Media : Innovation + Job News

You've got your art. You've got your school. Put them together for a new kind of art happening called Experiential, Environmental, Educational. Opening this Thursday, April 14 at 6 p.m., a floor of classrooms plus the coatroom of a 19th century schoolhouse will offer a wide range of immersive environments, each discrete space representing a different artist's vision. Participants are curator Jerry Kaba, along with C. Pazia Mannella, Daniel Ostrov, Jacque Liu, Jessie Hemmons, Joanie Turbek, Katya Gorker, Mike Ellyson, Ryan W. Kelly, and Tim Eads.

Kaba, who holds an MFA from Tyler School of Art, admits the title is a mouthful, but he wanted to come up with a large enough umbrella for the concept that's been in his head for several months. The Old School Studios, an ornate Victorian red brick building constructed in 1891, has been purchased by David Gleeson, Richard Hricko and Nicholas Kripal, owners of the nearby Crane Arts Building. It's an extension of the artists' community at the former warehouse.

Kaba envisions a carnival-esque feeling at Experiential, Environmental, Educational, with what he calls active installations. Each room will provide an entirely new experience. In some rooms, there will be performance, and in others, video. Outside, yarnbomber Jessie Hemmons will be adorning the wrought iron front gates with hundreds of hot pink pom-poms.

"I like to bring people in with a playful theme, then give them something more serious to consider," says Kaba. "The people in this show are working like that. There's a degree of humor with more serious undertones." Ryan W. Kelly, whom Kaba terms a master of papier mache, is constructing a giant Teddy Roosevelt head and teddy bear. This levity is contrasted with Pazia Mannella's installation and performance "Indulgences," based on a harrowing experience in which she was locked in a Catholic school coatroom as child. And if you are looking for strange things to pick from trees, check out Joanie Turbek's 8-foot tall porcelain tree. For a small fee, you will be able to take home an object hanging from its cold white branches.

If you miss Thursday's opening, Kaba is happy to arrange viewings by appointment. He expects the show to run for about a month, depending on how soon permanent tenants start moving into the Old School Studios.

Source: Jerry Kaba, Experiential, Environmental, Educational
Writer: Sue Spolan

Dan Schimmel's head might be in augmented reality, but the picture is pretty clear to him.

"Right now there's a giant, 100 foot squid hovering over the falls at Boat House Row," says the director of Breadboard, the art and technology program at Science Center that oversees the Esther Klein Gallery. Breadboard is participating in the Philadelphia International Festival of the Arts (PIFA) with the free citywide VPAP@PIFA, the Virtual Public Art Project. Granted, explains Schimmel, you need a smartphone or other mobile device to see the Augmented Reality squid. "That's somewhat foreign to people, but this is where society's headed."

PIFA is about to overtake the city like a giant encornet (that's French for squid) with over 135 events, running from April 7 to May 1. If bright lights in the big city get you going, check out the 81 foot Eiffel Tower replica at the Kimmel Center, which serves as festival headquarters, with a light show daily at 7 and 10 p.m. The theme of PIFA is Paris 1911, tying in with the recent French-flavored Philadelphia International Flower Show. All over the city, you can catch performances, lectures, dance parties, installations, readings, a fashion show and eleven French chefs in residence at area restaurants.

The $10 million extravaganza showcases local and international talent. Visit a day-long free Parisian street fair April 30 on Broad Street where you can ride a giant Ferris Wheel and enjoy a multitude of acts including Sharon Jones and the Dap Kings. PIFA is also sponsoring daily wine tastings, crepe samples, free concerts, and French lessons.

Philly-Paris Lockdown, on April 17 at 8 PM at the Kimmel, features Philly's own ?uestlove of The Roots along with singer-songwriter Keren Ann, followed by an underground afterparty. Fourth Wall Arts hosts a special Salon on April 23 at the newly opened National Museum of American Jewish History on Independence Mall, featuring Ursula Rucker, Mimi Stillman and muralist David Guinn.

JJ Tiziou's How Philly Moves, which just raised $26,000 in a Kickstarter Campaign, will be projecting massive images of Philadelphia's dancers on the side of the Kimmel throughout the festival. Hope: An Oratorio, is a work PIFA commissioned by composer Jonathan Leshnoff, to be performed April 24, performed by The Chamber Orchestra of Philadelphia, along with four soloists, the Pennsylvania Girlchoir and the Mendelssohn Club of Philadelphia.

The Painted Bride, The Philadelphia Orchestra, The Slought Foundation, the African-American Museum in Philadelphia, The Philadelphia Museum of Art, WXPN, Philadelphia's Magic Garden, and the Independence Seaport Museum are just a few of the many PIFA sponsors and event hosts. Get detailed program information, tickets, and download a festival brochure at the PIFA website. PIFA, along with the GPTMC, is also offering hotel and ticket packages for the festival.

Source: Dan Schimmel, Breadboard; PIFA; GPTMC
Writer: Sue Spolan