Fairmount / Art Museum : In The News

The Times checks out multiple exhibits showcasing African art across Philadelphia, finding plenty to like.

People talk about Africa as if it were a unitary thing, one culture, one mind, which it’s not. That’s my only problem with “Creative Africa,” at the Philadelphia Museum of Art, and my complaint stops with the title. The project itself, a set of five small, tight, concurrent exhibitions of African material, is richly textured, and in one case sensational.

Add to it a fine survey of work by the Afro-Caribbean conceptualist Nari Ward at the nearby Barnes Foundation, and the foundation’s pioneering and under-known collection of “classical” African sculpture, and this city can lay claim to being in the middle of a full-fledged African art summer...

One show in particular draws praise. 

Cultural tides move in many directions, and Africa gets as much as it gives. It got something fabulous when, a century or so ago, a modest Dutch textile manufacturer began sending brilliantly colored and patterned fabrics its way. This story is told in “Vlisco: African Fashion on a Global Stage,” by far the most vivacious of the “Creative Africa” shows. Vlisco is the modern name of the company, which is in the Netherlands and still producing wax-printed fabric styles so closely associated with West African and Central African fashion that most people assume that they are African-made...

It’s a terrific display. And to top it off, a platform in the center of the room is crowded with mannequins dressed in couture made from such fabrics by some of Africa’s top fashion designers: Lanre da Silva Ajayi, Leonie Amangoua, Pepita Djoffon, Josephine Memel and Ruhimbasa Nyenyezi Seraphine, with Philadelphia’s Ikire Jones thrown in.

Original source: The New York Times
Read the complete story here. 

All 10,000 bulbs are being replaced for the first time since the site went LED in 2005.

"We have every intention to get it done before the Democratic National Convention," Barry Bessler, chief of staff of the parks and facilities division of the city's Parks and Recreation Department, told the Philadelphia Business Journal.

"That's a tremendous Philadelphia icon, and we want it to look its best with all these people coming to town," Bessler said.
The Fairmount Park Conservancy is supplying the money for the endeavor. Bessler said "it's going to be a significant investment," but he could not confirm the total financial cost. Reliable sources, however, place it at an estimated $500,000...

The intensity of the LED lights will be significantly brighter than it is now, Bessler said, without using more wattage.

"That's a nice feature of the upgrade in technology," he said. "We will get a much brighter appearance without any more electricity."

Original source: Philadelphia Business Journal
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The historic site is now engaging with the present via a new exhibit, "Prisons Today: Questions in the Age of Mass Incarceration."

Philadelphia's Eastern State Penitentiary opened in 1829 with the belief that criminals could redeem themselves, and it was cruel to crowd or mistreat them. The only light came from the skylight in the vaulted ceiling, sending the message that only the light of God and hard work could lead to reform.

By the 1930s, space meant to house 300 inmates instead held 2,000. By 1970, the year Eastern State closed, punishment was its primary mission.

Now, in a transformation that began modestly a few years ago, the penitentiary that housed such notorious criminals as gangster Al Capone and bank robber "Slick Willie" Sutton is completing a retooling of its programming to place a major focus on growing questions about the effectiveness of America's prison system.

"Prisons Today: Questions in the Age of Mass Incarceration," an exhibit opening next month in workshops alongside one of the cellblocks, lets visitors know that the U.S. has the world's highest known percentage of incarcerated citizens. It also highlights large racial disparities in prison populations and the toll mass incarceration has taken on minority communities.

"Five years ago, I would have told you visitors didn't want to hear about this, that it would make them uncomfortable. They'd take this as being political, they'd be offended or they'd think we were trying to drive a political agenda," said Sean Kelley, exhibit curator for the nonprofit that has run the museum since 2001. "At every turn, we've been proven wrong."

Original source: Associated Press
Read the complete story here. 

This year, the Pennsylvania Horticultural Society will install three -- three!! -- of their wildly popular beer gardens. The transformation of these vacant lots is fast becoming a Philly tradition. Check out the full scoop from Foobooz:

Last year's South Street beer garden will return to 1438 South Street. This season will feature "Bohemian flair" as designed by designer Karen Regan of Tallulah & Bird. This year, the South Street beer garden will include wooden trellis, container gardens, large palm and banana trees and Jack-in-the-pulpit relatives that will rise five-feet tall. The space will also offer public and private spaces, a first for a PHS pop-up garden. Look for beers from Barren Hill Brewery to be offered throughout the summer. Barren Hill will also work with Wyndridge Farm, creator of PHS Cider on an exclusive beer for the garden.

The South Philadelphia location has landed at 9th and Wharton, opposite Cheesesteak Vegas. The look here will be an urban garden with a "hipster vibe." Look for recycled bike parts and reclaimed wood. A splash of color provided by a wave of Gomphrena Fireworks will spice up the beer garden. The spot will offer bean-baggy furnishings and a return of the popular stepped stadium seating that was so popular on Broad Street in 2013. Food and drink will be provided by Royal Tavern and Cantina Los Caballitos and will also borrow from the Italian flavors of the neighborhood.
The third location will be in the courtyard of Three Logan Square at 18th and Cherry Streets. Sure to be a gathering place for

Comcast employees and other Center City office workers. This space is being designed by Sargenti Architecture, a local firm. The vibe here should be beachy with sand around the fountain and palm trees, honey locusts, whispygrasses and lush tropicals dotting the area. A wood deck, white furnishings and cabanas for lounging will make this an attractive spot during the day and after work. Food and drink will be provided by City Tap House across the street.

Original source: Philadelphia Magazine
Read the complete story here. 

Recently discovered sketches by a master will be displayed at the Barnes Foundation on the Parkway. 

A pair of previously unknown sketches by Paul Cezanne will be displayed in Philadelphia following their recent discovery on the backs of two watercolors.

They'll be on view at the Barnes Foundation in double-sided frames, with both sides visible, from Friday through May 18. One sketch is in graphite, the other in watercolor.

The art institution says the images were uncovered during conservation work on two Cezanne paintings depicting the landscape of southern France.

Officials say the sketches haven't been seen since at least the early 20th century.

Original source: The New York Times
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After an exhaustive search, the shifting Philly institution has found a new leader.

The Barnes Foundation — now in its third year in its gleaming new home in downtown Philadelphia after a contentious relocation — announced on Wednesday that it had chosen Thomas Collins, a longtime museum leader and curator, to become its new executive director and president after a search of almost a year.

Mr. Collins, known as Thom, has served for nearly five years as director of the Pérez Art Museum Miami, previously known as the Miami Art Museum and renamed in 2012 to recognize a multimillion-dollar gift of art and cash from the developer Jorge M. Pérez. Under Mr. Collins’s leadership, the museum constructed a new building designed by the firm Herzog & de Meuron that opened in December 2013 and attracted 300,000 visitors in its first year, far exceeding expectations...

Asked his opinion about the Barnes’s relocation from the suburb of Merion — permitted in a 2004 court decision that circumvented the charter and bylaws of Barnes, who had stipulated that his collection could not be lent, sold or moved from its original home — Mr. Collins said: “To me it seems like an unqualified success. I have no reservations now about it at all, and I wouldn’t be going there if I did.”

Original source: The New York Times
Read the complete story here.

The relentless cold and snow has had a big impact on small businesses, including those in Philadelphia.

At London Grill, a restaurant in the Fairmount section of Philadelphia, revenue is down 10 percent more than in the usual January slump, said Terry Berch McNally, a co-owner. But weather can also be fickle: On Thursday, just as Ms. McNally was fretting about whether her Valentine’s Day bookings would fall through, the afternoon brought twice as many drinkers as usual because local employers had closed early.

When weather strikes repeatedly, losses can build up. Valentine’s Day was blissfully sunny, putting an end to the immediate worries of both Ms. McNally, who got a flurry of last-minute reservations, and Susan McKee, at Old City Flowers in Philadelphia.

Thankfully, Ms. McKee said, the biggest day of the year for florists would not be a bust. But her revenue for 2014 is down about half from what it would usually be. Inventory has been hard to get because of grounded planes. Walk-in sales have been slow.

“It’s crushing me,” she said on Thursday, when Philly was blanketed by snow and ice. “I have thousands of dollars invested in perishable gorgeous flowers that I can’t get anywhere. I have three trucks parked outside the store, and I can’t move the trucks. This day is lost. There was no revenue today.”

Orginal source: The New York Times
Read the complete story here.

Postgreen Homes is teaming up with Equinox Management & Construction LLC to build the Folsom Powerhouse, a 31-unit mixed-income green housing project in Francisville.

Postgreen and Equinox are also aided by ISA Architects, who designed the project, and Studio Bryan Hanes, who is responsible for the landscaping. The development will feature energy efficient design, with solar power, green roof technology and advanced storm water management practices. It’s proximity to public transit, nearby shops and the Francisville community center will give residents great access to amenities and necessities.

"Our proposal adapted Folsom’s fabric and the City’s best practices in urban planning," explained Chad Ludeman, President of Postgreen Homes. "The Powerhouse name is indicative of our commitment to extreme energy efficiency, giving residents the power to live with community and environmental consciousness in mind."

Original source: Inhabitat
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The New York Times shines a light on an exhibition of outsider art at the Philadelphia Museum of Art. "Great and Mighty Things: Outsider Art From the Jill and Sheldon Bonovitz Collection," celebrates the impending donation of the collection to the museum.

To a man, and a woman, the artists in the Bonovitz collection all made some form of magic whose power and urgency throw down a gauntlet, especially considering much of what passes for contemporary art these days. Sometimes they responded to their everyday surroundings. That’s the case with the shadowy drawings and angular constructions fashioned from soot, spit, string and cardboard with which Castle, who could neither hear nor speak, recorded the rough life on his family’s farm in rural Idaho. It’s also true of the sharp, prancing silhouettes with which Traylor expressed his amusement at the human comedy of African-American life in the South.

The show runs through June 9.

The national food blog Eater -- which also has a local chapter, Eater Philly -- recently released a list of the "25 Hottest Burgers in America Right Now." Hickory Lane and Spot Gourmet (a food truck!) made the cut. This description of Hickory Lane's entry has us drooling.

Former Rouge chef Matt Zagorski is cooking really nice food at this Fairmount Avenue restaurant. But the burger, as critic Craig Laban will tell you, is the way to go: "10 ounces of custom-ground brisket, filet, and deckle, seared to a cast-iron crisp and then snugged in the embrace of a brioche bun between delicate folds of bibb lettuce and a molten lid of tangy Cabot cheddar. It’s hard to imagine a burger this tasty as a burden. Then again, it’s so good that it’s also become clear: No change of scenery or molecular tricks will ever let Zagorski truly escape. The power of his patty is simply the best reason to visit Hickory Lane."

Original source: Eater
Read the full list here.

According to Redfin, the next hot neighborhoods in the Philadelphia area will be...drumroll...Phoenixville, Brewerytown and our very own #ontheground home West Germantown.

West Germantown is a historic neighborhood that went from riches to rags. It was once the sought after destination by aristocrats, but its large stone homes sat dilapidated for years when the money left. Now these beautiful dwellings on both sides of Johnson Street are slowly and steadily being renovated.

Original Source: Redfin (via Curbed Philly)
To see the complete list, click here. 

The American Institute of Architects (AIA) might not have a specific category in its Honor Awards for sustainability, but the organization's Architect Magazine culled through the awardees to note the greenest efforts of the year. Standouts included the Barnes Foundation in Philadelphia.

Perhaps it's possible to read the lack of a sustainable design category for the Honor Awards a different way. Because sustainable design is the architectural obligation that Piano describes, then it's a given that sustainability will be a feature of prominent projects—or it should be a given, for architects and clients alike. Arguably, all of the Honor Award designs feature some green features. Nevertheless, sustainability helped some projects win out in their Honor Award categories more than others. So here is a list of the top projects in part because they emphasized sustainability.

Original source: Architect Magazine
Read the complete story here.