arts and culture : Development News

The Mayor's Office of New Urban Mechanics is doling out $20,000 worth of grants to foster art and design-based projects that address civic challenges or improve public space. Among the winners are Flying Kite favorites such as the Public Workshop, the University City District and Friends of Maplewood Mall in Germantown. The awardees are as follows: 

Public Workshop will receive a $6,000 grant to fund "Choose Your Own City Hall Adventure," a new signage initiative in City Hall that will help individuals navigate the serpentine public space more efficiently.

University City District will receive a $3,900 grant to create "Tree Seats," a functional art project providing seating in naturally shaded areas across the neighborhood.

The North 5th Street Revitalization Project will receive $5,100 to support the "Gateways to Olney: Where Local is Global" project, a collaborative partnership that transforms key bus stops along corridor into small-scale visitor centers.

The Friends of Maplewood Mall will receive a $5,000 grant to make physical improvements to Germantown's historic Maplewood Mall; the grant will also support arts-related programming.

The Challenge Grants Competition is a partnership between the Office of New Urban Mechanics and the Office of Arts, Culture and the Creative Economy. Funding is provided by the Knight Foundation and managed by CEOs for Cities.

It was barely four months ago that Flying Kite spoke with the folks at the Asian Arts Initiative (AAI) about their plans to revitalize four blocks of Pearl Street, an alleyway that runs from Broad to 10th Street, just north of Vine. At the time few details were finalized, but come September 28, AAI is throwing the first ever Pearl Street Block Party, taking the first steps towards making their vision a reality.

Over the coming years, AAI hopes to transform the forgotten alley into a dynamic public space featuring public art, lighting improvements and multi-sensory programmed activities. Green features will also be included, with the hope of eventually connecting Pearl Street to the long-envisioned Reading Viaduct project.

Billed as a free all-day neighborhood arts festival, the party will center around two main events. First, Oakland-based landscape architect and artist Walter Hood will lead attendees in a community furniture build (2 - 5 p.m.). The resulting tables and chairs will then serve as furniture for a community feast (5 p.m.). (Advance registration is required for the community feast; email [email protected] to register). 

The day will also feature live music, performances, food and a huge array of art vendors; many of the participating artists work through the AAI's artists-in-residence program.

"The Pearl Street Block Party is not only a celebration of the diversity and richness of creative activity that is constantly happening in our neighborhood, but also an opportunity for Philadelphians to participate in all kinds of interactive art-making," explains AAI Executive Director Gayle Isa in a press release. "We come to work every day knowing that we're part of one of the most dynamic neighborhoods in Philadelphia, and we're excited to show off why on September 28."

 
Source:  Gayle Isa, Executive Director, Asian Arts Initiative
Writer: Greg Meckstroth

When walking by a vacant lot, it's easy to see only an eyesore. With her latest site-based sculpture, The House That Was Here, local artist Maria Möller hopes to shift that perception, reminding us that there's more to vacant land than stories of neglect.

Thanks to a grant from the Philadelphia Redevelopment Authority's new Fund for Art and Civic Engagement (FACE), Möller -- along with neighborhood youth and community members -- created a piece at 2025 Federal Street that evokes the history of the house that once stood there. Point Breeze is a part of town with its fair share of vacancy that is now experiencing an intense wave of gentrification.

Multiple sculptural recreations of the former home stand in the narrow lot. Four of them tell the house's story from 1877 through the 1960s when it burned to the ground. The four pieces incorporate original source material, neighborhood memories and a little bit of historical fiction to tell the space's history.

The fifth house has been created using three open houses -- the public was invited to share their own thoughts, memories of life in Point Breeze, and their hopes for the future of the neighborhood -- adding the community's voice to Möller's exploration of neighborhood change.
 
The exhibit runs through the end of August. If you can’t make it, check out thehousethatwashere.tumblr.com for photos and additional information. 

Source:  Maria Möller, local artist
Writer: Greg Meckstroth

There's good news for those clamoring for more corner commercial spaces in Graduate Hospital -- Ready to Hand: Saori Philadelphia is set to open at 22nd and Fitzwater along the neighborhood's burgeoning commercial corridor. Local artist and textile expert Leslie Sudock is behind the new venture, which she envisions as a community textile studio. Eventually, the storefront space will be open five days a week for people who want to make art.
 
"I've been looking for almost eight years to open something like this," says Sudock. "There really isn't much in Philly right now quite like it."
 
Initially, the studio will hold five to six classes per week for all ages -- toddlers to kids to adults. Programs and classes will also cater to the local homeless population. Sudock is known locally for her homeless advocacy. Her past venture, Arts Street Textile Studio: Handmade with the Homeless (ASTS), was a South Street storefront that taught the homeless and those transitioning from homelessness to weave, knit, sew, crochet and quilt wearable and useable art.

With that storefront now closed, Sudock is looking to bring its energy and ideas to the new space. And, as the name suggests, she plans to offer Saori, a practice of free-form hand weaving not currently taught in the area.
 
"I really believe in Saori," says Sudock. "It is amazingly therapeutic."
 
When Saori and other classes aren’t in session, Sudock plans to display and sell the art created in the studio. She will be open monthly during First Friday.

The sustainability-minded firm Greensaw Design is currently completing interior work. A grand opening is planned for late September.  

Source:  Leslie Sudock, Ready to Hand: Saori Philadelphia
Writer: Greg Meckstroth

In April, GlaxoSmithKline officially opened its new double LEED Platinum certified facility in the Navy Yard. Designed by architect Robert A.M. Stern, the building has been widely praised for its creativity and modernity. To compliment the aesthetic, a public art sculpture, Five Standards (Dazzle), now stands just outside the building's main entrance. The piece is the first large-scale, permanent outdoor work by Philadelphia artist Virgil Marti.

"My work has often examined how art is understood and utilized in interior spaces," explained Marti in a press release. "In this piece, I was challenged to think about how art functions in exterior spaces in relation to architecture as an adjacent object, like the ships docked nearby."

He references those ships directly in the piece; the name itself pays homage to dazzle, a type of early twentieth century naval camouflage. The sculpture is comprised of five sixteen-by-seven-foot powder-coated steel and mirror-polished stainless steel structures resembling looking glasses; the design fits seamlessly alongside the GlaxoSmithKline facade, crafted to recall a large transparent ship docked in the Navy Yard.

According to the artist, the shadows and reflections of the sculpture produce a sense of flowing water underneath, creating the perfect compliment for the large ship.

The sculpture is managed by the Mural Arts Program and is now on permanent display at 5 Crescent Drive.

Source:  Virgil Marti, Philadelphia Artist
Writer: Greg Meckstroth

A new live-work development for educators is holding its official groundbreaking ceremony Wednesday in South Kensington, bringing the innovative development concept -- the first-of-its-kind for the region -- that much closer to reality.

Local developers Gabe Canuso and Greg Hill of D3 Real Estate (formerly of Brown Hill Development), in collaboration with their Baltimore-based partner Donald Manekin, are responsible for bringing the idea to Philly from Baltimore. Billed as an educational nirvana, the $35 million mixed-use development will offer Philadelphia teachers a 25 percent reduction in rent while commercial spaces will be outfitted for nonprofit, education-focused organizations.

According to Canuso, anchor tenant Teach for America has already committed to leasing 13,000 square feet of space. As for the rest of the 160,000-square-foot development -- which spans two buildings -- expect additional commercial space, over 100 apartments, shared amenity/break-out rooms, courtyards, a café and free parking.

When Oxford Mills opens in April of next year, it will be the first time Manekin has tested his concept outside of Baltimore. There, he has been successful creating a site-specific community of educators, providing the customized physical space necessary for such an ecosystem to take hold.

Canuso and Hill, who in the past have focused more on luxury properties, were looking to do more "socially conscious" work and were intrigued by the concept. "We loved the idea," says Canuso. "It helps support an industry of people who are doing great work."

The development team looked at over 20 buildings in the region before landing on the Oxford Mills site between Oxford and Jefferson Streets in South Kensington. One of the buildings, a former a textile mill, dates back to 1875; the other was built around 1915. Due to the site's history, the developers were able to land historic tax credits and new market tax credits. Those financial perks enabled the for-profit developers to follow through with the rent reduction guarantee for educators.

Canuso says that in addition to Teach for America, there has been exceptional interest in the other commercial spaces from education nonprofits, local schools and the School District. The response from the education community has been so positive that Canuso and Hill are already thinking of bringing the idea to West Philly in the future.

For now, Canuso and company are focused on getting the word out on Oxford Mills. The groundbreaking ceremony will include an appearance from Mayor Nutter along with music, food, drink, and performances and art work from local students.

Source: Gabe Canuso, D3 Real Estate
Writer: Greg Meckstroth

When the $43 million Kensington School for the Creative and Performing Arts (KCAPA) was completed in 2011, it became the first public school in the country to earn LEED Platinum certification (the highest designation under LEED). Fortunately, the school was just the first in a series of eco-friendly projects that have transformed nearly 20 acres of land adjacent to the Berks SEPTA stop in Fishtown.
 
Dubbed the "Big Green Block," the site is defined by Front Street, Frankford Avenue, Palmer Street and Norris Street, and includes the Shissler Recreation Center (nextdoor to KCAPA). Within Sustainable 19125 -- a New Kensington Community Development Corporation (NKCDC) initiative to make the zipcode the greenest in the region -- the site was identified as a model location for green infrastructure and sustainable education.

NKCDC worked with the Pennsylvania Horticultural Society (PHS) and the Philadelphia Water Department (PWD) to develop a green infrastructure master plan for the block. Sold on the project's potential, the Department of Parks and Recreation and Mural Arts were quick to provide additional capital support through partnerships that have resulted in $2 million worth of investment overall.

Pedestrian pathways connecting to the Berks Market-Frankford Line stop, rain gardens, tree trenches, land stabilization, an improved sports field and educational murals have all been developed at the site. According to NKCDC's Shanta Schachter, these improvements have kept "90 percent of the site’s stormwater out of sewer pipes" -- and that's just from the first round of improvements.

For phase two of the Big Green Block, more than 60 residents participated in vision sessions to identify the community's needs. PHS translated the ideas borne from that process into a landscape plan. Through NKCDC’s ongoing strategic partnerships with the city and other stakeholders, phase two construction is underway.

The improvements reflect the space's history as a former rail yard -- new benches are being made locally to reference sealed railroad ties and the long-buried cobblestones from the site have been re-exposed. The vacant lot on the south end of the block is also being reimagined as a playfield for young kids and improved dog park, complete with additional seating and plantings.

Just weeks from completion, "the space already looks really great," says NKCDC's Diana Jih. "The improvements build off how the community user groups (Palmer Doggie Depot and Fishtown Athletic Club) we partnered with were using the site and adjacent land already.”

On April 20, NKCDC will hold a volunteer day from 10am-1pm to put the finishing touches on the playground and dog park. The day's agenda includes planting native species, and spreading mulch. The ongoing maintenance of the site is all volunteer run, so there’s a need for  as much support needed as possible.

No official ribbon-cutting date has been set, but NKCDC expects it will occur in early June. "The site will be open at the beginning of May," adds Schachter. 

Moving forward, even more improvements are planned. The site's basketball court will be reconstructed to better capture stormwater runoff from the rec center's roof and an improved spray park with education elements will be built thanks to Mural Arts and PWD.  

Source:  Diana Jih and Shanta Schachter, NKCDC
Writer: Greg Meckstroth

In 2008, after two years of transition and multiple moves to make way for the Convention Center expansion, the Asian Arts Initiative moved into their current home at 1219 Vine Street. Now, nearly five years later, AAI is still looking for ways to make their presence known in "Chinatown North" (an area also referred to as the Loft District, Callowhill or Eraserhood).
 
AAI’s recent attempts to solidify the neighborhood's identity are rather ambitious -- the community-based arts center is aiming to revitalize four blocks of Pearl Street, an alleyway that runs from Broad to 10th just north of Vine Street. The goal is to turn the street into a public space, outdoor gallery and gathering spot, bringing together the area's diverse communities.
 
Currently in the early planning stages, the Pearl Street project has been on AAI's radar for a number of years. "Since we moved into this space we’ve been staring at Pearl Street outside our windows," says AAI Executive Director Gayle Isa. "The alleyway is a place you don't want to be right now. It has a reputation as dark and dangerous."
 
Until recently, the project was little more than an idea. "We were actually approached by a funder who was interested in partnering with us on one of our pet projects," says Isa. "We pitched the Pearl Street renovation and they were on board."
 
AAI is hiring Oakland-based landscape architect and artist Walter Hood -- he was in town recently collecting feedback from stakeholders along the alley. Hood will be back in Philadelphia this summer to conduct further research. Final designs are expected in the fall.
 
That group of stakeholders is exceptionally diverse: there's the homeless shelter Sunday Breakfast Mission, folks from the Philly Streets and Planning Departments, the Philadelphia Chinatown Development Corporation (the group behind the upcoming Eastern Tower Community Center) and Post Brothers, the developers behind upcoming luxury condos along the alleyway.

"The constituents really reflect the diversity of the neighborhood," says Isa. "The alleyway is a chance to tie them together.... Everyone we've met with has had an overwhelming sense of enthusiasm. There is a lot more openness to working together than I would have expected."
 
Few details have been worked out, but the overall vision involves improved public space, public art, lighting improvements and multi-sensory programmed activities meant to enliven the street. Green features will also be included, with the hope of eventually connecting Pearl Street to the long-envisioned Reading Viaduct project.
 
Source: Gayle Isa, Executive Director, Asian Arts Initiative
Writer: Greg Meckstroth

A historical society satellite office - brewery combo, a showcase for incremental stormwater strategies, an opportunity for façade renovations for small businesses -- these are just a few of the many ideas generated at last weekend's urban design charrette, co-hosted by Flying Kite at the Germantown Mennonite Historic Trust.

Flying Kite partnered with the Young Architects Forum (YAF), the Germantown United Community Development Corporation (GUCDC) and Philly Office Retail to make the charrette a reality. Over 40 designers and community members came together to generate ideas for improving the 6100 and 6200 blocks of Germantown Avenue -- a stretch of Germantown's commerical corridor that borders Mt. Airy.

"Even though I know YAF has a talented group of designers to pull from, the level of ideas attained in a few short hours still amazes me," says YAF's Jeffrey Pastva. "The group was able to quickly assess the state of the area and offered multiple ideas on how to engage the community on a path forward."

Solutions ranged from grand schemes to small fixes. It was the small ideas -- those that can easily overcome traditional barriers such as cost, implementation and community buy-in -- that particularly interested folks from GUCDC.
 
"There were great ideas for short-term uses -- gardens, temporary plazas for outdoor movies -- and creative, art-focused uses, like an art/bus stop with a green roof that could bring energy and vitality to the area," says Garlen Capita with GUCDC. "Those ideas can definitely gather enough momentum to become real projects."
 
Capita was also impressed with the designers' focus on transit and sustainability. "There was a strong push to have a more green, sustainable approach to redevelopment that was more sensitive to the needs of walkers and transit users, and not just focused on more parking and auto-oriented users,” she explains.

The energy and enthusiasm in the room during the charrette was palpable. "It got a lot of people talking," says Liz Einsig Wise, executive director of the Mennonite Historic Trust. "It encouraged folks to meet new neighbors, strengthened partnerships with institutions like Settlement Music School, and [pushed people] to have more conversations towards wherever this takes us." 

"Our next step is to present some of the initial concepts to members of the local business alliance, historical organizations and faith-based organizations, and to meet individually with the business owners and organizational leaders," says Capita. "We’ll discuss the vision for the corridor, priorities and action items that we can work to support and eventually implement."

Source: Jeffrey Pastva, Young Architects Forum; Garlen Capita, Germantown United CDC; Liz Einsig Wise, Executive Director of the Mennonite Historic Trust
Writer: Greg Meckstroth

In Lower Germantown, developers and activists are sowing the seeds for a dramatic turnaround. Thanks to a $25 million renovation of the nearby Wayne Junction SEPTA regional rail hub, investors are buying up property, anticipating the birth of a transit-oriented neighborhood full of offices, artists and schools.

The site of the former Germantown Settlement Charter School is the latest example of the area's resurgence. The chapel is set to be renovated later this year, becoming a performance hall for GreatnessIsInYou!, a local non-profit.

"The idea behind our organization is to motivate students and youth to achieve greatness by being the greatest version of themselves," explains founder and CEO Kareem Rogers. "With the performance hall, our goal is to teach kids how to express themselves and communicate through the arts."

Purchased nearly a year ago by Philly Office Retail, the site is comprised of 5 buildings on 6.5 acres just blocks from Wayne Junction. When the school closed two-and-a-half years ago, the campus was left to deteriorate. "We’re hoping to bring it back," says Philly Office Retail's Noah Krey. "The chapel was leased a few months ago and will be a big step towards that."

Rogers says the site's location was a major incentive: "It’s right in the heart of the community and has great transit access. Anyone can get here," he explains.

Rogers plans to use the new performance hall as a community hub. So far, plans include a performing arts summer camp that also teaches the business side of writing, theatre and the arts, as well as a family theatre series showcasing classic children’s stories.

GreatnessIsInYou! continues to fundraise, and renovations are expected to run from mid-March through early May.

As for the other properties on site, they are still unoccupied. "We think it could be great for the community if another school took those buildings and set up at the site," says Krey. "That would also make for a great synergy with GreatnessIsInYou! We're open to any use that will benefit the community."

Source:  Noah Krey, Philly Office Retail; Kareem Rogers, GreatnessIsInYou!
Writer: Greg Meckstroth

Over the last 15 years, the Benjamin Franklin Parkway undergone dramatic changes. New museums, bike lanes, trees and pop-up cafes have all been added to the iconic Philly boulevard. 

On February 4, the Philadelphia Department of Parks and Recreation will unveil their latest plan for the Parkway: "More Park, Less Way: An Action Plan to Increase Urban Vibrancy on the Benjamin Franklin Parkway." 
 
Since last Spring, Parks and Recreation -- in conjunction with Penn Praxis and the Penn Project for Civic Engagement -- has been working with the community to develop guiding principles for low cost, big impact improvement projects that can be implemented in the short-term. Four community meetings were held in late July.

According to Patrick Morgan, chief of staff to Parks and Recreation Commissioner Mike DiBerardinis, that information was incredibly influential in devising the final plan. "The planning process was guided and informed by citizens," he says. "We heard a lot of exciting ideas." Those ideas included adding more pedestrian amenities, improving connections to surrounding neighborhoods, greening improvements and increasing accessibility.

More details will be announced at the plan’s unveiling, which will be held at the Academy of Natural Sciences (1900 Benjamin Franklin Parkway) at 5:30 p.m.
  
If you’d like to attend the event, please RSVP to [email protected].

Source: Patrick Morgan, chief of staff to Department of Parks and Recreation Commissioner Mike DiBerardinis
Writer: Greg Meckstroth

East Girard Avenue in Fishtown has the bones of a great commercial corridor. The blocks between Front Street and I-95 feature a tight knit collection of businesses and great architecture, with easy access to public transit. The booming development in the surrounding neighborhood has led to an influx of restaurants, shops and bars.
 
The New Kensington Community Development Corporation (NKCDC) is working hard to steward that development. Recent tangible accomplishments include a hyper-pedestrian streetscape plan and "Take Me to the River," a gateway feature connecting East Girard to nearby Penn Treaty Park. Now, with two big initiatives in the pipeline, NKCDC looks to improve the intangible: East Girard’s image.
 
The first, LISC Corridors of Retail Excellence -- LISC CORE for short -- is the result of a grant from LISC. According to NKCDC's Angie Williamson, the group will utilize the funds to make "a big impact with small investments" along the corridor.  
 
One example is a Model Block Initiative on visual merchandising, focused on the stretch of Girard between Oxford and Marlborough Streets. Quite simply, NKCDC hopes the campaign will become "an example for others along East Girard to follow." To achieve that goal, NKCDC hired local architects David Quadrini and Brian Syzmanik. They'll work with the block's businesses to improve window displays and facades, and connect pedestrians on the sidewalk with activity inside.
 
"Sometimes it’s as simple as leaving the lights on at night or placing the cash register in just the right place," explains Williamson. "We’re trying to help local businesses develop an understanding of visual merchandising and design, skills they can use years from now."

The Model Block program should be complete by early summer, about the same time the CDC’s other large initiative will be complete. That project, Girard Avenue East District Marketing, is being funded by another healthy grant, this time from the Pennsylvania Department of Community and Economic Development.  
 
"It’s purely a marketing plan," says Williamson, "but there will be quite a bit of urban design components as well." Local firms Letter 27 and Interface Studio LLC, known for their graphic design prowess and branding expertise, have been tapped for the job. They hope to establish East Girard as a destination beyond its immediate neighborhood.
 
Beyond the summer, Williamson and NKCDC have their eye on the ultimate selling point for the corridor: the Front and Girard El SEPTA stop. "It’s a big gateway opportunity for us," says Williamson, noting that its current condition leaves something to be desired. "Once you enter East Girard from the El, we want as nice an experience as possible, so that’s what we’ll focus on improving in the future."
 
So far, no funding has been identified for such an ambitious project, but Williamson remains optimistic that dramatic improvements can be made in the not-too-distant future. 

For more on the NKCDC's efforts in Fishtown, check out our feature on Executive Director Sandy Salzman.

Source: Angie Williamson, New Kensington CDC
Writer: Greg Meckstroth

The Flying Horse Center in Germantown is best known for its industrial reuse story. In 2010, the Community Design Collaborative chose the 85-year-old parking garage, which had been transformed into a multi-use community center, as a model of adaptive reuse in its Retooling Industrial Sites exhibit.

With most of the 55,000-square-foot facility leased and the final phase of office flex space being built, owner Stan Smith is once again using the hulking structure as a leading example of how to combat some of Philly’s chronic urban woes. This time he’s taking on another form of neighborhood blight: graffiti. In a page out of Jane Golden’s playbook, he’s allowing local artists to use portions of the Flying Horse Center’s facade as a showcase for street art.

"The building gets so much exposure because of its central location right next to the train stop," explains Smith. "The graffiti that plagued the building was sending the wrong message. It made me mad."

The building directly abuts the Chestnut Hill West regional rail line and features a large, highly visible brick wall along the tracks. For years that stretch of the façade got the brunt of the tagging. "It was ruining the beautiful brick," says Smith.

But the brick wall also featured large portions of cinderblock that covered up windows from another era. Smith decided that those parts of the wall could be used to show off graffiti in a way that didn’t detract from the building, putting the graffiti artists' work to good use. 

"I want to give respect to Germantown as well as the message behind the graffiti movement," says Smith. "I support graffiti as an art form. We can survive together, it just needs to be responsible."

Smith worked with Nelson Glendinning and his father Andrew from Germantown Academy, allowing Nelson to showcase his work on the cinderblocks. 

Nelson took full advantage of the opportunity, producing interesting artwork that enhances the building, pays respect to its history and acts as a gateway to Chelten Avenue and Germantown.

But work remains. "We still have a lot of cinderblocks to do and an even bigger message to get out there," says Smith. "Nelson’s one man. He can’t do it all."

Smith has received a tremendous amount of interest from other local artists to help finish the project. So far no one has officially signed on, but Smith believes that Nelson’s compelling work will help sell others on the idea. 

Source: Stan Smith, Flying Horse Center
Writer: Greg Meckstroth

With places such as Globe Dye Works and The Loom, Northeast Philly does reclaimed-industrial-spaces-turned-artist-studios well. Come February, with the opening of the Cedar Works, West Philly will stake its claim in that ever-expanding market .

A former car dealership, the 15,000-square-foot facility is located in the Cedar Park neighborhood of West Philly. Once complete, the space will feature 23 studio workspaces, community meeting spaces and other common areas. "We definitely want to have a community aspect to the facility," explains Andy Peifer, carpenter and cofounder of the Cedar Works. "We’ve included meeting spaces with the idea that neighborhood groups and nonprofits have direct access."

The meeting spaces are already a hot commodity: Training for Change, an activist training group dedicated to peaceful social change, has booked space, and plans to hold roughly 40 to 50 sessions there next year.

Despite the communal nature of the Cedar Works, it's not a co-working space. "The studios are more individualized," explains Peifer. The idea is to attract a diverse set of artists and local businesses to use the space how they see fit. "We’ve had a great response so far; we’re now 75 percent occupied with a diverse crowd," he adds. Fine artists, printmakers, professionals, physical therapists and potters have all signed on as tenants.

Peifer credits the great response to the West Philly location—it's an area that has been underserved when it comes to this sort of flexible space."There’s a handful of places like this in the city, but most are found in former warehouses in Northeast Philly," he says. "We were lucky to find this place in West Philly, where big abandoned warehouses are rare."

Of course, the vibrant West Philly arts scene will be a huge factor in the Cedar Works' success. "We see ourselves as an extension of the arts and craft culture that’s already here," says Peifer. "We hope to build off that momentum."

The space is currently in the final throws of renovation. Tenants will begin moving in in early February. Once everyone is settled, the Cedar Works will host a grand opening. 

Source: Andy Peifer, Cofounder, the Cedar Works
Writer: Greg Meckstroth

As Flying Kite detailed back in late November, Avenue of the Arts, Inc. (AAI) partnered with the Pennsylvania Horicultural Society (PHS) to launch the "New Vision for South Broad Street" competition. The participants' mission was to continue the thoroughfare's original purpose as an arts and entertainment district but with a modern take. Ten architectural and landscape firms submitted ideas, and four were chosen as finalists. Now the list has been narrowed once again. From PlanPhilly:

A judging panel, overseen by Avenue of the Arts, Inc. (AAI) Chairman Dianne Semingson, has chosen Bohlin Cywinski Jackson and Jonathan Alderson Landscape Architects, Inc., to participate in Phase II of the “New Vision for South Broad Street” Request for Proposal (RFP) project. The two teams, selected from four finalists (the other two were LRSLA Studio and Cairone & Kaupp, Inc.) are charged with pushing forward a program to reinvigorate South Broad Street from City Hall to Washington Avenue.

The two firms will present refined proposals in early 2013 and one winner will be selected.