arts and culture : Development News

"I've always had a deep love for theme bars and Tiki bars," says Tommy Up (née Updegrove), proprietor of Northern Liberties' PYT burger bar and Emmanuelle, a nearby cocktail parlor. "As a kid, we would visit all kinds of interesting themed-out restaurants. I'm sure that played a big role in my love for Tiki culture."
 
With help from his business partner Sarah Brown, Up's lifelong fascination with themed eating and drinking is now just days away from becoming a major aspect of his professional life. The Yachtsman, a classic Polynesian-themed Tiki bar currently rising from the ashes of an old Irish pub on the corner of Frankford Avenue and West Jefferson Street in Fishtown, should be open for business in a week or two.  
 
According to Up, the new establishment had its genesis in a conversation last summer with two Emmanuelle bartenders who also happen to be serious Tiki enthusiasts. That chat eventually led to the signing of a 15-year lease on a century-old building.

When a series of critical structural issues were discovered during the renovation -- and The Yachtsman's budget was nearly blown -- Up and Brown turned to Kickstarter in an effort to recoup their losses. They raised nearly $40,000 in a month.

"In a sense the [success of] the Kickstarter backfired, because we had to double-down and make the bar way better than it was originally going to be," quips Up.
 
The Yachtsman's drink menu will feature 12 cocktails, mostly new takes on Tiki classics. The small space will also be packed with vintage Tiki accoutrements.

"A lot of thought went into doing the job that a Tiki bar is supposed to do," explains Up. "Transport you onto a mini-vacation while you're still inside the city." 

Writer: Dan Eldridge
Source: Tommy Up, The Yachtsman
 

If you've already whiled away a pleasant evening or three this summer at the pop-up Spruce Street Harbor Park but haven't yet stopped by the reimagined Eakins Oval at the center of the Benjamin Franklin Parkway, you'll want to consider making room in your schedule for a visit.
 
Officially dubbed The Oval, the temporary eight-acre public space sits directly in front of the Philadelphia Museum of Art. It popped up last summer, and following a number of spring and fall events, celebrated its seasonal return to the Parkway in mid-July.
 
For the next four weeks (through August 17) the color-saturated urban play space will be home to a huge schedule of free events, activities and community programming. There will be fitness boot camps and yoga classes; Quizzo contests and film screenings; Tai Chi lessons and DJ nights. And along with a monster-sized chess board, a ping-pong table and a mini-golf course (all free!), The Oval also features a rotating cast of food trucks and a beer garden built from reclaimed construction materials.    
 
The Oval's "has been very, very successful," says Colleen Campbell of the Fairmount Park Conservancy. "It's been tremendously well-received."
 
And although last summer's beach theme was popular with park-goers, this year the design is different. Local artist Candy Coated was commissioned by the Association for Public Art to transform The Oval into a whimsical space with a magic carpet motif.

"It's very fanciful, and it's very bright," explains Campbell. "Aside from our programming, it's just a fun piece of art to interact with."

The Oval is open 11 a.m. - 10 p.m. Wednesday - Friday; noon - 7 p.m. Saturday and Sunday.

Source: Colleen Campbell, Fairmount Park Conservancy
Writer: Dan Eldridge

The Philadelphia Water Department (PWD) has announced the winner of a recent design competition, Uncover the Green, in which university-level art students were challenged to develop a decorative medallion to appear near the city's green infrastructure projects. Tyler School of Art student Lauren Hoover came out on top.
 
The students were also tasked with designing a new manhole cover for the city. As with the medallions -- which will be inset into city sidewalks -- PWD hopes the eye-catching manhole covers will spotlight green infrastructure projects.          
 
The competition was developed as a visibility effort for PWD's Green City, Clean Waters plan, a $2.4 billion initiative to manage the area's watershed and control its sewer overflow for the next 25 years. 

Accoding to PWD's Tiffany Ledesma Groll, "no other city is investing in green infrastructure in the way that Philadelphia is." 

"We want to make sure the city's investments in green infrastructure are visible, because our stormwater trees look like regular trees, and our rain gardens -- they look like gardens," she explains. "We needed to figure out a way to make them stand out."

The city hopes to have the medallions fabricated and in the ground within a year -- they may eventually appear next to every green infrastructure project in the city, according to Groll. (Currently, 756 such projects have been completed or are in-progress.) Due to cost restrictions, it's unclear when the newly-designed manhole covers will be produced. 

Writer: Dan Eldridge
Source: Tiffany Ledesma Groll, Philadelphia Water Department
 

Here's the unfortunate news: Every year in the city of Philadelphia, some 600 homes -- most of them ruined and crumbling beyond repair -- are demolished, never to be brought back to life. It's business as usual in the residential real estate industry.

But when Temple Contemporary started investigating Philadelphia's deteriorating housing stock, the galley's director, Robert Blackson, began thinking differently about the emotional weight carried by the destruction of surplus homes. The poignant memories of a family and its internal life were being bulldozed and turned into so much dust by a demolition crew.  
 
Blackson eventually discovered the work of local artist Jacob Hellman, who had participated in housing demolition work through Mayor John Street's Neighborhood Transformation Initiative. Hellman had held a memorial service of sorts for the era's destroyed homes.

"That led me to think about making [Hellman's memorial] into a larger occasion," explains Blackson.      
 
That "larger occasion" soon became Funeral for a Home. Both an acknowledgement of the local community and an art project, the project's intention is to "celebrate the life of a single Philadelphia row house as it is razed," according to a statement on the group's website.  
 
Beginning at 11 a.m. on May 31, a two-bedroom rowhouse at 3711 Melon Street in Mantua will be laid to rest. This "funeral" will feature speeches from community members, a street procession, a gospel choir and a family-style meal, while helping participants reflect on the challenges of a city overflowing with unused housing.

"I feel [this is] definitely a project that's indicative of our human nature," says Blackson. "To have a kinship with our shelter."
 
The funeral service is free and open to the public. For more on Funeral for a Home, check out this feature from last November.  
 
Writer: Dan Eldridge
Source: Robert Blackson, Temple Contemporary
 

Philadelphia's extraordinary Mural Arts Program, currently celebrating its 30th anniversary, is known citywide for its colorful work. More than 3,600 murals have been produced since Mayor Wilson Goode hired artist Jane Golden to head the program in 1984.  
 
According to Golden, over the past five years the organization has become especially interested in "gateway projects" -- artworks situated at exit and entrance destinations, such as airports, interstates or major intersections.

"I just think it's so important that we think about what people see when they're leaving and entering Philadelphia," she explains.
 
It was that idea that led Golden and her staff to begin a three-year courtship with Katharina Grosse, the celebrated Berlin-based contemporary painter responsible for Mural Arts' latest large-scale gateway project, psychylustro, which was recently constructed along a stretch of Amtrak's Northeast Rail Corridor between 30th Street Station and North Philadelphia Station.     
 
Reminiscent of the grand outdoor projects that have turned artists like Christo and Jeanne-Claude into household names, psychylustro (pronounced psyche-LUSTRO) consists of a three-mile series of seven different color-drenched installations. There are warehouse walls, building façades and random stretches of green space, all meant to be viewed from the window of a moving train.
 
"We really want people to see what we see," says Golden, referring to the industrial, ruined, stunning sites that have been transformed by pops of Grosse's color. "We see the deterioration but we also see the beauty; we see the history; we see Philadelphia’s past."
 
Visit the Mural Arts website for a project map, details about viewing the works from various city bridges, and information about the mobile audio component that accompanies psychylustro.
 
Writer: Dan Eldridge
Source: Jane Golden, Mural Arts Project
 

Way back in April 2011, Flying Kite brought you the story of Manayunk's Venice Island -- which sits between the Manayunk Canal and the Schuylkill River -- and its nearly ruined Venice Island Recreation Center.

At the time, the rec center was preparing to undergo a $45 million rehab that would include athletic fields, a park, a small spray pool, a multi-use building and a 250-seat performing arts center. The Philadelphia Water Department (PWD) helped arrange the capital funds as a compromise after announcing that an EPA-mandated sewage overflow tank was being constructed in the area.
 
Some three years later -- and eight years after the project's planning and preparation stage first kicked off -- Manayunk's community development organizations are finally ready to announce the upcoming grand opening of what has been dubbed the Lower Venice Island Park and Performance Center.
 
"What's really interesting about the site is that it's in the center of a lot of options for outdoor recreation," says Kay Sykora of Destination Schuylkill River, adding that in conjunction with the ribbon-cutting ceremony for the park and performance center (which will probably happen sometime in September), an outdoor recreation event called Play Manayunk will be hosted for the general public.
 
The "adventure for city dwellers" organization known as Discover Outdoors will be on hand during Play Manayunk, and opportunities for both kayaking and dragon boating should be on offer, according to Sykora, who also hopes to make bicycles available for those who'd like to ride on the Schuylkill River Trail. A geocaching event is also being scheduled, along with an attempt at earning a Guinness World Records entry, possibly by way of a sit-up competition.
 
A concrete date for both Play Manayunk and the Venice Island ribbon cutting ceremony should be available come mid-summer; stay tuned to Flying Kite for more details.     

Writer: Dan Eldridge
Source: Kay Sykora, Destination Schuylkill River
 

As part of its increasingly ambitious master plan for the Central Delaware, the Delaware River Waterfront Corporation (DRWC) has announced its latest seasonal project.
 
Dubbed a "summer waterfront installation," the Spruce Street Harbor Park at Penn's Landing Marina will be a two-month-long landscaping and programming pop-up project that will temporarily transform the space into an outdoor oasis.
 
Scheduled to run June 27 through August 31, the installation will feature a boardwalk, an urban beach, fountains, misting areas, a pop-up restaurant and bar, and, perhaps most exciting of all, "a series of floating barges complete with lily pad water gardens," according to a release, "and nets that will suspend visitors over the water."
 
According to DRWC's Jodie Milkman, the Spruce Street Harbor Park was developed as an expansion of the group's most recent seasonal installation, Waterfront Winterfest, which brought a pop-up beer garden and fire pits to the Blue Cross RiverRink last winter. The Winterfest installation was wildly successful -- despite being closed for a record 13 days due to inclement weather, the rink's attendance numbers were still 30 percent higher than last year's.   
 
A $300,000 grant from ArtPlace America, which offers grants to civic organizations and cities to activate public spaces through art, provided a portion of the funds for both installations; according to Milkman, DRWC will match those funds.   
 
And what will happen to the fountains and floating barges once the season comes to an end? There are no guarantees just yet, but Milkman says conversations about repeating both installations are already underway.  

Writer: Dan Eldridge
Source: Jodie Milkman, DRWC
 

If you need a sign that Philly's retail infrastructure is getting back on track, look no further than the stretch of Germantown Avenue that runs through the northwestern neighborhood of Chestnut Hill.

In early April, the Chestnut Hill Business Association (CHBA) announced that five new shops have either recently opened on the avenue or will soon, while a sixth shop has moved into a larger location "to accommodate its rapid expansion," according to a release.
 
The avenue's latest addition, the children's boutique Villavillekula (the name is a Pippi Longstocking reference), celebrated its arrival with an opening reception at the end of March. The Chocolate Hill Candy & Fudge Shop, meanwhile, opened in December and has already proven popular with kids and grownups alike.
 
Also new for the toddler set is a youngsters-only version of the popular Greene Street consignment chain. Known as Greene Street Kids, it'll open sometime this month, as will Greenology, a gardening and organic lifestyle store across from the Chestnut Hill Hotel. Newly launched inside the hotel is Paris Bistro & Jazz Café, the third offering from Chef Al Paris, who also runs the acclaimed Heirloom and Green Soul eateries in the neighborhood. 
 
According to CHBA Executive Director Martha Sharkey, the growth of the neighborhood's retail scene owes a large debt to the organization's retail recruitment program, which launched four years ago. The neighborhood has welcomed 15 new shops and eight new restaurants in that time.  
 
"We are very lucky to have this program," says Sharkey. "For a downtown district, it's always challenging -- with malls, and with other places for people to shop -- to really create a vibrant, thriving community. The retail recruitment has really been essential to us."  
 
The retail recruiter position has recently become available; interested candidates can view the job description here.
 
Source: Martha Sharkey, Chestnut Hill Business Association
Writer: Dan Eldridge

Last week, the University of Pennsylvania made public its plans to construct a research park on 23 acres of land formerly owned by DuPont in the Lower Schuylkill section of Grays Ferry. The parcel is now being referred to as "the South Bank."
 
Flying Kite has reported extensively on the long-range development plans for the Lower Schuylkill River, but no announcement has generated as much public chatter and excitement as the recent one from Penn; it is just one small ingredient in a much larger campus development recipe known as Penn Connects 2.0, a so-called master plan "which has added nearly 3 million square feet of space to Penn’s campus since 2006," according to a release.   
 
One of the highlights of the South Bank will be a business incubator and accelerator called the Pennovation Center. (Current tenants will remain onsite after renovations begin.) That complex will feature lab space and a collaborative technology-transfer ecosystem that Penn hopes will eventually infuse the entire South Bank campus.  
 
According to Penn's Executive Director of Real Estate Ed Datz, the campus will be available to a wide range of users, from startups that grow out of university research to those without any previous university affiliation. The master plan, designed by Philadelphia-based firm WRT, creates a framework with initial development focused on light industrial and flex-use buildings. 

"The one consistent is the opportunity to let young, upstart companies have space -- at a reasonable rate -- to gather, to share ideas, and to advance their particular discipline," says Datz.

While an exact construction timeline hadn't been revealed, the multi-phase renovation work at the South Bank site may begin as early as this fall.


Writer: Dan Eldridge
Source: Ed Datz, University of Pennsylvania

The Southwest Philadelphia neighborhood of Point Breeze has been experiencing a frenzied pace of development over the past few years, with much of it arriving in the form of new construction units and rehabs from local developer Ori Feibush and his OCF Realty firm.
 
No stranger to community organization turf wars, the area has long been served by the South Philadelphia HOMES Inc.; Feibush launched his own organization, the Point Breeze CDC, in late 2013.

According to the CDC's executive director, Barbara Kelley, "[A lot of] what we're doing right now is supplementing the other agencies' services, and giving referrals to different agencies, like Diversified and Legal Aid."
 
The CDC is also working closing with the Point Breeze Avenue Business Association. And at some point "very soon," the office will install a sign featuring its new logo, which was designed by a neighborhood art student after a recent logo design contest.
 
Along with a few neighborhood music producers and area children, Kelley is also helping to develop an official Point Breeze song. The lyrics, she says, will consist of residents' thoughts and impressions about the neighborhood.

In other Point Breeze development news, OCF Realty recently broke ground on a 22 single-family home project on the 1300 block of Chadwick Street designed by YCH Architect LLC. OCF plans to donate $1,000 to Neighbors Investing in Childs Elementary (NICE) for each unit sold by an OCF Realtor.
 
"What we're noticing is that people leave the city after they have kids, and they come back when they're empty-nesters," says OCF's Alexandra Calukovic. Feibush's idea, she says, involves "donating to make a real impact in the community, instead of just donating to donate. And his thought process was that starts with schools."

Writer: Dan Eldridge
Source: Barbara Kelley, Point Breeze CDC; Alexandra Calukovic, OCF Realty
 

Following a months-long negotiation process with the city's Historical Commission and various preservation groups, Center City's Boyd Theatre might finally be ready to come alive again.  

Roughly two years ago, Florida-headquartered iPic-Gold Class Entertainment first showed interest in developing one of its high-end movie theaters at The Boyd, which opened in late-1928 as a silent film theatre (it closed for good in 2002). And while, in 2008, local preservationists managed to have the Boyd added to the Historical Commission's list of "protected assets," iPic has made a controversial choice: It asked for the Commission's blessing to completely gut the Boyd's auditorium, claiming the project wouldn't otherwise make financial sense. (The building's façade, its marquee and entranceway would all be restored under iPic's plan.) 

"The plan to totally restore [the Boyd] into its original state inside -- to make it either a one-screen movie theatre or a Broadway-type theatre -- those plans are all $30 to $50 million," says Kirk Dorn of Ceisler Media, which manages iPic's PR. "And you couldn't get the revenue from the theatre to produce that ."
 
On February 14, iPic will present its development plan -- two stories consisting of eight small theaters with reserved stadium seating, in-theatre dining and in-theatre waitstaff -- to the city's full commission. An onsite restaurant is also in the picture, and assuming iPic receives a "yes" vote on Valentine's Day, "We're hoping to open sometime in 2015," says iPic general counsel Paul Safron. 

"We're still willing to work with the preservation community," adds Safron. "We're happy to incorporate some of the design concepts and elements if we can."

Update: On February 12, we were informed by Kirk Dorn that the Philadelphia Historical Commission has postponed iPic's full commission hearing for one month; it's now scheduled for March 14. 

Writer: Dan Eldridge
Source: Kirk Dorn, Ceisler Media and Paul Safron, iPic Entertainment 

Local coworking space Benjamin's Desk recently leased an entire extra floor inside the Allman Building at 17th and Walnut. During the grand opening reception last Friday, visitors had an opportunity to check out the expanding organization in person. 

There were the expected touches -- exposed brick walls and duct work, perfectly buffed hardwood floors -- and then there were the amenities you don't always find in the coworking world: craft beers are on tap in the communal kitchen and a small outdoor roof deck that will eventually house a bar with lounge-like seating.    

According to president and CEO Michael Maher, who opened Benjamin's Desk on the building's seventh floor in October 2012, the newly-revealed eighth floor has been operational since September of last year. So why a five-months-late grand opening? 

"We had the space occupied by a company that was in stealth mode," explains Maher. "Now that the [eighth] floor is [officially] open and we're getting it occupied, we're looking to expand elsewhere in the region, including University City and the suburbs."

Maher says he and his colleagues are still "in the early stages of understanding what potential customers would want" in a University City or suburban-based shared office space, and they're being pretty hush-hush in terms of the exact locations under consideration. 

"We definitely think there is a demand in both [University City and the suburbs]," he adds. "But it took us two years to find this location. We'll wait until we find the right locations."

Writer: Dan Eldridge
Source: Michael J. Maher, Benjamin's Desk

Thanks to a recently-formed partnership between the Bicycle Coalition of Greater Philadelphia (BCGP) and the City's Office of Arts, Culture and the Creative Economy, local cyclists -- especially those who ride into Center City on a regular basis -- will have at least 10 new places to lock up this summer. 

BCGP applied to the Knight Arts Challenge, a contest aimed at beautifying public spaces. "We were one of the 43 winning proposals selected back in May, along with a lot of other great projects of varying size and scope," says BCGP's Nicholas Mirra. 

That application consisted of about a dozen designs for site-specific, artist-created bicycle racks. One particularly unusual rack, constructed from stainless steel with room for four bikes, resembles a patch of waist-high grass. Another rack, this one with space for six bikes, is a minimalist sculpture featuring three life-size guard dogs. 

The Knight Foundation's $50,000 grant was predicated on the two partner organizations' ability to raise matching funds. That goal was accomplished via anonymous donations and money offered by the half-dozen or so institutions scheduled to host the racks on their properties. And while negotiations for a few locations are still in progress, the artist-designed racks are set to arrive this summer outside of City Hall, Sister Cities Park, Boathouse Row, Café Pret, Penn Center Plaza and the Philadelphia Museum of Art's Perlman Building.    
 
And for those who suggest that the city already has more than enough parking for two-wheeled riders, Mirra offers this retort: "There aren't enough. If you look around sections of Center City, the spaces for bicycle parking are as full as the spaces for car parking. And so you get bikes parked to trees, [and] parked to private fencing where they're not supposed to be. There's [simply] not enough bike parking in the city."

Fortunately, that's about to change.

Source: Nicholas Mirra, Bicycle Coalition of Greater Philadelphia 
Writer: Dan Eldridge

These days, warehouse-sized reuse centers selling old construction supplies and development detritus seem to exist in nearly every major metropolitan area. But in Philadelphia, The Resource Exchange -- currently located on the corner of Cedar and East Cambria streets in Port Richmond -- operates with a slightly different mission. 

Sure, it resells salvaged building materials and housewares, but it also offers donated and salvaged film props and set pieces, along with arts and craft materials, making it popular with artists, makers, DIY-types and other members of the city's creative class.  

That popularity has led to an issue.

"Right now, we're kind of tucked into a residential neighborhood," says Resource Exchange founder and Executive Director Karyn Gerred. That makes it difficult for budget-conscious customers to reach the shop via public transportation. 

So Gerred decided they needed a change. The Resource Exchange will close for the month of February, then reopen at a slightly larger and much more accessible location on the corner of North 2nd Street and Cecil B. Moore, only six or seven blocks from the Berks Station on the Market-Frankford Line.     

"Just in terms of creating a great, welcoming, creative reuse center in a way that I've always imagined, it's a much better building," says Gerred. "It's much better suited to what we are. It lends itself more to being able to have the workshop-and-event part of what we do."

The new-and-improved Resource Exchange plans to open its new 4,500-square-foot location on March 1. 

Source: Karyn Gerred, The Resource Exchange 
Writer: Dan Eldridge

A couple months ago, Flying Kite covered the opening of the glimmering co-working palace 3rd Ward in Kensington. The Brooklyn transplants hoped to graft their success up in Williamsburg onto a historic building in a changing neighborhood, offering desks for rent, maker classes and flexible spaces for a variety of creative uses.

Now, it seems founder Jason Goodman may have overextended his business. 3rd Ward announced late last week that they would be abruptly shuttering not only the Philadelphia space but the Brooklyn one as well. There will be no refunds for class tuition or co-working fees.

In Brooklyn, members are organizing to save their spaces (the building's owner seems amenable), but things are a little hazier in Philadelphia. 

As of this summer, 3rd Ward had already ceded management of their third floor coworking space to Impact Hub Philly, part of a global network of coworking spaces. According to a July story on Technical.ly Philly, 3rd Ward hoped this deal would free them up to focus on classes and events.

Impact Hub bills itself as a "member-driven community taking collaborative action for a better world." They are in over 60 locations around the world on six continents. Before the announcement, the organization was already planning to redesign the co-working space to line up with their philosophy. As of now, despite the demise of 3rd Ward, they are still operating. (Flying Kite publisher Michelle Freeman's company Witty Gritty Marketing & Events has space at Impact Hub Philly.)

"What has happened with 3rd Ward, which is very unfortunate, has nothing to do with us at Impact Hub Philly," says Impact Hub's Jeff Shiau. "Nothing has changed. We're still moving forward. Now we have the new possibility of, what can we do with the whole building?"

Fortunately, 3rd Ward didn't own the building -- they leased the space -- and Impact Hub Philly is in the process of reworking their agreement with the owner, extending their reach to the other two floors. Though they offer shared workspace, they don't consider themselves members of the coworking movement.

"We're not in the co-working market," insists Shiau. "We're here to really inspire and advance member success -- members who are really interested in building the good economy. They're interested in social entrepreneurship, and building good companies and organizations that can build a better world in some ways. The physical space happens to be a resource we believe in."

Meanwhile, despite the struggles at 3rd Ward, the Philadelphia co-working boomlet shows no sign of abating -- Transfer Station in Manayunk is currently crowdsourcing funds for a permanent location and there are rumors of another gestating co-working space in Fishtown, courtesy of a notable local brand.

It seems a safe bet that the gorgeous work 3rd Ward did updating the building will not go to waste. The space might even eventually foster exactly the kind of activity Goodman and his team hoped for -- events, community building, affordable and flexible workspace -- it just won't be under the name 3rd Ward.

LEE STABERT is managing editor of Flying Kite.