arts and culture : Development News

In the shadows of the Community College of Philadelphia and the state office building at Spring Garden St., community youth watch over Broad St. 24 hours a day. At least they do in Meg Saligman’s “Common Threads” mural, which features depictions of local adolescents overlooking the busy Broad St and equally busy Spring Garden subway stop. The mural was re-dedicated this past week, as it underwent about a year of re-glazing and re-painting.

“Common Threads” was originally completed in 1997, and was one of the Philadelphia Mural Arts Program’s largest and most expensive murals at the time. The mural is a melange of portraits of Ben Franklin and Creative and Performing Arts High School students and figurines owned by artist Meg Saligman’s grandmother. Another notable aspect to the artwork was it was the first time Photoshop was used on a Philadelphia mural.

One subject in the mural is a boy who went on to become a noted tap dancer. He was on-hand at the dedication to thrill and set off car alarms with his resounding taps of the foot. A girl in the mural became a presidential scholar under the Clinton administration for outstanding achievement in high school. Ironically, Saligman gets calls from other people who swear they’re in the mural, but actually aren’t. She takes these e-mails as a sign of how famous her mural has become.   

Saligman laments that the mural began to fade over time, as it was painted on the western-facing side of the building, which gets considerable sunlight. “It was so sad that ‘Common Threads’ had lost its pop and was fading so fast,” mourns Saligman. Thus, she knew something had to be done to freshen up her mural, as it was continuing to decay. In 2009, the Mural Arts Program and the Saligman Charitable Foundation received money to rehabilitate it. Work began in autumn, 2010 on the top half of the mural, while the bottom half got attention starting in Spring of the next year.

The re-painting and re-glazing of “Common Threads” was a labor of love. It consisted of Saligman, a couple of people from Saligman’s firm MLS Studios, and some interns. All in all, the re-painting cost $20,000, along with donated lifts from United Rentals and hours upon hours of volunteerism. It took a while for the muralist to become truly satisfied with the work. “The mural was missing zing until the very end of renovations,” says Saligman.

With all this in mind, there’s no guarantee the mural will last, and it has nothing to do with sunlight. There have been a number of proposals to alter the building that the mural graces, some of which do not include the mural. As the re-dedication made clear, the mural likely won’t be removed without a quarrel. At least for now, local students will continue to stand guard on North Broad St, as their now grown up models reflect on the power of art, and dance.

Source: Meg Saligman
Writer: Andy Sharpe

Artwork and firefighting certainly seem like odd bedfellows. That hasn't stopped Philadelphia's Office of Arts, Culture, and Creative Economy, along with the city fire department and other agencies, from striving to meld the two. This is evident in Tacony, where Suikang Zhao was recently chosen to design an art installation at the new Engine 38 fire station and community center.

The art installation will reflect Tacony's history and firefighting heritage. Margot Berg, a public art director in the Office of Arts, Culture, and Creative Economy, lists a number of elements that Zhao is expected to include. Among these works are two-dimensional bronze displays of antique fire engines, a historic fire alarm, representations of some of Tacony's most distinct buildings, and models of Tacony saw blades. The latter is paying homage to the Disston Saw Works, which at one time was the world's largest saw blade manufacturer, located in Tacony.

Zhao is an acclaimed artist whose work is recognized worldwide. "He has been the recipient of numerous grants and awards, and has public art commissions in Phoenix and San Diego, among other cities," gleams Berg. Zhao's work, which ranges from sculptures, to paintings, to mobile image and sound installations, has also been featured in the New York Times.

Berg points out that this display is part of Philadelphia's "Percent for Art" program, which mandates that at least one percent of a city-financed project's budget go toward public art. What's so unique about this pubic project is that new firehouses don't often get built in the city.

The recollection and teaching of history is one of the overarching goals of this art installation. "The artwork will provide an opportunity for residents to learn about the history of Tacony and of fire fighting, and to see a reflection of their history and community in the Engine 38 site," says the art director. Not surprisingly, the Tacony Historical Society was instrumental in deciding what kind of art would be featured.

Engine 38 is being rebuilt after it was displaced due to the I-95 reconstruction. The firehouse and community center combination will be a LEED-certified building in a neighborhood that doesn't have very many of those. There is still a while before Zhao's art is expected to be completed, as the Office of Arts is projecting completion by autumn, 2012.

Source: Margot Berg, Philadelphia's Office of Arts, Culture, and Creative Economy
Writer: Andy Sharpe

The I. Brewster and Company art gallery and store will be moving from its current location at 2200 Market St. into the former site of the Please Touch Museum on the 200 block of N. 21st St. This will put the gallery and store close to the museum district on the Ben Franklin Parkway. When they do move shop, the store expects to be an interesting addition to the neighborhood.

The listing agents for the erstwhile Please Touch Museum site were Joe Muldoon and Chris Lange of Binswanger. Muldoon says the gallery and store will be fitting in its new location. "The use is similar to other Museums on and around the Parkway," praises Muldoon. He adds that the gallery will be much smaller than the Parkway museums. The realtor fully expects the neighborhood to appreciate the new use of the property.

I. Brewster is notable for its gargantuan inventory of Louis Icart paintings. Icart is a famed fashion sketcher who drew during the French Art Deco period. I. Brewster’s owner, Nathan Isen, actually wrote a book about Icart, which is now in its fourth printing. The gallery and store also features work from Andy Warhol, Marc Chagall, Jasper Johns, and a host of other artists. Altogether, I. Brewster contains over 40,000 works of art.

Muldoon says that the owners of the Please Touch Museum were a pleasure to work with. Even through a tough economy, which resulted in far less interest in the property, the museum remained helpful and supportive. Museum leadership was also cognizant that certain uses would be rejected by neighborhood groups, which made it even more difficult to sell the space.

The bottom line is I. Brewster’s move has the realtor and the museum upbeat. "This is one of those situations where everyone involved appears to have won," says Muldoon.  No word yet on when they will open, although they already have "moving" signs in the windows at their current outlet. What’s clear is that it is likely only a short matter of time before the Parkway area sees some more art.

Source: Joe Muldoon, Binswanger Real Estate
Writer: Andy Sharpe

The opening of a new business in highly impoverished Camden is considered a notable accomplishment. The opening of a new art gallery in Camden is almost unheard of. That makes this week's opening of Gallery Eleven One, a "contemporary art studio and gallery," at 339 N. Front St. on Rutgers University’s Camden campus, such a noteworthy event. Gallery Eleven One is the product of artist William Butler, and his socially aware art, design, and clothing company, Thomas Lift, LLC.

Coming from Des Moines, Iowa, Butler deliberately chose to open his gallery in such a low-income city. After all, one of the main missions of his company is to help poor people of the inner city. To this end, Butler plans to donate at least 10 percent of Gallery Eleven One’s profits to socially conscious causes. Many of these beneficiaries are located within Camden, including Heart of Camden, which builds homes for financially destitute people, the Nehemiah Project, which focuses on removing blight through education and other means, as well as charter schools. Butler puts it succinctly when he says he wants his gallery to be "a small conduit causing a spark."

Gallery Eleven One is seen as a resource for Camden residents and Rutgers students alike. Butler is ardent about enabling everyone in Camden to be able to view his artwork. He has dreams of reaching out to charter schools to spread his art’s message to youth, and he also aspires to collaborate with other artists in Camden. Given the outcry about Camden’s shuttering of fire stations, it is a brush of irony that Butler opted to locate his gallery in a fully restored 1906 firehouse.

It is important to note that Butler is also looking to attract non-Camden residents and non-students to his gallery. Ads for Eleven One’s opening make prominent mention of how close the gallery is to Camden’s waterfront, making prominent mention of its proximity to Campbell’s Field and the River Line.

Butler gives some insight into what kind of artwork will be available at his gallery. He plans on featuring contemporary, abstract, and figurative pieces.

“There will be quite a variation in size, color, and feel,” says the artist. He gives a rough estimate of the range in size, which goes from 24x24 inches at the small end to 5x7 feet at the large end.

The buzz around Gallery Eleven One not withstanding, Butler and Thomas Lift, LLC plan to expand in the future. He’s looking at another abandoned firehouse in South Camden as a potential creative space for Camden residents. This would be a contrast with the Rutgers location, as South Camden is an exponentially rougher and lower-income neighborhood. Butler’s goal is to give "residents and visitors a number of access points" to art. However, this might be as far as a year away from opening. For now, Gallery Eleven One opens on Friday, with the opening reception spanning Friday and Saturday. 

Source: William Butler, Thomas Lift, LLC
Writer: Andy Sharpe

The Delaware River Waterfront Corporation (DRWC) is embarking on an ambitious plan to make it easier to get to and from the Delaware River. To do this, they have identified three connector streets that will receive bicycle, pedestrian, lighting, and artistic improvements. These streets are Race and Spring Garden Sts., and Columbia Ave. On Thursday, DRWC will unveil the enhanced sidewalks, lighting, and artwork along Race St.

One of the most eye-catching changes to the Race St connector beneath I-95, which runs between Columbus Blvd. and 2nd St., will be a 24-hour-a-day projection of the Delaware river on four LED screens. These screens will be hooked up to cameras along the river, which will capture every wave, boat, and aquatic animal, and be able to shift on account of lighting conditions. Tom Corcoran, president of DRWC, explained that this will be a technique to help bridge the gap between the river and the rest of the city. This river projection is the product of artists Richard Torchia and Aaron Igler, and was the winning entry in a competition by the city's Office of Arts, Culture, and Creative Economy.

Corcoran says that other updates to this section of Race St. include the installation of colorful "high-impact" lighting, the widening of sidewalks to better suit pedestrians, a more navigable intersection with the I-95 entrance, and the striping and painting of a bicycle lane on the north side of the street. The lighting and sidewalk improvements will be on display starting this week, while the roadwork and bicycle lane will be part of a second phase of work to be completed later. All of this is part of Corcoran’s dream to make Race St. an inviting, not intimidating, conduit to the Delaware River via foot, bike, or car.

While Corcoran is elated at the work being done with the Race St. connector, his vision extends beyond one street. The next connector between the river and the rest of the city that his corporation plans to improve is Columbia Ave., which leads to Penn Treaty Park and the river. Not wasting any time, this project is being done on a "rush basis," says Corcoran. This effort is a collaboration with PennDOT, and involves plenty of consultation with Fishtown neighborhood groups over artistic elements that capture the unique qualities of the neighborhood.

Similarly, the Waterfront Corporation plans to work with the Northern Liberties Neighbors Association (NLNA) to make the Spring Garden St. connector to the Delaware River more bicycle and pedestrian amenable, more luminous, and more artistic. Corcoran gives Spring 2012 as a probable start date for this. Another element of this project may be a push to get SEPTA to increase service frequency on routes that use Spring Garden St., including the Routes 25 and 43. Corcoran intimated that DRWC will make an effort to lobby for increased bus service, along with light rail service in the median of Columbus Blvd. in the coming decade.   

Source: Tom Corcoran, DRWC
Writer: Andy Sharpe

Franklin’s Paine Skatepark Fund (FPSF) will be the recipient of $1 million in Philadelphia Parks and Recreation funds to construct Paine’s Skatepark along the Schuylkill River Trail in Center City. This will give skateboarders a space to dot heir thing in Center City for the first time since they were banned from Love Park. Construction is expected to commence in Spring 2012.

Claire Laver, the executive director of FPSF, is committed to seeing skateboarders get a downtown location to practice their sport.

"Philadelphia has long been synonymous with street skating, but since the banning of skateboarding in Love Park, we have been without a centralized hub," laments Laver. "The skateboarding culture in this city hasn’t been the same since."

Laver is referring to then-Mayor John Street’s forbidding of skateboarding at Love Park in 2002.

Paine’s Park is slated to be by far the biggest skatepark in Philadelphia. According to Laver, there are currently skateboarding parks in Frankford, East Kensington, and Southwest Philadelphia, all of which are between 5,000 and 10,000 sq. ft. In contrast, the proposed park will be greater than 50,000 sq. ft., or more than five times as large as each of the existing parks. FPSF hopes that the size of the park will attract internationally acclaimed skateboarding events, including or comparable to the X Games and Maloof Money Cup.

Despite Paine’s primary function as a skatepark, Laver is confident the park will be useful for non-skateboarders as well. She brags that the park will include a panoramic observation deck with views of the Schuylkill River, Center City, and the Philadelphia Museum of Art. Also, the executive director envisions an amphitheater to support ceremonies for Ben Franklin Parkway events, concerts, and movie nights. Finally, she assures that the park will provide the one million people who use the Schuylkill Trail each year with a place to relax.

As with the recently built Penn Park, Paine’s Park aims to be a model for sustainability. This will include a unique watershed design that will lend itself to environmentally friendly storm- and groundwater control. Despite it being a skatepark, Laver also promises considerable green space. The park will also recycle some materials used in the building of other city projects. Fittingly, this includes "the installation of granite benches removed from Love Park years ago," adds Laver.

The Skatepark Fund makes its case for Paine’s Park from an economic standpoint too. Laver references a 2008 Econsult study, which indicates that Paine’s Park could rake in tens of millions of dollars in direct spending and recreational worth. One reason why this estimate is so high is because of the park’s connectivity to the trail, which means it's an easy walk or bike ride to the art museum, other points in Center City, or University City. Not only will skateboarders be welcomed back into Center City, non-skateboarders will welcome the increased revenue and connectivity.

Source: Claire Laver, Franklin's Paine Skatepark Fund
Writer: Andy Sharpe

If you’re strolling along Lancaster Avenue between 35th and 40th Sts., you probably notice something looks different. In fact, you’re right, as Drexel University, the University City District, and other community groups have partnered on a two-month art exhibition running through Nov. 30 called LOOK!.

There are three main components to LOOK!, which are art displays in the windows of unused buildings, group art events in galleries or public spaces, and performances open to anyone. The most omnipresent of these components is the art that now adorns the fronts of vacant buildings. According to University City District’s Mark Christman, there are thirteen such displays. These displays speak to the corridor’s history as well as the resiliency of the community, and include audio and visual artwork.

Additionally, the opening night of LOOK! Featured some fascinating performances. This included a dance exhibition that wound its way down Lancaster Ave. called Dances for Imaginary Places Barely There. The troupe made sure to modify its dance routine depending on the unique culture of every block. The opening night also saw some theatrical shows, which examined American culture, mental illness, and burlesque.

The University City District believes the success in organizing LOOK! is a great sign for the Lancaster Avenue corridor.

"The fact that community members, landlords, neighborhood institutions, and artists were able to successfully collaborate on a project of this scale is clearly a strong sign of the broader commitment to continue to transform the Avenue," says Christman. "Lancaster Avenue is clearly a great ‘main street’ in the making."

Christman builds on the "main street" theme by lauding the neighborhood farmers’ market, nascent galleries, cafes and dining establishments, and fencing academy. He says it only made sense to run a community arts show given how much is already going on with the avenue. While Christman is unsure as to whether LOOK! will ever be done again, he did say that community groups will make sure to analyze how art can beautify public space.

When the involved organizations announced they were seeking artists to participate in mid-July, they received an overwhelming response. Despite giving artists just three weeks to submit proposals, they received about 200 requests. Christman acknowledges how creative many of the proposals were, but says "we ultimately put together a panel that included representatives from neighborhood institutions, community members, and even two Pew Fellows."

Source: Mark Christman, University City District
Writer: Andy Sharpe

For one week in mid-October, pedestrians and bicyclists on Christian and Catharine Streets in Southwest Center City will be able to breathe a little calmer. This is thanks to the South of South Neighborhood Association (SOSNA), which will be implementing creative traffic calming techniques as part of their Better Blocks Philly celebration for DesignPhiladelphia.

While it would be a stretch to say all the details have been worked out by now, Katie Winkler, a design coordinator for Better Blocks Philly, was able to give a rough itinerary. In short, the event will raise awareness of safer streetscape and neighborhood design policy and local businesses, aiming to even the playing field between cars, pedestrians, and bicycles. Winkler says raised mid-block crossings will make it easier for pedestrians to cross streets, bump-outs will be constructed at intersections to slow down vehicles, and the installation of new signage will make sure motorists are aware to share the road.

Winkler is also aiming to beautify Southwest Center City. “We will be having trees generously donated to us from the new Tree Philly Program of Philadelphia Parks and Recreation, as well as other planted material from Greensgrow Farms and County Line Nursery,” says Winkler. Additionally, the neighborhood will offer more sidewalk lounge space by crafting a parklet at 17th and Christian Sts -- similar to the recently opened one near Clark Park in West Philadelphia.

Another important component to Better Blocks Philly is the rehabilitation of unused building space. Winkler currently has two or three spaces in mind that she wants to turn into short-term cafes or shops. As well, a coalition of 30 craftspeople and thinkers called PhillyWorks plans to set up an open studio and/or think-tank space. Also, a group called Cartographilly might set up a space to showcase its Philadelphia mapping project.

Inspiration for Better Blocks Philly comes from a variety of different places. According to Winkler, Philadelphia Park(ing) Day, where parking spots across the city sprouted into one-day parks, was a weighty inspiration. Also, inspiration was gleaned from other U.S. cities including Seattle, Portland, and especially Dallas. Believe it or not, the Texas bastion was where the national Better Block movement originated. SOSNA is acting as the "project head," while Wallace, Roberts, & Todd is the "lead design coordinator" and Brown and Keener Urban Design is the "lead event programming and sponsorship coordinator."

Source: Katie Winkler
Writer: Andy Sharpe

SMP Architects helped transform a parking spot on the 1600 block of Walnut St into a coffee garden, just one of over 30 parking spots in Philadelphia transformed into parks for the fourth annual Park(ing) Day. Indeed, the aroma of coffee penetrated the air around 16th and Walnut, all to generate awareness of the perceived negative impact of cars on a city.

SMP certainly demonstrated its commitment to Park(ing) Day, as they had their display percolating from 8:30 a.m. until at least 3:30 p.m., says architect Scott Ritchie. To be sure, the coffee theme was a unique one on this day. “Ground is essential to a city, so we collected coffee grounds from local shops,” said Ritchie, who was eager to explain his firm’s eclectic choice. All told, the spot contained scores of cups filled with coffee grounds from area coffee shops.

Ritchie explained that his firm pounced at the chance to participate in Park(ing) Day because of its history of sustainable design. “We want to be a part of the dialogue that makes the city greener,” says Ritchie. When asked about the primary benefits of the day, the architect mentioned discussion about pedestrian conditions, as well as the effect of autos on a city.

By far, most of the one-day parks were located in Center City, although University City, Mount Airy, Manayunk, and North Philadelphia all had participating spots. Organizations that came out for the day included city and regional planning agencies, other city government bodies, architecture and design firms, alternative transportation advocacy groups, and community development corporations.

Park(ing) Day began in San Francisco back in 2005, the brainchild of an art and design firm called Rebar. It has blossomed into a worldwide phenomenon, with events in 183 cities spanning six continents. In the U.S., cities that saw parks temporarily sprout up included Memphis, New Orleans, Raleigh, and Salt Lake City.

Of course, there was no tally of how many angry drivers inched by the newly formed parks. At the 1600 Walnut St. park, Ritchie saw a few miffed motorists. However, putting it in perspective, Ritchie says it was a negligible impact for one day -- a day set aside for those not driving in downtown areas. 

Source: Scott Ritchie, SMP Architects
Writer: Andy Sharpe

There's more than one way to build community, and arts and culture provides ample opportunity to do just that. Living in a hotbed for such activity, it seems entirely appropriate that the Greater Philadelphia Cultural Alliance has teamed up with the Philadelphia Association of Community Development Corporations.

The organizations are co-presenting Arts and Community Development: Dynamic Partners, a workshop and panel discussion set for Thursday, Sept. 8 from 12:30-2:30 p.m. at Asian Arts Initiative (1219 Vine St., Philadelphia). The program will include opportunities to learn about best practices of community development organizations, artists and cultural groups working collaboratively to advance revitalization strategies, locate space, and develop community programs. Special attention will be paid to partnership building, new funding sources, and smart use of data.

Guests include Maggie Mailer, co-founder of the Pittsfield Storefront Artist Project, a nationally recognized model that uses arts as an economic catalyst in a distressed area of Western Massachusetts. The loss of 10,000 General Electric jobs there has had a major impact on the Pittsfield area's economy, population and morale. Now a weekly summer street festival attracts 10,000 people downtown on a regular basis as Pittsfield has become "the Brooklyn of the Berkshires."

Register here. Cost is $15 for PACDC and Cultural Alliance members, $10 for each additional staff person, and $25 for non-members.

Source: Pamela Bridgeforth, Pennsylvania Association of Community Development Corporations
Writer: Joe Petrucci

In a few weeks, PECO and the art technology outlet Breadboard will once again collaborate to brighten the Center City skyline. This year, PECO will showcase up to three works of visual artistry each Friday from September through December as scrolling artwork atop its building, says Ben Armstrong, Senior Communications Specialist at PECO. This is known as "Art in the Air," and this is the second year it's been done.

What is even more exciting is that PECO and Breadboard have upped the ante this year by putting in a cash incentive for visual artists. In addition to having their message displayed on PECO's building, artists will now be competing to win $1,000 for the "best in show" message, says Armstrong. The winning artist will also have their display featured for a prolonged period in January. Submissions for September are due by Aug. 23 (more submission info here).

PECO and Breadboard are looking to build off of their success last year with "Art in the Air." Last year's visual feast began on July 4 to commemorate the 34-year anniversary of PECO's scrolling messages, the one-year anniversary of PECO's adoption of LED lights, and Independence Day. From then on, the display ran on Fridays through out the year, ultimately featuring "over twenty local artists," said Armstrong.

PECO's LED lights enable the electricity provider to provide this visual art show. "The old lights limited us to 72 characters; letters, numbers, and spaces," said PECO's Communications Specialist. "LED lights let us use full animation and colors." Indeed, the PECO building has become quite colorful and animated in the two years since it switched to LED lights.

PECO has provided the top of its building at 23rd and Market Streets as a place for local non-profits and community groups to spread their message since 1976. Along with that, PECO also uses its scrolling marquee to provide energy-saving tips for customers and tourists alike.  

Source: Ben Armstrong, PECO
Writer: Andy Sharpe

Good news for aspiring artists in South Philadelphia and Center City, as Queen Village is about to usher in a new art center. The Fairmount Art Center will be opening up a second location in September, calling it the Queen Village Art Center. It will be in the old Philadelphia Aids Thrift Store location on the 500 block of Bainbridge St.

"Courses include diverse media, including drawing, painting, printmaking, photography, sculpture, knitting, sewing, ceramics, mixed media, and decorative arts," says director Jill Markovitz. The new center will include 3,000 square feet of space, four studios, a kitchenette, and lounge and gallery areas.

"Queen Village will also feature a full after school program with walking pick up at all area schools," says Markovitz. Children will be able to come to the center for anywhere from one to five days a week. Along with art, children can also receive homework help and reading and game time.

This is welcome news for students at local schools, such as the Philadelphia High School for the Creative and Performing Arts and the Academy at Palumbo. Markovitz sees the incoming Queen Village Art Center as a great place for children. She envisions a place where kids can come for school art, camp, and birthday parties.

Source: Jill Markovitz, Fairmount Art Center
Writer: Andy Sharpe 

If you're the sort of hard-living live music fan who goes out regularly to see rock, hip-hop or indie bands perform, you may be under the impression that Philly has enough venues to satisfy the needs of every slam-dancer and head-nodder in the city. And yet Avram Hornik, a local nightlife entrepreneur whose Four Corners Management company operates a handful of beloved local bars, begs to differ.

To wit: In less than eight weeks, inside the former Spaghetti Warehouse restaurant at 10th and Spring Garden streets in Center City, a midsize but upscale concert space known as Union Transfer will introduce itself to the city. (A train depot of the same name once operated there.) Hornik is a partner in the venture, as is Sean Agnew of R5 Productions. Agnew will be booking bands with the help of a third partner: the New York-based Bowery Presents. "We had all been aware of each other," Hornik wrote in a recent email, "and were just waiting for the right time and the right space to open a live music venue."

And while Philly may in fact have its fair share of spots to take in touring or local live acts, Union Transfer, Hornik says, will be something truly unique: large enough to handle 1,000 fans, but with ample parking nearby and a central location, convenient to the freeway. In fact, Hornik claims that the project's ultimate goal involves "showcas(ing) bands that have passed by the city because there hasn't been the space to play."

If the architectural renderings and the minor details that have already been released are any indication, that'll be an easy goal to reach. Union Transfer, for instance, which was designed by local firm Fishtank PHL, will be home to a D&B Audiotechnik sound system, professional-level lighting, both a mezzanine and a balcony, and--get this--parking for 150 bicycles.

The party kicks off on Sept. 21, with an inaugural concert featuring Clap Your Hands Say Yeah.

Source: Avram Hornik, Four Corners Management
Writer: Dan Eldridge

Do you know of a new building going up, a business expanding or being renovated, a park in the works or even a cool new house being built in the neighborhood? Please send your Development News tips here.

You can't argue with this one: Real estate agents have it tough these days. Buyers do too, of course. But when your very livelihood is dependent upon the whims of a mortgage broker and the all-around insecurity of banks these days, making an honest buck isn't easy.

Consider, as an example, the precarious situation of MM Partners, a small real estate development firm whose business involves the construction, the design, and the sale of modern apartments in Brewerytown, of all places.

"Something we talk about a lot," says Jacob Roller, MM Partners' co-founder, "is that the neighborhood needs more exposure, and in a positive way. People may not know about Brewerytown, or they may have just heard its name in a negative way, and that's not really the case. But perception is reality. So you have to work on that."

And work on that he did. Along with his partner, David Waxman, Roller came up with the idea for BrewerytownLiving.com, a well-designed blog that advertises the free cultural events that Roller and his co-workers are organizing in Brewerytown. Recent events have included a Doggie Yappy Hour, during which dogs and their humans meet in a park for socialization and snacks. There are also jazz concerts, clothing swaps, art shows, and food festivals.

"We'd been doing a little bit of this on our own," says Roller. "So we said, 'Let's do it in a more comprehensive way, and in a more organized way.' And that led us to Brewerytown Living."

Roller, by the way, is insistent that Brewerytown Living isn't a mere marketing ploy. "We don't want to use (the website) to try and sell people a house," he adds. 'It's really all about community building, you know? Getting people together, and having a good time."

Writer: Dan Eldridge
Source: Jacob Roller, MM Partners LLC

Do you know of a new building going up, a business expanding or being renovated, a park in the works or even a cool new house being built in the neighborhood? Please send your Development News tips here. 

Even if you don't happen to be a skateboarding enthusiast, there's still a decent chance--assuming you've lived in Philly for any amount of time--that you're familiar with our city's legendary status among skateboarders worldwide. What you might not be aware of, however, is that a local nonprofit organization known as Franklin's Paine Skatepark Fund (FPSF) is currently in the process of reviving and growing the skateboarding scene here, and in a very major way.

Near the end of May, FPSF, which is "dedicated to the advancement of skateboarding in the Greater Philadelphia region," according to a recent press release, made public an ambitious 31-page master plan for the future of Philadelphia's skatepark development.

The plan was created in partnership with the city's Parks and Recreation Department, and was completed by the Center City-based Friday Architects/Planners. According to FPSF's Claire Laver and Josh Nims, it's only the first phase of a study that will eventually see $11 million spent on the planning and construction of somewhere between 30 and 40 skateboarding spots throughout the city and the surrounding region.

"It's our goal to continue working on this, and to eventually create a plan that covers every corner of the city," says Laver. "But we have a lot of projects on our plate with this first phase."

The master plan's first phase focuses exclusively on sites in the west and southwest regions of the city, and according to Nims, one of the first projects involves the skatepark at McCreesh Playground, which will see further development this summer. The Miles Mack Playground is also mentioned in the master plan, as is the Rose Playground in Overbrook.

In the meantime, FPSF is sponsoring the international Go Skateboarding Day on June 21; among other area skate spots, both Miles Mack and McCreesh will host events.

Source: Claire Laver and Josh Nims, Franklin's Paine Skatepark Fund
Writer: Dan Eldridge

Do you know of a new building going up, a business expanding or being renovated, a park in the works or even a cool new house being built in the neighborhood? Please send your Development News tips here.