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Knight Arts Challenge Philadelphia Selects Finalists for $2.7M in Funding

Fifty-five finalists were announced last week for the Knights Arts Challenge Philadelphia, a three-year, $9 million community-wide funding contest for the most innovative local ideas in the arts.

Not surprisingly, there is a wide range of projects in the running. They stretch from Norris Square and East Kensington to Center City. They celebrate African, Latino and Asian culture. They are large organizations like Campus Philly and individuals like Katarina Dudas. Thirty-six winners will be chosen by the spring, the second round of funding after last year's debut.

"The diversity of finalists proves that good ideas really can come from anywhere," says Donna Frisby-Greenwood, Philadelphia program director for the Knight Foundation. "We're seeing ideas from across our many neighborhoods taht we believe will help bring us together through the arts."

The challenge is open to anyone with a great idea about the arts in or benefiting Philadelphia who can find funds to match Knight's commitment. Here's a complete list of finalists:

Artists and Musicians of Latin America
To cultivate new audiences for Latin Jazz by presenting "pop-up" performances of local artists using a portable stage

Arden Theatre Company
To diversify artistic offerings by presenting theater performances alongside the dozens of gallery events during Old City’s monthly First Fridays

Art Sanctuary
To celebrate two art forms that use the human voice to tell profound stories by creating a “Hip H’Opera” using the stories of urban life

Asian Arts Initiative
To provide everyday artistic experiences in Chinatown and South Philadelphia by creating site-specific works for nontraditional places like restaurants, storefronts and public plazas

Bearded Ladies Cabaret
To attract new audiences to theater – and use the medium as a way to explore politics, gender, sexuality and identity – through a series of original, late night cabarets

Black Pearl Chamber Orchestra
To showcase diverse cultures by transforming a symphonic “pops” concert into a celebration of world music

Brandywine Workshop
To celebrate the 40th anniversary of this printmaking institution by commissioning 10 emerging and established artists to create prints

Campus Philly
To foster a lifelong appreciation of the arts by offering free or discounted admission to venues and performances for college students

Catzie Vilayphonh 
To promote storytelling within the Lao-American community through a writing, performing and filmmaking workshop

Center City District
To help transform historic Dilworth Plaza by commissioning internationally recognized sculptor Janet Echelman to create an artwork inspired by the site’s historic association with water and steam

Center City Opera Theater
To attract more Hispanics to the opera by launching a Spanish-language opera festival featuring a new piece by a Philadelphia-based Hispanic composer

Center for Emerging Visual Artists
To bring visual art to a wider audience by placing locally produced art in public advertising spaces in the same neighborhood where the piece was produced

Chestnut Hill Friends Meetinghouse Project
To spark dialogue about contemporary art by incorporating the work of internationally acclaimed light artist James Turrell into a new Quaker meetinghouse that is open to all

Community Cultural Exchange
To bring the South Street business district together through music and culture by introducing family-friendly street performances to the area

COSACOSA art at large
To transform overgrown and abandoned spaces into “sacred” art parks for the community by engaging residents to create visual and sound gardens in the Niceville-Tioga neighborhood

Crane Arts
To raise the international profile of local artists by organizing an artist and exhibition exchange between Crane Arts and London’s V22 Collection

David Clayton
To help residents fully experience the city’s two main waterways by creating a floating workstation along the Schuylkill and Delaware Rivers where artists can interpret and explore the surroundings

Delaware River Waterfront Corporation
To use world rhythms – from cowbells to congas, beat-boxing to Bhangra – to learn about cultures at an interactive music and dance festival

Erica Hawthorne
To give a boost to local artists by creating a mini grant program to help cover their costs with awards ranging from $50 to $1,000

Fleisher Art Memorial
To engage the community in hands-on art making by expanding the reach of a mobile studio where participants create projects inspired by their neighborhoods

Franklin’s Paine Skatepark Fund
To help transform neighborhoods by turning blacktop lots into art-laden skate parks

Geoffrey Johnson
To foster appreciation for public art by covering publically displayed statues in the city for a month – and then unveiling them with fan fare at a festival

GoKash Productions
To promote original plays through a free theater festival dedicated to the contemporary African-American experience

Greater Philadelphia Tourism Marketing Corporation
To engage new audiences in the visual arts by launching With Art Philadelphia, a two-year joint marketing program that includes late-night happenings for younger audiences at local museums

Iron Age Theatre
To create new performing arts experiences through a series of live-streamed, mini movies that patrons can watch throughout the city by scanning QR codes on their cellphones

Katarina Dudas
To develop the next generation of visual artists by pairing children with local artists to create site-specific environmental art in the Kensington community

Kimmel Center for the Performing Arts
To engage new audiences in the performing arts by creating a residency program in the Kimmel Center’s black box theater for innovative and emerging art groups

Little Berlin
To help transform the East Kensington neighborhood by turning an empty lot into an event space for musicians, art fairs and children’s workshops

Moore College of Art & Design
To introduce the work of local visual artists and filmmakers to a wider audience by establishing an urban drive-in movie theater on the Parkway

Music Row Philadelphia
To support emerging musicians and create a destination for live music by fostering the growth of music venues along Girard Avenue

Musicopia
To empower and inspire Philadelphia’s youth by providing them with weekly drumming lessons and performing opportunities

Norris Square Neighborhood Project
To preserve local Latino culture in North Philadelphia by creating a sound booth to record stories that will be featured in podcasts

Orchestra 2001
To celebrate Dr. Martin Luther King Jr. by presenting a new concerto based on the civil rights leader’s life and featuring local performers

Partners for Sacred Places
To expand the capacity of the city’s theater community by providing a new space for theater designers and visual artists at a decommissioned church

Philadelphia Art Alliance
To re-imagine public space and civic life by organizing an all-night, free arts festival based on the Nuit Blanche/Bring to Light events in Paris, New York, Miami and other cities

Philadelphia Photo Arts Center
To encourage broader audience participation in the city’s visual arts by expanding “Philly Photo Day,” where the community is invited to take and submit a picture that is ultimately used in an exhibition

Philadelphia Theatre Company
To use the theater as a way to examine the United States’ education system with a work that actor/journalist Anna Deavere Smith will create during a two-year residency

Philadelphia Youth Media Collaborative
To support the emerging creative underground in Philadelphia by establishing a festival that highlights the next generation of filmmakers, visual artists, musicians and performers

Phillyjazz.org
To foster the development of local jazz artists by formalizing mentor relationships between established and younger musicians, where the elders teach life lessons, and emerging artists offer tips on using new media

RAIR, Inc.
To create awareness about sustainability through art and design by establishing a yearlong series of projects that allow local artists to experiment with recycled materials

Scribe Video Center
To explore the city’s relationship to mass transit by publicly displaying multiple digital video works in high traffic public sites

Sean Stoops
To support an innovative form of 3D storytelling by creating a series of outdoor video art events screened on local buildings

Sharon Torello
To engage younger audiences in classical music through the creation of a group with membership benefits that include discount ticketing and unique social gatherings

Sojourner Ahebee
To further cultural understanding by facilitating youth-led poetry workshops for Liberian teenage girls in Philadelphia and Liberia

Swim Pony Performing Arts
To weave the arts into the community by presenting revamped versions of plays in non-traditional spaces, including Eastern State Penitentiary and the Land Conservancy of Elkins Park

The Brothers Network
To introduce more diverse audiences to the performing arts by creating a multidisciplinary festival that features black male choreographers, filmmakers, actors, writers and composers

The Clay Studio
To explore the relevance of handmade ceramic objects in the 21st century by providing a handmade mug to people leaving coffee shops with disposable cups and encouraging them to post about their experiences on the Web

The Crossing
To introduce a wider audience to contemporary chamber music by establishing a series of new works designed specifically for a nontraditional venue – the recently restored Crane Arts’ Icebox

The Fabric Workshop and Museum 
To create a new sculpture series by artist Daniel Arsham at the museum that will debut along with a live performance and explore the boundaries between the galleries and theater

The Hacktory 
To promote the use of technology in the arts by developing a corps of interactive artist teachers who will share their knowledge and expertise in programming and engineering with Philadelphia artists

The University of the Arts
To promote economic stability for the city’s cultural community by offering support to emerging creative businesses with pre-seed funding, mentorships programs and workshops

The Village of Arts and Humanities
To develop young people’s awareness of the city’s vibrant cultural scene through interactive scavenger hunts led by local artists

The Wilma Theater
To enhance training for local actors by creating a series of master classes

University City District
To establish a new outlet for public art that showcases temporary installations to the city’s tens of thousands of daily commuters

Vic Reznik
To help promote the city’s cinematic identity by commissioning emerging filmmakers from Philadelphia to produce shorts for a new, local film festival

State of Young Philly has never looked better

If you want to know how young Philly's doing, let me sum it up for you: smart and good looking. From the highest reaches of government right down to our youngest up and comers, there's never been a more attractive bunch of people in charge.

The second annual State of Young Philly, convened by the all-volunteer Young Involved Philadelphia for a two-week run, was a series of six events designed to engage, connect and represent citizens. Targeting community engagement, education, sustainability and the creative economy, State of Young Philly drew close to 1,000 young professionals and representatives from over 50 organizations in the city, according to organizers. From the first packed event at World Cafe Live on Oct. 4 to the standing-room only crowd at the finale at The Gershman Y, the crowd was diverse in age and background and alike in its forward-thinking approach.

Claire Robertson-Kraft, Young Involved Philadelphia Board Chair, says, "When I first moved to Philadelphia just over a decade ago, I was initially struck by the negativity of the city. But the spirit in the discussions over the course of the past few weeks has been very different than that initial perception I got when I first moved here. Rather than focusing solely on what was in need of improvement, each of the discussions was as much about how to build on already existing innovation and assets the city has to offer."

Alain Joinville, Public Affairs Coordinator for the city's Department of Parks and Recreation and a Young Involved Philly board member, adds, "It was easier to get partnering organizations involved. The State of Young Philly series is the biggest and most audacious project our organization has undertaken in its 11-year history, and we did it pretty well last year, so we are seen as a credible organization in the eyes of the City's leaders and leading organizations."

Robertson-Kraft points to several initiatives that launched in the lead-up to this year's State of Young Philly: a local version of the online web portal Change By Us,a partnership with United Way to improve Philadelphia public education, entry into the Open Data Philly challenge, and social media hashtags #WhyILovePhilly and #PhillyArts.

But ultimately, the draw of State of Young Philly is the promise of doing good combined with a commitment to fun. Reports Robertson-Kraft, "Let’s just say that the after-party went into the late hours of the night. At all of our events, we strive to achieve that perfect balance of meaningful conversation and a good time."

It's a whole new take on a thousand points of light.

Source: Claire Robertson-Kraft, Young Involved Philly
Writer: Sue Spolan

As seen on TV: Danny's Guitar Shop of Narberth restrings marketing

Sometimes putting the cart before the horse works just fine. Danny's Guitar Shop began life as a media entity, morphed into a brick and mortar store on the Main Line, and now Danny's Guitar Shop is also the title of a new television show.

"It came to me in an epiphany six years ago," says Danny Gold, proprietor and host of the 30 minute series. "In the wasteland of cable TV, where there are whole stations about food, golf, and cars, there was nothing of substance about guitars." Sure, says Gold, there are plenty of performance videos and interviews with rock stars, but there's been no nutritional value about the instrument itself.

At that time, Gold was a rep for Fender, and saw a marketing opportunity in a media product. With the help of Bruce Warren, Gold created the radio series Danny's Guitar Shop for WXPN more than two years ago. While the budget starved series came to an end after four episodes, in its ashes rose the actual guitar shop in downtown Narberth, a bustling location that offers personal service, lots of lessons, and corny jokes to the Main Line and beyond. It's the only store of its kind for miles.

That quirky personality has been translated to the boob tube, thanks to the creative production team of videographer Ron Stanford and sound recording engineer Larry Friedman. "Danny is a natural," says Stanford. "He's able to speak in complete sentences in front of a camera."

Rather than make sizzle reels until the end of time, says Stanford, the team opted to create a complete 30-minute show, starting with a VIP tour of nearby Nazareth, Pa.'s Martin Guitar factory. "It gives the viewer a real insider's glimpse," says Gold. "It's a privileged look inside the world of music that's appealing to music geeks as well as a general audience." Stanford and Gold's proudest accomplishment is the new episode featuring a talk with Wilmington, Del.'s David Bromberg, whom Gold calls the popular kid on the block.

The series now airs on the web and on the Lenfest owned WMCN, also known as Get It On TV. It's got four sponsors: Old City Publishing, Union Transfer, Onion Flats and Yards Brewing. "We're responsible for filling the whole 28:30," says Stanford. It's like old time TV."

As it is, the team, which donates labor, goes so far as to create ads for those sponsors. "Our goal is to become an economically viable TV series," says Stanford. "It's a chicken and egg thing. No one will believe it until they see it on the air."

With three already in the can, eleven more shows are slated for this first season. You can catch Danny's Guitar Shop on Saturdays at 6:30 p.m. beginning Oct.1 on WMCN, which is carried on cable stations from the Jersey shore to Reading. 

Source: Danny Gold, Ron Stanford, Danny's Guitar Shop
Writer: Sue Spolan
 

HIRING: Kimmel Center looks for Community Engagement Manager to grow Education Program

Because of its size, location and breadth of activity, it's hard to believe that the Kimmel Center has only been part of Philadelphia's arts and culture landscape for 10 years.

Beyond all the first-class performers and performances featured at the Kimmel, one of its best-kept secrets is its Education Program, which has grown steadily through the last several years. It now serves more than 7,000 local youth of all skill levels and socioeconomic backgrounds, according to the Kimmel's Director of Education Julia Lopez.

"There's so much more we can do," says Lopez.

The Kimmel is hiring a Community Engagement Manager to help grow its Education Program. The successful candidate ill be critical to the development of community engagement strategies to support long-term relationships with a "diverse intersection of Philadelphia-area communities."

Part of that includes aligning the Education Program with select performances at the Kimmel. Experience in community organizing and cross-cultural competency is key.

Send cover letters and resumes to the Kimmel, 260 S. Broad St., Philadelphia, PA 19102, or email [email protected].

Source: Julia Lopez, Kimmel Center
Writer: Joe Petrucci

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Hella Favela: Brazil style set to paint our town

Giant koi swimming up 13th Street? Believe it. The Favela Painters are coming to Philadelphia. In mid-September, Jeroen Koolhaas and Dre Urhahn, better known as the team Haas&Hahn, arrive here for a major public art project that spans three Philadelphia neighborhoods, trains countless new artists and brings a bit of Brazil to the city.

Favela is the term used for the slums of Rio de Janiero, lawless places ruled by criminal syndicates. Over the past five years, Haas&Hahn have transformed the walls and streets of these mountainside neighborhoods that loom over downtown Rio. Outrageous color and imagery, visible from all parts of the city, have transformed trash strewn chaotic areas into internationally renowned public art galleries.

Now the Favela Painters are set to transform Philadelphia, and the location of their work will be in some pretty high profile places: the 13th Street corridor owned by Goldman Properties in Center City; in North Philadelphia at Lehigh and Germantown Avenues, near The Village of Arts and Humanities (where Haas&Hahn will reside during the project); and in Manayunk, on old industrial buildings facing Interstate 76.

Funding, which is budgeted at just under $500,000 for the three-part project, comes from The Knight Foundation, The U.S. Department of Commerce, Goldman Properties and The Manayunk Development Corporation.

The teams that will work on the project will be trained by the Haas&Hahn guild. "People who don't have a lot of opportunities will be able to work with international artists," says Golden, who describes the artists' philosophy as a model for passing knowledge on. "What's the test of a good project? The shifting perspectives of people who made the art and people who live with it."

This will be the first permanent U.S. project for Haas&Hahn, who also created an installation for Art Basel Miami in 2010. Jane Golden, Executive Director of the Mural Arts Program in Philadelphia, met the Favela painters through hip hop art consultant Todd Bressi, who brought Haas&Hahn to Miami. Bressi is a lecturer at The University of Pennsylvania and also worked on the Philadelphia Airport Gateway Project.

Golden says Haas&Hahn are on MAP's dream list of artists. "We're philosophically aligned. They're colorists with a background in architecture," says Golden. Kickoff is September 27 with a welcome reception. The entire project is set to last 18 months, including training and pop-up studios throughout the city. At its conclusion, a major exhibition is planned, which will also span Philadelphia and is slated for late 2013 to early 2014.

Source: Jane Golden, Philadelphia Mural Arts Program
Writer: Sue Spolan

All geeked up: Inaugural Philadelphia Geek Awards gets nuts

The thing that surprised Eric Smith the most about the first annual Philadelphia Geek Awards wasn't the guy who accepted his honor in a fox head costume. It wasn't the sold out crowd of over 400 who packed the Academy of Natural Sciences auditorium last Friday night. It was the negative feedback from folks who were upset by who was left out. "It shows that people were invested and care about what we're doing," Smith reflected after a good night's sleep. "It was supposed to be something mostly for fun, but it got a lot more serious." In the two weeks leading up to the Awards, Smith says press coverage blew up, and tickets disappeared.

The Geek Awards, the brainchild of Smith, Tim Quirino and Michelangelo Ilagan, who make up the staff of Geekadelphia ("A Guide to Everything Geek in the City of Brotherly Love"), were by all measures a total success. Sponsored by a host of local organizations including The Academy of Natural Sciences, who provided the venue free of charge, along with Drink Philly and National Mechanics who donated food and beverages, the event celebrated dozens of the city's technological finest, with just under twenty categories, from Best New Blog (a tie between DrinkPhilly and Naked Philly; the latter wore the fox head) to Outstanding Achievement in Fashion & Lifestyle, which is not the first attribute that comes to mind in the geek world, but Philly happens to have some very hip and good looking techies. Cadence Wrist Watch Company, home of the 4-bit, 4:20 and Wrist Rocket models, won that title.

"It was always something Tim and I wanted to do," says Smith of the awards. "We have all these great awards in Philly, but nothing for geeks." Let's just say that PriceWaterhouseCoopers did not oversee the process. Smith and cohorts at Geekadelphia designed the ceremony and chose categories, nominees and winners (with a little help from friends like Alex Hillman of Indy Hall). Next year the Geek Awards will be even more inclusive and probably a lot more serious, with spots for scientists, web developers and programmers.

Following his moment in the spotlight and cheering crowds, Smith returns to his day job at the Philadelphia based Quirk Books, which turns out bestsellers including Pride and Prejudice and Zombies and Miss Peregrine's Home for Peculiar Children, as well as the aptly titled Geeky Dreamboats.

Source: Eric Smith, Philadelphia Geek Awards
Writer: Sue Spolan

Sam Katz's big party plans: USA250, to celebrate nation, begins in Philly

Lollapalooza meets SXSW meets Burning Man, with a side order of life, liberty and the pursuit of happiness. In the first of many brainstorming sessions to shape the identity of the 250th anniversary of the signing of the Declaration of Independence, creative ideas were flying.

Celebrating the passage of time since 1776 is a big project, so Sam Katz is starting with plenty of lead time. Fifteen years, to be exact. The three-time mayoral hopeful has turned his ambitions toward creating a national extravaganza branded as USA250, based in Philadelphia but celebrating the whole country, with the world as an audience. The idea merges with Katz's work as a documentarian. His new 30-minute film Philadelphia: the Great Experiment, is the first installment in what Katz hopes will become a series about the 400 year history of the city. Part one covers 1865-76.

In short order, the idea sprung to life from three highly involved Philadelphians -- Greg Heller, Job Itzkowitz, and Andrew Hohns. Now with a 501c3 non-profit group dedicated to USA250, the group is holding a series of idea gathering sessions with folks who will likely be around in 15 years to see the idea to fruition.

At a conference room in a Center City high rise, about a dozen of the city's brightest and most outspoken gathered to explore Katz's concept. While it will not be possible to recreate the 1876 Centennial celebration that attracted an international audience to Philadelphia, the group hopes to capture some of the spectacle and pomp of that event. "We want to promote, advocate, conceptualize and collaborate in the lead up to July 4, 2026," says CEO Katz, asking those gathered to use social media and email for outreach and spreading the word.

Katz plans on asking hundreds of people for their opinions on the nature of the USA250 celebration, which will have its own website and Facebook page, and is already making an appearance as the hashtag #USA250 on twitter.

What would you suggest if you could design USA250? Would you concentrate on diversity, the arts, democracy, history, technology or a caravan that travels across the United States gathering stories? The field is wide open to suggestions, and it could be your idea that makes millions in tourism dollars. By the way, Katz says he isn't planning on running for office again. Anytime soon.

Source: Sam Katz, USA250
Writer: Sue Spolan

University City locavores on display for Dining Days

University City's story of urban renewal, job creation and international talent is well-told. In a few short years, the 20 by 16 block, 2.5 square mile neighborhood has blossomed into a hub for culture and technology, with business and creative communities growing in tandem. One benchmark is fast growth in the food world, where five of The Food Trust's 40 area farmer's markets operate. For example, the Clark Park farmer's market has grown 30 percent since 2005 and has expanded from Friday afternoons when it began in 1998 to two days a week and year-round.

Another example can be found right now in University City Dining Days. An expected 26,000 patrons of 29 restaurants will eat the fruit of world class chefs like Garces and Flay for under $30. There's been a 20% increase in full service restaurants in the neighborhood in the past three years.

Philly Homegrown turns a sharp focus on all the awesome food on offer round these parts, and considers University City to be at the top of the locavore list, as the area provides a concentrated look at what can happen when people take farm to table very seriously. "West Philly is particularly rich in chefs and consumers who care about food," says Donna Schorr of the GPTMC.

UC menus tend toward locally grown and sourced items, and chefs may be found perusing the goods at Clark Park, where thousands flock weekly and even includes food trucks Honest Tom's and Guapos Tacos, which was recently renovated and sports bright orange furniture.

"It's a good source of revenue for small to medium family farms," says the Food Trust's Nick Uy, noting his organization charges vendors just $35 per stand.

There's an explosion of activity west of the Schuylkill, according to UC District Communications Manager Mark Christman, with tourism friendly Sustainable Saturdays and Farm to Table Trolley Tours; as well as neighborhood boosters like the Clean & Safe Program which employs 80 people who function as West Philly ambassadors, and the West Philadelphia Skills Initiative, now in its second year providing employment for local high school students.

Source: Nicky Uy, Food Trust; Mark Christman, UC District; Donna Schorr, GPTMC/Philly Homegrown
Writer: Sue Spolan

New Campus Philly program looks to extend the summer job to full-time

A college internship can be the first step to landing a full time job. Tonight, Campus Philly launches My Philly Summer, a new program to convert the city's summer talent into full time employees. The initiative is a kind of career alchemy that mixes equal parts fun and networking in the city's coolest neighborhoods.

Deborah Diamond, President of Campus Philly, says, "It seemed like a lost opportunity to have interns living and working here and no one to show them all the fun." My Philly Summer provides a place to make great contacts and even land a full time job.

My Philly Summer 2011 is a trio of events designed to thrill and captivate the newest members of the city's workforce. WHYY, Deloitte, Independence Blue Cross, TD Bank, the Mayor's Office and NFL Films are supplying a total of 125 interns.

Tonight, June 28, My Philly Summer kicks off at North Bowl Lounge & Lanes on Second Street in Northern Liberties. In attendance will be local luminaries to share their career experiences. The roster includes Tayyib Smith, publisher of two.one.five magazine and founder of ad agency Little Giant Media; Alex Hillman, co-founder of Indy Hall and an accomplished developer behind the blog Dangerously Awesome; and Alan Joinville from the professional network Young Involved Philadelphia.

The event runs from 5:30 to 7:30 p.m., and Campus Philly is running a free shuttle starting at 5 from 15th and JFK Boulevard. Guests are required to RSVP. Free food and soft drinks will be on offer.

In July, My Philly Summer goes south to The Navy Yard for a tour and party featuring special guest Mayor Michael Nutter, and in August, party people take over Eastern State Penitentiary for a tour and talk about the city's arts and culture.

The only similar program in the United States is in Memphis, says Diamond, where young professionals are treated to The Summer Experience. Campus Philly was in touch with that program's organizers to shape Philadelphia's series.

Funding for My Philly Summer 2011 comes from Campus Philly's general operating budget, which is supported by its 26 college partners and the City of Philadelphia. The events are completely free for both interns and employers.

Source: Deborah Diamond, My Campus Philly
Writer: Sue Spolan


A Place to Call Home: Urban renewal in Mantua through new Mural Arts multimedia project

A new hybrid temporary and permanent public art installation has transformed an entire city block in the Mantua section of Philadelphia. A Place to Call Home, a project of the Philadelphia Mural Arts Program, is a multimedia presentation that culminates at 3828 Melon Street.
Over 200 people showed up for last week's dedication of A Place to Call Home, which addresses the specific issue of homeless youth.

While there are about a thousand children without a permanent address in the city, Mural Arts Executive Director Jane Golden says, "We don't think about these kids, hiding in plain sight. They experience tremendous problems when they're not able to feel a sense of security."

A Place to Call Home is actually divided into three parts: Pathway to The Art House is a series of small murals, executed by Shira Walinsky, adorning neighborhood walls, pointing to the 3800 block of Melon. That entire block has been transformed through a Community Mural by artists Ernel Martinez, Damon Reaves, and dozens of schoolchildren who painted house facades in a rainbow of colors. Finally, The Art House, located at 3828 Melon, is a site specific installation in which each room of a formerly abandoned house holds a different art work. In the front room, walls, table and chairs are adorned with thousands of words derived from youth stories.

Elisabeth Perez-Luna of WHYY created a sound mural for the house. "It was an eye opener for me," says Perez-Luna, who conducted 20 interviews with kids who live in what she terms a parallel world, invisible to many.

Guests are welcome to wander the premises and gaze upon the overgrown back yard from an open doorway in the kitchen. "I like the concept of each room of a house affecting the whole, each family member affecting the whole, and ultimately the whole house being affected by the outside world," says artist Shira Walinsky.

Free to the public, Art House Tours will be held on the afternoons of Friday June 24 and Saturday June 25. At the end of the exhibit, the Art House will be renovated for residential use.

Source: Jane Golden, Shira Walinsky, Mural Arts Program; Elisabeth Perez-Luna, WHYY
Writer: Sue Spolan

A mobile app brings the dead to life at West Laurel Hill Cemetery

Eternity just got a little longer and a lot more powerful, thanks to a new Android app. West Laurel Hill Cemetery in Bala Cynwyd has launched an interactive cemetery guide designed to run on the Samsung Galaxy tablet. It's a pilot program designed by WebCemeteries, and the first of its kind in the country. West Laurel Hill and its cross-river predecessor Laurel Hill have always been ahead of the times. Back in the 1800s, founder John Jay Smith envisioned a rural burial ground, away from the city. Before Laurel Hill, the only option for burial was in a churchyard. In 1836 and in 1869, Smith built havens for the heavenly in Laurel Hill and West Laurel Hill, creating verdant spaces that attracted families out for a Sunday picnic. There was even a train that stopped directly at West Laurel Hill for just such visits.

The idea of creating a non-denominational park setting for the dead caught on like wildfire in the 19th century. And then cemeteries pretty much remained the same. The great majority of memorial parks still do business on paper. West Laurel Hill has broken new ground in other ways, creating a scattering garden for loved ones' ashes, a green burial section, and a soon to be opened Jewish section. "We're proud of the fact that West Laurel Hill embraces new trends," says Deborah Cassidy, the cemetery's Marketing Manager. Working with WebCemeteries of Virginville, Berks County, on the mobile app, visitors can access photos, video, text and other information graveside. There is a built in GPS to keep you on track. Additionally, says Cassidy, the app will increase efficiency internally, allowing the office to go paperless.

There are a lot of famous Philadelphians buried at West Laurel Hill. So far, says Cassidy, about 25 of the cemetery's permanent residents are featured on the app. Videos were produced by Gillian Hurt of GH Video Communications, a Bala Cynwyd based production company. Preview some of Hurt's West Laurel Hill videos on architect Horace Trumbauer, hat magnate John B. Stetson, and Dr. John Thompson Dorrance of Campbell's Soup.

For now, visitors to the cemetery can check out one of six tablets running the app; Cassidy says plans are underway to release the smartphone tour as a paid app to the general public in the next six months.

Source: Deborah Cassidy, West Laurel Hill Cemetery
Writer: Sue Spolan

Sweet sound: Pew awards nearly $700K to local music groups

Money makes music sound so much sweeter. The Pew Center for Arts & Heritage has awarded 10 area recipients a total of $664,500 through the 2011 Philadelphia Music Project.

This year, Pew chose a diverse roster of performers with a common theme of creating connections. "You have everything from spirituals, to Irish music, to Indian music, to spectral music, which is one of the more hermetic forms of composition," says Paula Marincola, Executive Director for The Pew Center for Arts & Heritage. "These projects will reach so many different kinds of audiences. It is an expression of the strength of the Philadelphia music scene."

The Crossing, a South Philadelphia choir, will use its $70,000 grant to fund The Gulf (between you and me), for which three composers write choral works based on the poetry of French-American writer Pierre Joris, accompanied by ambient sound gathered at the Gulf of Mexico. Astral Artists, a 2009 PMP recipient, got a $70,000 award this time around for Spiritual Voyages, a project that showcases the work of African American composers Alvin Singleton, David Sanford, and Evelyn Curenton. Tracy Segal, Development Director for Astral Artists, says that getting the grant was a rigorous process that began in the fall of last year. "It's a very rewarding grant, and a lot of work to put the proposal together," says Segal, who cites new guidelines rolled out this year.

The Spoken Hand Percussion Orchestra gets a Pew nod for its collaboration with the vocal group Philip Hamilton's Voices at The Painted Bride Art Center. The drum ensemble and chorus will use its $70,000 grant to create four public performances along with a residency at Philadelphia's Creative and Performing Arts High School.

The newly renovated Rodin Museum will host a performance of work from French composers Tristan Murail and Philippe Hurel, who use Rodin's sculptures as inspiration for their spectral music. The actual grantee is The Philadelphia Museum of Art, where audiences will preview the compositions during its weekly Art After 5 series.

Other recipients include Sruti, the India Music and Dance Society, The Philadelphia Ceili Group, which performs traditional Irish music, and Bobby Zankel's 16 member jazz orchestra Warriors of the Wonderful Sound, featuring the work of Muhal Richard Abrams.

Source: Paula Marincola, Pew Center for Arts & Heritage; Tracy Segal, Astral Artists
Writer: Sue Spolan


Academy of Natural Sciences and Drexel announce historic partnership

Sixteen tons of dinosaur bones. Let's start in a lab somewhere in the vast reaches of the Academy of Natural Sciences. Drexel University paleontology professor Kenneth Lacovara has been using the Academy's research facilities for over a decade.

The Academy of Natural Sciences and Drexel University have announced that they are joining forces. Pending approval of both boards, the Parkway stalwart will henceforth be known as The Academy of Natural Sciences of Drexel University.

Drexel will take over management of the Academy's $61 million endowment. It is an innovative strategy that could set a standard for institutional partnerships nationwide, says Gary Steuer, head of Arts, Culture and Creative Economy for the City of Philadelphia. Compared to its West Philadelphia neighbor Penn, Drexel has not had signature cultural facilities, adds Steuer.

In what Lacovara terms a win all around, leveraging scientific assets at both institutions, students and faculty at Drexel will have access to one of the greatest science collections, rated top-10 worldwide, and the museum will have access to Drexel's growing Media Arts and Design school to enhance exhibit design. Lacovara points to grad student Evan Boucher who digitally reconstructed and animated a 65 million year-old crocodile whose bones were discovered right across the Delaware in Sewell, N.J.

The Academy is "much more than a place for school trips," says Steuer, who views the Drexel/ANSP partnership as marrying a 19th century museum with forward thinking technological creativity.

Source: Ken Lacovara, PhD, Drexel University; Gary Steuer, City of Philadelphia
Writer: Sue Spolan

Lights, Camera, Ice Cream: Little Baby's rides into East Kensington

It's mobile punk rock ice cream with the cutest darn name. Little Baby's is pedaling into Philadelphia, courtesy of three guys who approach the creamery craft like a rousing cymbal crash. Little Baby's makes its debut on May 21, when the fledgling company rolls out its custom built multimedia tricycle at The Kensington Kinetic Sculpture Derby, a fitting location for what is sure to be a steampunk delivery system complete with music, lights and an ingenious regulatory-compliant system that provides hot running water, created by local sculptor Jordan Griska.

Little Baby's flavor roster reads more like a set list for a show, with options that include Earl Grey Sriracha, Balsamic Banana and Cardamom Caramel. And that makes sense, since co-founders Pete Angevine, Martin Brown and Jeffrey Ziga are musicians and artists, not formally trained chefs.

"It's been mind over matter," says Angevine, who is also a drummer. "It's a strange, engaging, intriguing kind of fun."

Based in East Kensington, Little Baby's is already generating buzz, with articles in Zagat's, Meal Ticket and Thrillist. The fledgling outfit has a loose agreement with Pizza Brain, which will provide storage for Little Baby's full offering of twelve to fifteen flavors. At any given time, the Little Baby's trike will offer 6 of those flavors on a rotating basis. Little Baby's will also set up at private parties and events, tricycle optional. And Angevine reports that Green Aisle Grocery, on East Passyunk Avenue, will carry the frozen confection if you need your fix and the trike's not out and about. For up to the minute info on Little Baby's whereabouts, check them out on Twitter and Facebook.

Source: Pete Angevine, Little Baby's Ice Cream
Writer: Sue Spolan

Gallery owner plants seeds of revitalization on Norris Square

Betsy Casanas is planting seeds in North Philadelphia. Using art as a catalyst for social change, Casanas has opened A Seed On Diamond Gallery on Norris Square. This past weekend, Casanas opened the gallery to the public with a show featuring two Philadelphia artists: Spot Lights Strobe Lights Street Lights is a multimedia work by Daniel Petraitiis, and H.O.O.F., Horse Owners of Fairmount, photography from Amanda Stevenson.

Norris Square is not your typical Philly arts destination, yet if you look on a map, Casanas' gallery is in an area surrounded by urban renewal, with Kensington to the east, Temple University to the west, and Fishtown to the south. Casanas, a muralist, teacher and community gardener, also co-founded Semilla Arts Initiative. "We've been taking over areas that have been neglected and abandoned," says Casanas, who along with fellow artist Pedro Ospina creates cultural celebrations, urban clean up projects, after school programs and student run community gardens. "I've lived in North Philly all my life," says Casanas, who was born at 4th and Somerset, an area unaffectionately dubbed the Badlands, with some of the highest crime rates in the city. Casanas got her degree from Moore College of Art and was the first in her family to graduate college.

A Seed on Diamond is housed in a formerly grand home overlooking Norris Square. Casanas and her two home schooled children live upstairs. "I was able to convert the first floor into gallery space," explains Casanas. Casanas neighborhood experience forms the basis for all her work. "I was painting when I was 14 and no longer allowed outside," explains Casanas, whose paintings are on a massive scale, sometimes stretching 13 feet in height.

Casanas is planning live events at A Seed on Diamond, and along with gallery shows, is bringing a new crowd to a formerly forgotten neighborhood.

Source: Betsy Casanas, A Seed on Diamond Gallery
Writer: Sue Spolan
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