Beekeepers Guild explain it, the three-day festival -- running September 5 to 7 at three historic locations throughout the city -- can trace its genesis back to Christmas Day 1810. That was the day Reverend Lorenzo Lorraine Langstroth was born at 106 S. Front Street.
 
Widely known as the "Father of American Beekeeping," Langstroth is the man responsible for inventing the Langstroth bee hive. Consisting of movable frames and resembling a stout wooden cabinet, the Langstroth is still considered the definitive beehive for keepers worldwide. So important was his contribution to beekeeping that on the 200th anniversary of his birth, a historical marker noting his accomplishments was raised outside his former Front Street home.  
 
The first annual Philadelphia Honey Festival was also celebrated that year, largely to honor Langstroth's memory and his significant impact on the craft. Only 500 people took part.

But in the seasons since, the event has evolved into a family-friendly educational and cultural celebration promoting urban beekeeping. It aims to "increase awareness of the importance of bees to [the] environment" and "the impact of local honey on our economy," according to a release. Last year, over 2,300 bee-curious locals showed up. 
 
Organized by the Beekeepers Guild and hosted at Bartram's Garden, the Wagner Free Institute of Science and Wyck Historic House, the festival's free events range from bee bearding presentations and open beehive viewings to a honey-themed happy hour and honey extraction demonstrations.

For a complete schedule, click here. (Don't miss the Beekeeping 100 panel on September 7.)
 
Writer: Dan Eldridge
Source: Suzanne Matlock, Philadelphia Beekeepers Guild

In yet another powerful indication of the City of Philadelphia's extraordinary commitment to public art, Mural Arts recently unveiled a new piece by a world famous artist.

On Friday, August 8, Mural Arts Executive Director Jane Golden appeared in a vacant lot near the corner of Frankford and East Girard Avenues in Fishtown with the iconic street artist Shepard Fairey, who earned widespread recognition after creating the Barack Obama "Hope" poster during the 2008 presidential campaign. The occasion was the dedication of an enormous Fairey mural, titled Lotus Diamond, commissioned by Mural Arts and brought to life over the course of just three days.
 
By far the largest Fairey piece in the city, the 29-foot-square Lotus Diamond can now be seen on the side of 1228 Frankford Avenue, a currently unused structure that may eventually become a 125-room boutique hotel, according to its owner, Roland Kassis of Domani Developers.  
 
Kassis, who's been responsible for a number of recent developments in Fishtown and Northern Liberties, suggested that more wall-sized works of public art may make appearances in the neighborhood sometime soon.

"We're gonna keep on going from here," he says, referring to the momentum generated by Fairey's mural. "We have a lot of walls. We want artists to come."   
 
According to Golden, more large-scale work from Fairey himself will be appearing locally at some point in the near future. Mural Arts has already commissioned the artist "to do two other projects in the City of Philadelphia that are hugely exciting."
 
"We're called the Mural Arts Program," sais Golden during her dedication speech, "but [we're] really [about] community-based public art. [Mural Arts] is about tapping into that creative spirit and putting it to work on behalf of citizens everywhere. And that's really what makes our hearts sing."

Writer: Dan Eldridge
Source: Jane Golden, Mural Arts Program
 

It's hard to believe, but Philadelphia's First Person Arts Festival -- a twelve-day-long theater gala known as "the only festival in the world dedicated to memoir and documentary art" -- is about to enter its thirteenth year.
 
The festival will run November 4 through 15 at four separate venues throughout the city; a portion of the schedule was released last week. The true-life stories shared onstage will come not just from prominent local performers, but also from a number of bold-name celebrities.
 
Actor Kathryn Erbe of Law and Order: Criminal Intent, for instance, will take part in an onstage reading of Eugene O'Neill's "Long Day’s Journey into Night," culminating in a frank audience discussion of themes germane to the play's content. Yowei Shaw, who produces the year-old FPA podcast, will present a live performance. The Obie Award-winning playwright Dael Orlandersmith will stage a reading of her recent memoir, and celebrity chef Marcus Samuelsson will host a dinner featuring recipes from his latest cookbook.

In short, as FPA executive director Jamie Brunson puts it, "There’s no other festival out there quite like it."
 
When Vicki Solot founded FPA in 2000, "she saw the rising interest in memoir and documentary art as a way to foster appreciation among diverse communities for our shared experiences," explains Brunson. Throughout FPA's history, "the festival has always had [a sense of] consciousness about it," she adds.
 
Visit the FPA website for scheduling updates -- Brunson promises a few surprises as the festival date draws nearer -- and to purchase tickets once they become available.
 
Writer: Dan Eldridge
Source: Jamie J. Brunson, First Person Arts

In mid-May, Flying Kite brought you the story of Creative Mornings, a wildly popular breakfast lecture series that had finally launched a Philadelphia chapter. (The most recent event featured a talk by The Heads of State, a local design team.)

Now comes news that Creative Cafe at Replica, a print and design firm/coffee shop in University City, has teamed up with Young Involved Philadelphia (YIP) to offer an early-morning monthly lecture series of its own.

Known as the Creative Cafe Coffee Chats, the events run from 8 - 9 a.m. on the last Monday of each month, and feature five-minute "flash talks" from four presenters. Twenty minutes of intimate conversation follow the talks. And because attendance at each event is capped at just 15 people, the hope is that attendees will walk away with the feeling that they've genuinely learned something new.
 
Not unlike Creative Mornings, each Coffee Chat is organized around a specific theme. June's inaugural event, for instance, took a look at the state of the creative economy in Philadelphia, and featured speakers including CultureWorks Greater Philadelphia founder Thaddeus Squire and Erica Hawthorne of Small But Mighty Arts, a micro-grant program for early-career artists.  
 
According to Mike Kaiser of YIP, an all-volunteer group that works to engage young professionals locally, the emphasis of each lecture will revolve around issues and topics that are relevant to Philadelphians today.
 
"The hope is that this inspires new ideas or a new connection for people," he says. "And that they can leave the event feeling excited as they walk into their day."
 
Tickets for each Creative Cafe Coffee Chat are $6.25; they can be purchased online.
 
Writer: Dan Eldridge
Source: Mike Kaiser, Young Involved Philadelphia

In the riverward districts of Fishtown and Kensington, Frankford Avenue First Friday events have been showcasing the area's increasingly extensive creative output for some years. And it's not just the boulevard's art galleries, but also its cafes, eateries and boutiques.
 
According to Joanna Winchester of the New Kensington Community Development Corporation (NKCDC), that creative and economic energy has been steadily inching its way northward along Frankford Avenue over the past few years.

"We've been wanting to put a highlight on some of the newer businesses that are coming in on the northern side of avenue," she says.
 
At the same time, NKCDC has been keen for local artists to become more involved with the avenue's monthly First Friday events. In an effort to satisfy both those goals, a new-and-improved event was born: the Frankford Avenue First Friday Fracas, which Winchester describes as a fairly typical "art stroll-style event, but with a really energetic twist to it."
 
On September 5 from 6 to 10 p.m., Frankford Avenue between Susquehanna and Cumberland will be closed to traffic for the street party. "We're hoping to have performers, and food trucks, and artists selling their wares," adds Winchester.
 
NKCDC is currently soliciting applications from artists who may want to perform or sell their work at the Fracas. And while priority will be given to those from the 19125 and 19134 ZIP codes, anyone is welcome to apply, as long as they meet the August 20 submission deadline.

Applications can be found online at NKCDC.org and FrankfordAveArts.org. 

Source: Joanna Winchester, NKCDC
Writer: Dan Eldridge

Philadelphia has been one of the country's top travel and tourism destinations for decades. Now, thanks to the efforts of the Philadelphia Convention & Visitors Bureau (PHLCVB), which has been marketing the city's bona fides for more than a decade, we've got the credentialed travel statistics to back up our bragging rights.
 
Philadelphia was recently named the 13th most visited U.S. city by international visitors by the U.S. Department of Commerce's Office of Travel & Tourism Industries (OTTI), which ranks oversees travel statistics annually. According to Danielle Cohn of the PHLCVB, that ranking represents a 13 percent increase over the previous year (when Philadelphia came in 14th).
 
Those rankings have been tracked locally by the Convention & Visitors Bureau ever since 2002, says Cohn, when Philadelphia was only the country's 21st most visited city among international visitors. It was roughly eight years later, in 2008, when those numbers first began showing a significant increase.
 
"The momentum we continue to see is really based on new and innovative sales and marketing initiatives that our team has in place," explains Cohn.
 
One of those initiatives is a new international marketing campaign, "PHL: Here For The Making," which emphasizes the city's business and educational opportunities. And along with reps located in target markets throughout Western Europe, the CVB has lately been paying especially close attention to the emerging BRIC markets.
 
"I think a lot of times people forget that we're traveling around the world promoting Philadelphia because they don't see it here in their backyard," says Cohn. "But it's a very important part of the city's future."    
 
Writer: Dan Eldridge
Source: Danielle Cohn, Philadelphia Convention & Visitors Bureau 

Cooper's Ferry Partnership, an organization that has been working for years to revitalize the city of Camden, was recently awarded a $475,000 grant from ArtPlace America, a group that supports creative placemaking efforts across the country.
 
According to Cooper's Ferry COO Joe Myers, it was largely the success of last April's Camden Night Gardens initiative -- a multi-disciplinary art festival held at the defunct Riverfront State Prison in North Camden -- that led to the grant.   
 
"We applied to ArtPlace with the idea of creating [a number of] smaller Camden Night Gardens events," explains Myers. The original event, which attracted roughly 3,000 attendees to the 15-acre former prison site and featured BMX riders and a Camden drill team along with art and music performances, created significant buzz throughout the community. "We wanted to use that as a kind of model to do [similar events] in smaller locations."
 
Those smaller events will take place somewhere within the North Camden and Cooper-Grant neighborhoods, which were most recently considered for redevelopment in 2008, when Cooper's Ferry released its North Camden Neighborhood and Waterfront Park Plan.
 
And while Myers says the future events might be similar in style to the original Camden Night Gardens, Cooper's Ferry plans to first spend the next four months consulting with the North Camden community.They hope to learn what local residents liked about the Night Garden, for instance, and get suggestions about underutilized sites that could be repurposed for events.  
 
Assuming that phase wraps up this fall, "I would hope we would begin the process of laying out new dates for these events," says Myers, "and having a conceptual idea of what they would specifically be."

Writer: Dan Eldridge
Source: Joe Myers, Cooper's Ferry Partnership

The nominees for the fourth annual Philadelphia Geek Awards have officially been announced -- there are 38 of them, spread across more than a dozen categories.
 
And at precisely 8 p.m. on the evening of August 16, the show will commence at the Academy of Natural Sciences of Drexel University. Roughly 400 audience members will be introduced to some of the city's most inspirational and unusual passion projects, many of the extremely geeky sort: comic books, mobile video games, YouTube videos, and odd art and science projects, to name a few.
 
Come evening's end, one of three nominees will be crowned Philadelphia's Geek of the Year, an honor that in 2013 went to Dan Ueda, who ran the robotics program at Central High School .
 
All told, the upcoming 2014 Geek Awards are shaping up to be the ultimate celebration of an obsessive subculture that has grown exponentially.

"It isn't really a subculture anymore," says Drexel's Jill Sybesma, the event's organizer. "It's just culture."
 
The Geek Awards began back in 2011 when Geekadelphia co-founders Eric Smith and Tim Quirino approached Sybesma with the idea to create an award that would match their geeky site. 

"The city really didn't have anything that encompassed all its geeky projects," she recalls.

Indeed, many of this year's nominees are not bold-faced names from the science or tech scenes. The creators of an enormous Rube Goldberg machine, for instance, are up for a 2014 award, as is an artist who creates and installs fake street signs.  
 
"We say that it doesn't matter what you're geeky about," Sybesma explains. "Just that there's more people doing this now."
 
Tickets go on sale August 1 at phillygeekawards.com.

Writer: Dan Eldridge
Source: Jill Sybesma, Academy of Natural Sciences of Drexel University

Ask just about any self-employed professional to discuss the benefit they miss most from their salaried days and you're likely to get an earful about the trials and tribulations of individual health insurance plans.  
 
The data from Pew Charitable Trusts' most recent "State of the City" report pegs the number of freelancing Philadelphians at just north of 46,000. That's a fairly sizable group of workers, many of whom have had to navigate the frustrating world of health coverage all on their own.   
 
But for the self-employed pros who rent coworking space from CultureWorks Greater Philadelphia, the individual health coverage maze has become much simpler. Those members can now take advantage of a collaboration between CultureWorks and R-Health, a direct primary care provider Flying Kite covered this past February. In March, the Center City coworking space Benjamin's Desk also began offering R-Health plans to its members.  
 
Simply put, the main benefits of the increasingly popular direct primary care model -- in which insurance plans aren't accepted -- involve lengthier doctor-patient interactions and, in many cases, lower fees. CultureWorks' coworking members who sign up with the care provider will receive one free month of R-Health membership and a reduced ongoing rate.   
 
"We try to work with local organizations that have something to offer that would be helpful to our membership," says CultureWorks coworking manager Zach Lifton, "things that make people's lives easy."

Other perks for coworkers include discounted ZipCar rentals, and health club and farm share memberships.     
 
"The idea is that we're here to support people and not overcomplicate what they actually want to be doing," explains Lifton. "R-Health is one of those things that's easily understood, and it has the potential to work very well with the types of people who are here."
 
Writer: Dan Eldridge
Source: Zach Lifton, CultureWorks Greater Philadelphia
 

ArtWell, a relatively unknown but extremely high-impact arts education organization, has been awarded a $100,000 grant to expand its Art of Growing Leaders curriculum, which will be offered in dozens of Philadelphia-area public schools. The grant came from Impact100, a charitable group that funds programs reaching underserved populations.    
 
Founded in 2001 by executive director and ordained minister Susan Teegen-Case, ArtWell was launched in an effort to battle chronic community violence in the city through arts-oriented educational programs. The organization’s highly-regarded Art of Growing Up curriculum was created eight years ago by program director Julia Terry, who had studied rites of passage traditions in Ghana when she was a study-abroad student.   
 
During her research, Terry became intrigued by the fact that so many of the world’s cultures have traditions meant to guide young people through the transition from childhood to young adulthood. After joining Artwell, she created The Art of Growing Up as a means to expose Philadelphia’s students to the lessons a rite of passage tradition teaches. The semester-long program includes anti-violence curriculum, poetry and drama workshops, and visual arts classes.  
 
"We've had the experience of schools wanting us to stay longer, and students wanting to do [the program] again," explains Terry. "But we've never had the funding to extend our relationships and deepen our impact."
 
Thanks to the Impact100 grant, the program will evolve into a year-long experience known as the Art of Growing Leaders. The expanded curriculum will give students an expansive definition of what it means to be a leader, "so that kids can identify all the possibilities for themselves to be leaders," says Terry.
 
According to Teegen-Case, community leaders in Chester and in Camden, N.J., have also expressed interest in bringing the program to schools in their areas.
 
Writer: Dan Eldridge
Source: Susan Teegen-Case and Julia Terry, ArtWell

Here's a little-known fact about Philadelphia's history as an urban innovator: The Percent for Art program, in which developers building on municipally-acquired land are required to spend at least 1 percent of their construction costs on public art, was pioneered by the Philadelphia Redevelopment Authority back in 1959.
 
In the years since, nearly every major U.S. city has adopted a similar policy.    
 
Philly has become home to roughly 400 public art projects since the program's inception, and one more -- the six-month residency of a Dutch artist duo known as PolakVanBekkum -- is currently underway.

Thanks to the construction of two new University City Science Center structures and a $168,000 grant, PolakVanBekkum will be working throughout the summer and into the fall to create an audio-enhanced Google Earth documentary and an interactive online map, both of which will attempt to explore the spatial and sensory experience of traveling through the city.
 
The project, which may also have a physical component, will be built with data collected from volunteers outfitted with GPS transponders and digital audio devices. Those volunteers -- who are currently being identified by the artists -- will wander for weeks in the urban environment, their every movement and sound simultaneously geo-located in space.

Come November, when the final interactive and online results are unveiled, the artists hope to share an entirely new story -- a mix of anthropology, place-making and technology -- about the various ways in which Philadelphians interact with their surroundings.
 
"I think the artists laid out a very good plan for what they want to do," says David Clayton of the Science Center's STEAM Initiative, which is spearheading the residency. "And we want to have them use the project as a process to engage communities. We liked that this type of thing has never really been done before."
 
To stay up-to-date on the project's evolution, visit 250miles.net.

Writer: Dan Eldridge
Source: David Clayton, University City Science Center

The Philadelphia Fashion Incubator at Macy's Center City (PFI), an intensive year-long business boot camp for early-career fashion entrepreneurs, will be launching a pop-up shop in an empty Manayunk storefront from June 25 through 29.
 
Launched in March 2012 as a collaboration between Macy's Center City, the City of Philadelphia and Center City District, PFI is helmed by executive director Elissa Bloom, who previously taught fashion entrepreneurship at both Drexel University and Moore College of Art.
 
Prior to her Philly relocation, Bloom spent roughly eight years living the entrepreneurial lifestyle in New York, launching a successful accessories business.

"I basically created this program out of the needs that I had as an entrepreneur and a designer in the market," says Bloom. "It's kind of like a five-year fast-forward for these designers."  
 
The six entrepreneurs enrolled in this year's residency are offered legal advice from local volunteer lawyers; receive business plan reviews and professional advice from a Wharton research director; are introduced to industry insiders; and meet regularly with mentors.
 
"But in addition to the curriculum, I thought, 'Well, the designers also need opportunities to sell and showcase their collections,'" recalls Bloom. "Hence, the pop-up."
 
Scheduled to run from 11 a.m. on June 25 through 8 p.m. on June 29 at 4347 Main Street in Manayunk, the pop-up shop will kick-off with a party on the evening of the 25th. Roughly a dozen designers will be showcasing and selling their work, including three graduates from the program's first two graduating classes.
 
To learn more about the stainless steel accessories, utility design handbags, women's evening wear and patterned garments that will be on offer at the shop, click here.

Writer: Dan Eldridge
Source: Elissa Bloom, Philadelphia Fashion Incubator
 

The art-centric Destination Frankford initiative has been active since early spring with a mission of reclaiming, rediscovering and reanimating the formerly industrial Northeast Philadelphia neighborhood of Frankford, primarily through a process known as creative placemaking.
 
Thanks to a grant from ArtPlace America -- a national association that supports placemaking projects -- Destination Frankford was able to transform a vacant and dilapidated neighborhood storefront into the Destination Frankford Gallery.      
 
Two of the three exhibitions scheduled to take place in the pop-up gallery have already happened. The first, Reclaim, featured art constructed from items reclaimed by the Dumpster Divers of Philadelphia. The second, Rediscover, was a photography show featuring work exploring the city's often overlooked urban terrain.  
 
According to Ian Litwin of the Philadelphia City Planning Commission, the Frankford CDC "wanted to keep the energy we built around the gallery going," so the opening reception of the gallery's third and final show might prove to be the project's most important event yet.
 
That reception will kick off at noon on June 28 and feature the unveiling ceremony for a pop-up park in the vacant city-owned lot adjacent to the gallery. The temporary space will host film screenings, art shows and live music events.  
 
The show itself, appropriately dubbed Reanimate, will run every Saturday through July 26, and feature work from the Philadelphia Sculptors organization.
 
Unfortunately, Destination Frankford's previously announced plan to install a trio of sculptures by artist Christine Rojek in Womrath Park won't be happening, but Litwin promises "we are exploring ways to keep the gallery or some sort of community in the building going."
 
Writer: Dan Eldridge
Source: Ian Litwin, Philadelphia City Planning Commission