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The Drake architects preview Philly's newest theater hub

The Drake is become a Philly theater hub

Seth Rozin, Artistic Director of InterAct Theatre Company

Seth Rozin, Artistic Director of InterAct Theatre Company

After 18 years at the Adrienne, InterAct Theatre Company is moving to The Drake at 1512 Spruce Street, a former University of the Arts dance space. Metcalfe Architecture & Design (MA&D) has been working with InterAct (who will be leasing additional space to PlayPenn, Simpatico Theatre Project, Azuka Theatre and Inis Nua Theatre) to create the perfect new home, and they gave Flying Kite a preview of the layout.

The Center City-based company has a dual specialty, explains principal Alan Metcalfe: They’re an architecture and exhibit design firm that focuses on work for museums, schools, cultural institutions and other nonprofits.

Their dedication to spaces that foster social interaction is a great fit for the new vision at The Drake. There will be one box office, two black-box stages and two lobbies with separate entrancse. The InterAct lobby will double as a coffee and work lounge for Philly’s creative types during the day.

There are several unique components to the space. InterAct asked MA&D to scale back some of the design elements of their lobby, explains lead architect Chris Kircher, because one corner of that space will be reserved for "micro-performances," complete with rigging for lights and lighting controls. The theater company also insisted on unisex bathrooms for the lobby/lounge space.

The construction phase of the project, which the architects estimate will take about three months once all the necessary permits are acquired, will also have an unusual aspect -- employees of InterAct are pitching in on the actual construction: building their stage, the riders for the seating and some custom elements of the tech booth.

The seating for the InterAct stage will be fixed, while the slightly smaller second space will have removable seating, a sprung floor and a square shape, allowing for a very flexible performance area.

It’s been a special project all around, Metcalfe continues. The company and the architects were free from the need to wrestle with zoning codes to convert the use because the space is already zoned as a theater.

"Imagine how hard it is to find existing theater space in the middle of Center City," he says. "It was really a dream come true for InterAct." 

"In the lobbies themselves, there’ll be some exposed brick-work, exposed concrete beams and columns; all the piping and mechanical systems will be exposed," says Kircher of the space's "raw industrial-type feel...[There's] sort of an oxymoron in the idea that we’re exposing the truth about the architectural aspects of the space," but inside of a theater, which is all about creating artificial environments onstage.

"When we came into the space, everything was covered up, and we were gleefully pushing at ceiling panels, looking to see what was up there," recalls Metcalfe. "The world of theater and urban design has changed so much, from 'cover it all up and make it look like everything else' to 'let the character show.'"

InterAct is hoping to get into the Drake by September under a 15-year lease; the arts community should stay tuned for news of when performances will commence.

Writer: Alaina Mabaso
Sources: Alan Metcalfe and Chris Kircher, Metcalfe Architecture & Design
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